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Introduction... so much energy has been expended by Muslim men and then Muslim women to remove the veil and by others to affirm or restore it... (Ahmed 167). This paper explores these efforts in two specific stages: the first and the last thirds of the twentieth century. Through an analysis of some of the various arguments on the veil, I will try to induce some general characteristics of the debate on the issue and on women during these two specific periods of time. The starting point will be Kasim Amin's Tahrir el Maraa (Liberation of Woman) and the counter argument of Talat Harb's Target el Maraa wal Hijab, (Educating Women and the Veil). The debate between those two protagonists which has become a prototype of the debate on the veil throughout the century (Ahmed P. 164).
Malak Hefni Nassif's and Honda Shaarawi's attitudes towards the veil represent an interesting insight to two different interpretations of the hijab issue by feminist activists that prevail throughout the century. The whole synthesis of this early debate is then put in juxtaposition to the debate later in the century as represented by the avalanche of literature on the topic in the seventies, the views of some famous sheikhs like Mohammed Metwally el Shaarawi and others, and the heated debate initiated by the Minister of Educations decree of 1994 to prevent school administrations from imposing the hijab on girls as part of the uniform. The Early Debate Kasim Amin's Tahrir El-Maraa (Published 1899) It may not be an exaggeration to say that Amin's Tahrir al-Maraa was one of the most controversial book in Egypt's modern history. It has ignited a strong debate and prompted more than thirty reaction articles and books either to defy or assert his argument against the veil (Ahmed P. 164). The ideas of the book were not totally new, they echoed the writings of some writers like Mariam al-Nahhas (1856 - 1888), Zaynab Fawwaz (1860 - 1914), Aisha al-Taymuriah (1840 - 1902), and Marcus Farms (a Coptic lawyer) four act play Al Marah fi al-Share or (The Woman in the East) (Badran P. 19).
Yet, Amin's book double-scored for coming from a Muslim judge and for his overt proposal to unveiling womens faces. His words were not the only challenge to the existing notions of the hijab, it was his caliber as a Moslim judge that has vocalized his call to unveil women and gave his book importance. After an introduction loaded with emotional phrases on the degradation of the Egyptian woman and an exaltation of the European woman, the book is divided into four sections: Educating women, Womens veil, The woman and the nation, and Marriage and divorce. Amin starts his argument calling for the Hijab Share stating that the Hijab in its form then (covering the face, the hair and the whole body) was not mandated by the Sharing. He further adds that he was not calling for the extreme of the West which makes the woman liable to seduction (Amin P. 65). The argument against the veil is in two sections: The religious section which is mainly text interpretation and some Hadith that prompt women to cover the hair and the whole body except for the hands and the face; and the social (practical / everyday life) perspective.
The later section includes social ideas such as the inconvenience for women with their faces covered to dwell in business, to testify in courts or to get engaged (as the groom should see her face first). Furthermore, he argues that unveiling would make women watch their behaviors as they could be recognized and hence their reputation would be at stake if they did any wrong. Still, from the practical social point of view, the flimsy bourbon (face cover) used was more tempting as it makes the viewer curious to see what was intended to be hidden. He further argues that, if women are imprisoned in the harlem (part of the house where women are secluded), then even if they did not commit any shameful act, it would not be due to any virtue in them, but to the fact that they did not have the freedom to do otherwise.
Amin accuses the veil of being a barrier to womens development and education (P. 85), arguing that it deprived her from interacting with the society and learning how to live. He illustrates by comparing the ignorant peasant with the elite urban lady who can speak French and plays the piano, and concludes that the ignorant peasant would be more capable of coping with the difficulties of life than the elite urbanite due to the seclusion of the latter. Talat Harb (1867 1941) In his introduction, Talat Harb states that the main purpose of writing his book was to defy Amin's argument against the veil. Harb was called father of Egypt's economic independence and has established the first national bank in Egypt in 1920. So when someone in his caliber though it was early in his career writes a book, his prestigious position would place heavier weight to his argument. In the introduction, he states that the majority of those who read Amin's book have denounced its ideas, and then declares the now common notion that liberating women is a Western imperialist conspiracy.
He ends the introduction with a note that Kasim Amin would not have such hideous goals in mind, that he wrote his notorious book out of a mixture of good will and misjudgment. Yet at the very end of the introduction, Harb implicitly accuses Amin of plagiarism saying that the ideas of his book were published earlier in Turkey and India. The book is divided into two main sections: The woman and her role in the society and What moral qualities should the woman have. In the first section he states that women are inferior to men in perception and senses, that she has a different calling in life than the man (she for the private sphere, he for the public sphere), and that she should not do mens job.
He ends this section with the results he perceived out of liberating women in Europe (immorality, drunkenness, casual relations... ). Then he devotes the biggest section of the book defending the veil (from page 60 to page 105) concluding that the current veil is not good enough and that women are wrongly doing their best to show their beauty from behind the veil. He starts his argument against unveiling with a compelling statement on the importance of morality, fidelity and modesty. Then he moves on saying that Hijab is the best assurance for these wonderful qualities, defying Amin's religious argument with a different interpretation of the same text the former had used (same text used by Ashmawi and Tantawi later in the century). At the end, he puts a logical question: What is better for women to veil or to be immodest? The question answers itself.
Harb uses the holy text as one source for convincing the reader, he had many other sources such as a scientific research done in European a German scientist that proved that the German women betray their husbands seven times in average, the Belgium six times, the British five times (Harb P. 63). So, if unveiling is to emulate the West, here is the corruption and deficiencies resulting from the absence of veil. Harb uses the same (social) practical argument used by Amin yet with different anecdotes, for example he says that mingling with the other sex will make the woman compare her husband to a stranger with possible unfavorable conclusions on the first. Harb laments that the society was much better before the migration of foreigners attaching their existence with the introduction of legalized prostitution and the call for unveiling women (Harb P. 97).
Malak Hefni Nassif (1886 - 1918) Nassif was the daughter of a follower of Mohammed Abdou and one of the early female teachers for five years before she got married to a tribe leader in Famous. After marriage, she realized that she was a second wife, the discovery was distressful to her, and she seems to have experienced chronic depression as expressed in her words to May Zeiada (El-Gabri P. 11). Nassif used to send articles to newspapers advocating womens rights specifically against polygamy reflecting her personal experience. In 1911 she sent a petition to the peoples assembly (was read by a man, as she was not allowed as a woman to speak in public).
The petition included ten recommendations asking for more education for women, access to mosques, having women enter the fields of medicine and education, full participation in public life, and legal protection for women in marriage and divorce. All recommendations were rejected, yet at least that was a feminist voice heard in the Peoples Assembly (although through a mediator). Nassif's position on the unveiling was firm opposition. She does not base her argument on text interpretation as did Amin or Harb. She follows the social practical line introduced by Amin arguing that although religion did not mandate the woman to veil, nor that the veil was the proof of modesty, she refuses unveiling on the basis of the immaturity of the society and the immorality of some men. She believed that the major interest of the women who unveil was to follow the fashions and not to seek education as Amin had argued (Ahmed P. 180).
Honda Shaarawi (1879 - 1947) Shaarawi comes from an upper-class Egyptian-Circassian family. She was forced to marry her cousin at the age of nine while he was nearly the age of her father. At the age of thirteen, she left her husband because of his return to his first wife. In her early twenties, she accepted to return back to him, after he promised not to return to his first wife again. Shaarawi liked to stress the Western influence on her character and that she had created herself by reading French books and socializing with French women like Eug? nie Le Brun (Ahmed P. 178).
Early in 1909, Sha " arabic with the support of Princess Ayn al-Haya Ahmed, approached the Cairo University with a proposal to hold a lecture for female audience at the University hall to be given by her friend Margret Cl? ment. The topic was a comparison between the European and the Egyptian woman including a discussion on the veil. King Fouad (then Rector of the University) agreed.
The lecture was a success and was followed by others. Nassif was one the speakers invited then. In 1920, Shaarawi was elected president of the Wafdist Womens Central Committee (WWCC) and in 1923, she and other WWCC members created an independent feminist group called The Egyptian Feminist Union (EFU) after receiving an invitation from the International Alliance of Women for Suffrage and Equal rights (IAW) to attend its conference in Rome where they made their first public declaration of their program. The EFU philanthropic activities included a dispensary for poor mothers and children, a center for instruction in domestic arts, a handicrafts workshop, and a daycare center for the children of working mothers. In 1925 the EFU founded Legyptienne, the first explicitly feminist journal in Egypt (Badran P. 102). Legyptienne was in French, later in 1937, they issued al-Misriah in Arabic.
These two papers formed a channel for the EFU agenda which mainly included family laws and education for girls. While Badran argues that unveiling was never part of the formal agenda of the EFU (P. 23), Shaarawi was one of the first women to declare her denunciation of the veil and to take it off in a theatrical dramatic act in 1923 upon her return from the (IAW) conference in Rome. Both Shaarawi and Nassif represent what Laila Ahmed terms as two divergent voices (Ahmed P. 174) within the feminist voices on the veil: Shaarawi was a voice connected with the western culture through readings and friends and consequently advocating Western ideas; Nassif was a voice representing indigenous ideas, influenced by Mohammed Abdou rather than western writers, wrote in Arabic rather than in French, and raised issues that are totally indigenous such as access to mosques. The Debate Late in the Century The issue of the veil was not resolved with the unveiling of most urban women during the middle decades of the century.
The issue is back on the foreground as of the seventies. One basic difference is the definition of hijab (the veil): early in the century it meant covering the face and keeping women in the house. Later in the century, hijab meant covering the hair and the whole body, only showing the hands and face, and not necessarily limiting women to the private sphere. The new hijab has become, as Macloed puts it, a symbolic resolution of womens dilemma of having to work, and feeling guilty about it. (Macloed P. 120) The earlier version of the hijab is now called Nikab and is adding a new dimension to the controversy on the veil: a veiled women like Nail Hassan, the reporter of Akher Saa (an Egyptian magazine) investigating the world of Monakabat treats it as a mysterious alien world (Akher Saa 8 / 12 / 92). Preachers and sheikhs, specially on audio tapes, consider it as a double score for a woman to be monakabat though not mandated.
Opposition Islamic groups found a golden opportunity to attack the government for not allowing monakabat to university compasses. The Wave of the Seventies In the seventies, Egypt witnessed what was described as a revival of indigenous Islamic values. Some of the reasons given for that include: the defeat of 1967, the collapse of Nasser's Arab nationalist dream, the waste of the Yemeni War (1962 - 67), the failure of Nasser's socialist contract, Sadats insecurity vis-? -vis the leftists and encouragement of the Islamic current declaring the new label of Dale el Ilm wal Iman (The State of Science and Faith), the petro-dollar coming with its agenda, the economic crisis and the rising inflation rate, and the sense of corruption caused by the open door policy Infitah which enlarged the gap between the rich and the poor. All the above made people seriously consider returning to religion, the only solid ground available after all these changes and disillusions. As women are the bearers of culture, an avalanche of books was published outlining what is to be expected from a true Muslim woman.
Hijab was the hottest issue, it is a tangible aspect of faith, so it should be a starting point for any true believer. Following is a summary of the ideas shown in some books from this period Because of Malak Hefni Nassif's opposition to unveiling, her ideas were re-published in 1976 by a writer called Abdel Aal Mohamed El Gabri. The writer selects what to put in the book, and comments on what she says, putting attractive titles that would appeal to a conservative reader such as The Corrupted Morals of the Educated Women, though what is written under this title does not denounce educating women but simply differentiate between learning sciences and being morally disciplined. He would also attract the misogynous type of a reader by a chapter entitled The Misbehavior of Women in which she criticizes some qualities that may be in the womans character such as ignorance or snobbery. Night Sidki wrote her book El-Tabarruj in 1975, she argues that God has punished her for immodest dress and use of make up by an inflammation in the gums. She writes: I am a sinner deserving this punishment and more, for the mouth which God has disciplined with illness and pain wore lipstick and did not command the good and forbid the evil (Hoffman-Lad P. 29 - 30).
Sidki resorts to Harb's interpretation of holy text concluding that God forbids women from displaying their bodies to preserve the society from the harms of el-tabarruj. In 1978, El-Gohari, in a book dedicated to Hassan el Bank, the founder of the Muslim Brothers Group, illustrates that Hijab means covering the womans beauty (Ziena) and segregation from men. He puts two conditions for womens education or work: sex dichotomy and womens veil (El Gohari P. 43). El-Gohari asserts that there is nothing to argue about as far as the Hijab is concerned, women should veil, period.
He quotes a Hadith cited by Fate that when the Prophet was asked which is best for the woman, his answer was that She should not see nor be seen by a man (El-Gohari P. 44). (The same Hadith was discredited by Farm Houeidi in Al-Ahram article in 1996). He dedicates the biggest part of his book to denouncing womens work and mixing with men. El-Bahi starts his book in a way similar to that of Talat Harb, the first half of the book is dedicated to denouncing the Western woman, drawing an image of a society rife with homosexuality, pre-marital sex, infanticide and adultery. The second half targets the feminist agenda articulated by groups during the first half of the century such as equality in inheritance, in taking her opinion (al should), in marrying without a wali, in having a judge to effect divorce and polygamy, and equality in testimony, concluding that Islam does not butter women with hypocrisy, but gives them all their due rights, and hence there can never be more rights to claim.
The avalanche of such conservative ideas and the prevalence of the veil has alarmed secular feminists like Naval Al-Shaarawi who published in 1972 El Maraa wal Gins (Women &# 038; Sex) denouncing the conservative ideas that disguise itself in religious jargon (Researchers of El Maraa Al Farida, 1995). In another booklet, she argues that since rural women who constitute 80 % of the population are never veiled, then, according to the conservatives logic, this majority of women are corrupt and immoral, a conclusion that can not be true (Hoffman-Ladd P. 35). In 1996, Al Shaarawi published a short story in Al-Ahram newspaper, allegedly a true story of one of the cases who came to her as a psychiatrist, the story implies that the veil and the rigid patriarchal family authority lead to psychological distortion and sexual repression. Though, she never says these words, the story is full of metaphors implying the idea. The protagonist is a veiled girl who dreams of Noah arch leaving her out crying and agonizing her doom. The girl would fall in love for a Pharoanic statue and the story ends with her throwing the statue away and falling apart.
Whether it is a true story or not, it carries Al-Saadawi's message and counter argument against the veil. The story was refused by all publishers and seems to have reached Al-Ahram after a long struggle. Prevalence of the conservative ideas of the seventies books made the veil question become as best described by Fda El Guides statement: A woman in public has a choice: either looking secular, modern, feminine, and passive (hence very vulnerable to indignities), or becoming a religieuse (a Muslim Sister), hence formidable, untouchable and silently threatening (El Guide P. 8 Mohammed Metal el-Shaarawi el-Shaarawi is a popular Islamic thinker and vigorously promotes the veil in its modern sense. In 1980 he argues in his book Al Maraa Kama Aradaha Allah that when the woman is not veiled, she is displaying her beauty seducing those who can not afford to marry. Since those young men can not marry and have for example to wait till they finish their education, they will have to resort to sin to fulfill this desire.
Hence, womens unveiling pollutes the society and leads to immorality. He further argues that when the woman takes the veil, she protects herself from being compared to a younger or a more beautiful woman, and if the husband does not see any other woman but his wife, he will desire no woman but her. (Hoffman-Lad P. 31). So, according to el-Shaarawi, womens veil preserves the family and protects the whole society nothing can be more important, and the price is not so expensive in comparison. Defying an argument that Hijab was introduced by the Malak to protect girls from being kidnapped, he says that even if this is the case, we still need to protect the girls from being kidnapped in the streets of Cairo by veiling them (Hassan, Akher Saa). The same argument that a females dressing code is responsible if she is kidnapped or raped is echoed at an Al-Shall article on 12 / 13 / 92, and later in Al Ahram on 5 / 16 / 97 by Abdel Wahhab Metawei in Based El Goma, in reply to a mothers problem whose daughter was raped because of her immodest dress. Sound Tracks Sold in front of Mosques (1997) Sheikh Kishk, died few years ago, starts his tapes with a prayer containing Onto Awratena (God to cover our weaknesses / pudenda), the word agrafena is a loaded term as the translation indicates, and whether he says it or not, the word has a notorious connotation with a womans body as explained in the vernacular section.
He laments the good old days when things were cheap, when women stayed at home and obeyed their husbands, comparing it to women who (in a sarcastic tone) want to have the right to divorce themselves. Kishk puts four pre-requisitions for women to go to heaven: to pray five times a day, cover her hair, cover her pudenda, and obey her husband. He does not tell where he got this combination from, most probably, it is an outcome of his speculations. Kishk's theatrical performance, audio dramatic effects, overwhelms the audience, leaving no chance to question his sources.
Ward Ghoneim, in a tape entitled Solo El Out El Moslima (The Behavior of the Moslem Sister), starts off the tape with a quotation Every new innovation is Bidaa, and every Bidaa is from the Satan, the new innovation he is referring to is womens unveiling and leaving the house. That was just the introductory phrase. He then moves to the name of the tape: he says that he had wished to call the tape (The Behavior of the Veiled Woman), because unfortunately there are women who are still unveiled, and hence, are unworthy of advice. The tape is well focused and logically constructed (in contrast to Kishk's which moves from one topic to the other) on the expected behavior of the veiled woman and her language in the street, in public, in family occasions, with neighbors, in means of transportation and at work. The number of dos and dont's reached at the end of the tape is alarming, one feels like the preacher wants to control and put constraints on every single move or word of the woman. His justification to these constraints is that the veiled woman is an ambassador of Islam.
This way he overweigh's small errands and everyday activities turning them into representation missions that should strictly follow complicated protocols. The word are is again used extensively, every unveiled woman has her are seen by strangers. Even the veiled who is not orthodox enough, leaving her neck, ears, a part of her legs or arms seen, has her are seen by others. This way every part of the body, except the hands the face is are, the power of using the word is in its connotation with sexual organs, it may be acceptable that the arms be seen but if they are as sacred as the sexual organs, then letting them to be seen is a big crime. The hijab in Schools and the Nikab Universities In 1994, Dr. Hussein Kamel Maraa El-Din, Minister of Education, fueled the battle on the veil with decree No. 113 preventing school administrations from imposing the hijab on girls.
Given the symbolic importance of the veil, the decree mobilized many writers attacking or defending the Ministers position. What made things more difficult was a fatwa issued by an-Al Azhar committee denouncing the Ministers decision and considering it as an assault on the religious teachings. The thread was picked by the governments opposition, and papers like Al-Ahram came out with titles like: The Volcano of Anger sweeps Egypt because of the Ministers decree... Parents beg to the Minister to have Mercy... The Minister is appealing to the lime lights with his decree (Al-Ahram Sept. 5, 94). The whole issue was turned into a political issue, it was not a matter of wearing the veil or not, the Ministers decree did not say that girls should not wear it, he said that parents approval should be obtained first.
Yet, given the political tension between Islamic groups and the government, the decree was considered as an aggression on the later's domain specifically within the administration of the schools which impose the hijab sometimes on girls who are six years old. The Minister had earlier problems when he insisted that Monakabat are not allowed inside university campuses unless they show their face to security. This decision has stirred the many of opposition groups who took it into their shoulders to write the story of any Monakabat who was denied the right to get into campus with great sympathy in their papers. Abdel Azim Ramadan, a historian with many publications, takes part in the debate. In an articles published in October Magazine on September 4, 94, Ramadan took the Ministers side, against the fatwa. He starts (a bit on the defensive) by saying that he was a graduate of Al-Azhar, is indebted to this educational institution and has nothing against it whatsoever.
Ramadan treats the Azhar fatwa as a political act inciting the people against the Minister and embarrassing the government, putting a precedence to counterfeit any other ministers decision and threatening the governments autonomy. For the rest of the article, Ramadan tries desperately to put the veil issue in its place as a personal religious decision, arguing that it is only one aspect of religiosity that can not substitute the other aspects, he reiterates that the decree did not prevent girls from wearing the hijab, it just prevented the administration from imposing it by putting the condition of the parents approval. Finally, he argues that the Islamic groups opposition to the decree is because they want to have the authority to impose a dress on girls that would even transgress the parents authority. On August 24, 94, and within the same context, Akher Said presents a book review of The Responsibilty of the Muslim Woman in Structuring the Family and the Society by Mohammed By el Din Salem.
The title of the article (written in a big font) was All Religions have called for the Hijab... Unveiling is due to Ignorance of the True Teachings of the Religion. The book as reviewed by the article is full of quotations from the Bible, the Old Testament and of course the Quran, concluding with what is in the title. Said Ashmawi and Tantawi (August 1994) Within the great commotion caused by the Ministers decree, Said Ashmawi wrote in Rose-al-Yousef an article declaring that the Hijab is not mandated by Islam, interpreting three Quranic verses: Ayet El Hijab, Ayet El Khimar, Ayet El Galaleeb, and some of the Prophets Hadith, and concluding that the hijab phenomenon is an expression of politicized Islam and is being used as a tool by the leaders of Gamma Islamic.
Tantawi, then Grand Mufti of Egypt replies advocating Hijab interpreting the same verses, and denying its connection with whatever is called politicized Islam as he puts it. The debate goes on, but unfortunately ends up with the two sides discrediting each other, and that was the sad end of the debate. Ayat El Gelbab: O ye who believe! Enter not the dwellings of the Prophet for a meal without waiting for the proper time, unless permission be granted you. But if ye are invited, enter, and when your meal is ended, then disperse, Linger not for conversation.
Lo 1 that would cause annoyance to the Prophet, and he would be shy of (asking) you (to go); but Allah is not shy of the truth. And when ye ask of them (the wives of the prophet) anything, ask it of them from behind a curtain. That is purer for your hearts and for their hearts Ashmawi interprets this verse as binding only to the wives of the prophet and not to any women. It even does not include the concubines he took giving the Hadith told by Anas Ben Malek that when the Prophet married Said ben Yehia, people knew that he is taking her as a wife not a concubine when he veiled her (put a curtain is the literal translation).
Tantawi argues that Ashmawi's interpretation is wrong and that the Hijab applies to all women, it is a religious doctrine (Home Share) Ahmed, Leila. Women and Gender in Islam. Cairo: The American University in Cairo, 1992. Amin, Kasim.
Tahrir El-Maraa. Cairo: Oriental Library, 1899. Ashmawi, Said. El-Hijab Lai's Farida. Rose-al-Youssif 6 / 13 / 94 1994: 22 - 25. Ashmawi, Said.
Al-hijab Lai's Farida Islamic. Rose-al-Youssif 6 / 27 / 94 1994: 81 - 83. Ashmawi, Said. Lane el Fatwa el Sharia bel Azhar Gear Share.
Rose-al-Youssif 8 / 22 / 94 1994: 28 - 31. Badran, Margot. Feminists, Islam, and Nation. Princeton, New Jersey: Princeton University Press, 1995. El-Bahi, Mohammed. El-Islam Wa Itigah El-Moslima El Moasira.
Cairo: Dar
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