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James Dougherty At some point, [Whitman] penciled a note on the script of the unpublished [poem] " Pictures" : " Break all this into several pictures. " That is, break open the casque of consciousness in which the images floated... and declare its single perceptions to be poems. Several poems from the Calamus sequence, like... " A Glimpse, " are moving toward independence from the sponsoring mind... In such poems, the order of observation implies a statement of sorts... " A Glimpse" advances from outside to inside, from noisy barroom to quiet nook, from coarse camaraderie to silent intimacy. from Walt Whitman and the Citizens Eye (Louisiana State UP, 1993), 73 - 7 Michael Moon [T]he (male) speaker of [" A Glimpse" ] feels perfectly at home in the atmosphere of charged male sexuality (drinking, swearing, and " smutty jest" ), although (one might say) he and his lover inhabit this sexually charged atmosphere differently from the way their fellows do.
Hence the split subjectivity of this text: what is dis encrypted in this lyric is what is invisible to the fleeting passerby and even to the denizens of the tavern as they " com[e] and go[ ]" : the strong current of erotic inter subjectivity shared by the male couple who sit quietly together for " a long while. " from Disseminating Whitman (Harvard UP, 1991), 161.
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Research essay sample on Quot A Glimpse Quot Quot A Glimpse Male
