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Close Up Shot Point Of View
1,396 wordsJonathan Demme, the director of Silence of the Lambs, and Tak Fujimoto, the cinematographer, do an excellent job in portraying almost every aspect of cinematography to make this movie suspenseful and gripping. Various motifs of camera angle, shot duration, movement, point-of-view shots, on-screen and off-screen space, and framing allow the viewer to better feel the intensity and reality of the scenes. In addition to motifs, there were certain scenes in the film that portrayed Demme's directing a...
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Mise En Scene Close Up Shot
2,049 wordsAmerican Beauty and the Beast Beneath In American Beauty, 1999, directed by Sam Mendes, we are confronted with the permeating images that have consumed mainstream American life. Mendes exploits these images as constructions that we created around ourselves as a means of hiding our true selves. Mendes is able to implicate us in the construction and make us active viewers by exploiting our voyeuristic nature, the nature of a prying observer to usually seek the sordid or the scandalous. In American...
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Close Up Shot Point Of View
874 wordsBuffalo 66, a movie directed and written by Vincent Gallo starts with a baby picture of Billie Brown (played by Vincent Gallo himself), and then goes into shots of Billie getting out of prison. Billie the fresh free man is looking for a bathroom but has no luck in finding one. The shots used in the scenes where hes on the search for a bathroom are some handy shots (a bit shaky), they cut in the middle and they are also shot from above this is, in my opinion to emphasize on the situation Billie i...
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Martin Luther King Close Up Shot
1,844 wordsThe first scene begins with a close up shot of Senor Love Daddys mouth, the top of a microphone, and an alarm clock. The alarm clock, being used as a prop, is making a very loud, annoying, ringing sound. This is done in order to get the viewers attention to the problem of racism. After the ringing stops, we start reframing in, and zooming out slowly, seeing more of Senor Love Daddy and the microphone. There is hard lighting present in the scene. The entire shot has a reddish color to it. A slow ...
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F Scott Fitzgerald Close Up Shot
4,012 wordsMaking A Movie Imagine a young child, eye level with a floor full of miniature toys, concentrating intently on building a make-believe world. To the child, the toys are not miniature figures made of plastic or wood. They are real characters with real adventures. The child frames the action, crafting scenes that unfold in a world of imagination. Looking through the lens of a camera as actors bring to life a writers story, the filmmaker is also peering into a world of imagination. The director, pr...
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