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This simple yet compelling drama is almost devoid of action, but full of reflection and ideas. For this reason, it has enjoyed more success as a dramatic poem than as a play a work to be read rather than staged. It is quite natural for the reader to sympathize with Prometheus here, and to see Zeus as a pitiless, imperious young tyrant, more concerned with suppressing insubordination than with the general welfare of his subjects. We ought to remember, however, that Prometheus Bound is only the first in a trilogy. The Zeus depicted in the second play, Prometheus Unbound, is far less stern; he reconciles with Prometheus and frees him. (Incidentally, the third play, Prometheus the Fire-bearer, has been lost. ) The plots of these plays have frequently been used as figurative evidence by those who denounce Governments and other institutions as oppressors of the individual.
For instance, a scientist who uncovers a principle which appears to contradict established religious or scientific tenets can identify with Prometheus when his findings are ridiculed or suppressed. Prometheus, a god made subject to suffering by the pettiness of gods, is symbolic of mans petty inhumanity to man. Even as the figure of Prometheus, with the daughters of Oceanos around him, sinks out of sight, the great Titan-god cries out: Ocean and sky are one great chaos! So mighty a gale comes only from Zeus: He sends it to rouse wild fear in my hear glorious mother, O sky that sends The racing sun to give all thing s light, You see what injustice I suffer!
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Research essay sample on Play Prometheus Zeus God
