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... magically. The once affectionate husband who adored his "sweet little creature" of a wife; who once said that could save her form some danger so he could show how much he loved her, becomes a complete hypocrite and worries constantly how her actions are going to affect his reputation. Torvald is presented as a victim throughout the whole play, and it is because of his need to accepted into society that his is life dramatically changed. If Torvald didn't have the need to be such an upstanding male status in society, then Nora would not had been forced to conceal her hidden independence, in order to save her husband's life. Nora is a victim of society because of Torvald's need to appear as a picture perfect family, in order to play the role he has set for them.
Not only is Nora a victim of society, but of Torvald as well. Nora feels that it is her duty as Torvald's wife to live up to his expectations and play the role he has set for her, in order to make a good impression on society. In the beginning of "A Doll's House" as an audience we see Nora as a victim, a doll who is controlled by Torvald. She relies on him for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all its actions.
At this stage of the play Nora enjoys playing the role of Torvald's wife. Like Torvald, Nora finds it content to be comfortable in society and plays along with what society expects of her. The Christmas presents she buys for the children are clear evidence that she follows the stereotypical views of society. "A trumpet for Bob. And a doll and a cradle for Emmy. ' (Act 1, pg 25) The conversations with Ms Linde reveal that there is more to Nora than what meet Torvald's and society's eyes.
In the conversations with Ms Linde, we are introduced to Nora's hidden independence and illegal actions. Nora uses the image of being a victim of society to cover up her secret business. An example of this is when Nora buys macaroons and lies to Torvald about having bought them. "Not a little nibble at a macaroon?" Nora: "No, Torvald- I promise you honestly-!" (Act 1, pg 27) Nora rebels against society's morals and laws that "a wife can't borrow money without the husband consent. " (Act 1, pg 35) Although she realises is illegal and wrong, she finds it "great fun, though, sitting there working and earning money. Almost like being a man. " (Act 1) As the play progresses we see Nora realise that she has been feed disillusions that it her duty to be the ornament and prize to her husband, the role which society has given to her.
When Torvald finds out about her illegal activities, to save his life, she prepares to leave town, knowing that Torvald would not want anything to do with her once he finds out that she will disgrace his name. The point in the play where Nora takes off her fancy dress, symbolizes that she is no longer the same person. "Taking off my fancy dress... I've changed. " (Act 3, pg 96). She has finally given up playing her expected role in order to please society.
Instead Nora plans to please herself, by trying to find her true self and identity. Nora has been pushed around by men her whole life and now just wants to leave society's vicious circle and find her true identity. "I took your taste in everything- or pretended I did... I've been living here like a pauper... I performed tricks for you... You and Papa have done me great wrong. It's your fault that I have done nothing with my life. " (Act 3, pg 98) Ms Linde was once a victim of society.
She was forced by society's expectations to marry the man who she did not love, but had enough money to support her sick mother and her two brothers. Now that Ms Linde is a widow she represents the independent woman. After she became a widow, she was forced by society's judgement to go out and fend for herself and get a job. Ms Linde had to become self-sufficient. Things in Ms Linde's's life changed after she became a widow, she took up knitting, as it was efficient, even though it was not thought of as unladylike. 'You ought to take up embroidery.
It's much prettier. But, knitting now, -that's ugly business. " (Act 3, pg 86) Krogstad is initially presented as the villain, but we as the audience soon become aware of how pathetically reliant he is on society's views on him. Krogstad like Torvald needs to be supported by objects, which make him seem like a better person. In Krogstad's case it is his job, which gives him his pride, but now that it is being taken way form him he will "fight for my (his) little job at the bank as I shall fight for my (his) life. " (Act 1, pg 39). Krogstad uses Nora to threaten her, to try and get what he wants, and not to lose what he had worked so hard to achieve. Krogstad talks about society as it were his life. " Now I'm a shipwrecked man, clinging to a spar. " (Act 3, pg 81).
In the end of the play, we become aware that Krogstad isn't a villain but just struggling in society, trying to get back some of the pride he has lost. Dr Rank is probably one of the most upstanding characters represented in the play, because of his status being a respectable doctor. Along with his job comes a conception that he is a respectable and important person to society. It's ironic that he is the result of society actions and is a victim to both his father's actions and society. Dr Rank is dying of a disease which his father passed onto him, because he was doing what Torvald did and followed society's trend and slept around with as many women as he please. The exploration of the character's choices in society, whether to follow the crowd or be an outcast, often displays them as victims of society.
No matter how large or small, most of the characters in "A Doll's House" are presented as victims. 'A Doll's House" magnificently illustrates the need for a change in society's view of males and females in society.
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Research essay sample on Play The Role Fancy Dress
