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Free research essays on topics related to: michelangelo

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  • Michelangelo - 1,473 words
    Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in it's natural state. Michelangelo's poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo's sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it's many revisions trying to complete his vision. Sculpture was Michelangelo's main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable pe ...
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  • Michelangelo - 1,351 words
    Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in it's natural state. Michelangelo's poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo's sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it's many revisions trying to complete his vision. Sculpture was Michelangelo's main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable pe ...
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  • Michelangelo - 1,986 words
    ... ed to Clement VII by the traumatic events that were undermining the unity of Christians at the time. After the pope's death, on September 25, 1534, and only two days after Michelangelo's arrival in Rome, his successor, Paul III Farnese confirmed the commission to Michelangelo, and in April 1535 scaffolding was put up in front of the altar wall. All that had happened in the church in the years that preceded the Judgment, including the Reformation and the Sack of Rome, had a direct influence on the work's conception: painted on the altar wall, the Last Judgment was to represent humanity face to face with salvation. The Scandal Even before its official unveiling, the Judgment became the tar ...
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  • Michelangelo Buonarroti - 1,065 words
    There was a time period from 1400 C.E. to 1600 C.E., referred to as the Renaissance. The Renaissance was an age of discovery shown through , architecture, poetry, art, sculpture, and theater based on a Greco-Roman culture. Among the many Renaissance thinkers there was a man named Michelangelo Buonarroti. Michelangelo was an architect, sculptor, painter, poet, and an engineer. He preferred sculpting because he felt he was shaping mankind, which reflected the Renaissance era. The Renaissance encouraged everyone to express their human potential and become a master of their universe. In contrast to , the dark middle age ideas of a supernatural orientation ,to life , the Renaissance encouraged a ...
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  • Michelangelo - 1,472 words
    Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo's artwork consisted of paintings and sculptures that showed humanity in it's natural state. Michelangelo's poetry was pessimistic in his response to Strazzi even though he was complementing him. Michelangelo's sculpture brought out his optimism. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered through it's many revisions trying to complete his vision. Sculpture was Michelangelo's main goal and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had a great and stable pe ...
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  • Michelangelo - 1,561 words
    Michelangelo was an optimist in his artwork and his sculptures. Michelangelos artwork consisted of paintings that showed humanity in its natural state. Michelangelos showed optimism in every figure he sculpted. Michelangelos sculpture brought out his true feelings of the world and how he viewed it. Michelangelo was optimistic in completing The Tomb of Pope Julius II and persevered it through its many revisions trying to complete his vision. Sculpting was Michelangelos main goal and the love of his life. Since his art portrayed optimism, Michelangelo was in touch with his positive to the fullest. Showing that he had a great and stable personality. Michelangelos artwork consisted of paintings ...
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  • Michelangelo's "creation Of The Heavens" - 396 words
    Michelangelo was explained to be somewhat of an idealist in his vision of religion. He saw God as loving and compassionate, and man as he was first created; pure, noble, and innocent. From the Sistine Chapel, The Creation of the Heavens, as it is titled, shows his view of God perfectly and clearly. In fact, the image shows the way others viewed God, as cruel and angry, as well. Many people in Michelangelos time felt God was cruel and angry; that he was without mercy for man. They had seen many plagues and wars in that time, and people dying without apparent cause. They figured God left them to their own devices, and that he was unjust. The image shows the wrath of God, and the fear it inspir ...
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  • Michelangelo Buonarroti's Life And Attitude - 1,106 words
    Renaissance artists expressed their ideas through various approaches and unique styles. To a certain degree, great works can be analyzed and depicted to reveal attitudes that its creators held toward lifes character. Michelangelo Buonarroti, creator of masterpieces such as David and the frescoes of the Sistine Chapel ceiling, is a great figure of the Renaissance worth studying. His character and influences in his life contribute to the changing moods depicted in his artwork and writings. He worked during three quarters of a century of tremendous change in European Society, and as an artist was supremely responsive to the hopes, fears, and values of his culture, which he both exemplified and ...
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  • Michelangelo Buonarroti's Life And Attitude - 1,109 words
    ... of the despair of his soul through the statues which he named Dawn, Dusk, Day, and Night. He used these to symbolize the suffering of mankind. He says, It is because they are crying that they are alive; their suffering gives them all their beauty (Mid Years 5). In a famous verse regarding his work, Michelangelo refers to the despair of his soul: It is my pleasure to sleep and even more to be stone: As long as shame and dishonor may last, My sole desire if to see and to feel no more. Speak softly, I beg you, do not awaken me (Mid Years 5). The four Florentine Slaves also described Michelangelos work around that time. They were carved from deeper blocks that allowed more exploration of mov ...
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  • Canada's Michelangelo - The Life Of Guido Nincheri - 1,450 words
    "I'm tired of people coming back from Europe and telling me how beautiful the churches are. We've forgotten what we've got here." mac1996 Between 1915 and 1973 the Italian-Canadian painter Guido Nincheri devoted his life to producing stained glass windows and frescoes for more than one hundred churches across North America. Although honoured in Montreal's three hundred and fiftieth anniversary as a builder of the city, few Canadians know of the identity of this craftsman. The purpose of this paper is to uncover the story of this unrecognized artist and evaluate the significance of his contributions to Canadian society. Born in Tuscan, in the small town of Prato, in Italy, on Sept. 29th ,1885 ...
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  • Canada's Michelangelo - The Life Of Guido Nincheri - 1,414 words
    ... uches on his delicate work at a new project at Baie Comeus Ste Emile Church, he was arrested by two R.C.M.P. agents. Labeled as a fascist sympathizer, Guido was placed in a prisoner of war camp at Petawawa, outside of Pembroke. Later, after his imprisonment, three more RCMP agent showed up at his studio searching for any documents that might prove their theory of Guido being a fascist supporter. Giulia Guido's wife, was outraged at her husband's imprisonment and the accusations of the government. Giulia, an accomplished seamstress, who actively contributed to Guido's business by making the costumes for his models, set out to free her husband. Giulia and Guido's assistant, Matthew Martira ...
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  • Michelangelo Buonarroti - 1,176 words
    Michelangelo Buonarroti was born in 1475. He was born in a small town called Caprese, in Tuscany, Italy. Michelangelo was one of the most famous artists of the Italian Renaissance. According to Charles de Tolnay Michelangelo's three greatest works of his later life, were the Tomb of Pope Julius II, the Sistine Chapel ceiling, and the Medici Chapel(37). Michelangelo's specialty was painting the human body unclothed. In order to learn to paint the human body so well he would dissect human corpses. His artistic talents were noticed at a very early age. Michelangelo went to study with Domenico Ghirlandago, who taught him about painting. He then went on to work with Donatello to learn about sculp ...
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  • And Inventions - 1,136 words
    ... drawings, especially of the human body. He studied anatomy by dissecting human corpses and the bodies of animals. Leonardo's drawings did not only clarify the appearance of bones, tendons, and other body parts but their function in addition. These drawings are considered to be the first accurate representations of human anatomy. Leonardo is also credited with the first use of the cross section, a popular technique for diagramming the human body. Leonardo wrote, "The painter who has acquired a knowledge of the nature of the sinews, muscles, and tendons will know exactly in the movement of any limb how many and which of the sinews are the cause of it, and which muscle by its swelling is t ...
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  • Raphael - 683 words
    Raphael was an Italian Renaissance painter who is considered one of the greatest and most popular artists of all time. He was born Raffaello Santi or Raffaello Sanzio in Urbino on April 6, 1483. He received his early training in art from his father, the painter, Giovanni Santi. According to many art historians, he also studied with Timoteo Viti at Urbino, executing under his influence a number of works of miniaturelike delicacy and poetic atmosphere, including Apollo and Marsyas and The Knight's Dream. In 1499 he went to Perugia, in Umbria, and became a student and assistant of the painter Perugino. Raphael imitated his master closely; their paintings of this period are executed in styles so ...
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  • Auguste Rodin - 1,053 words
    ... otifs of the Renaissance masters, but a highly personal, intoxicating memory of what it was like to experience great art" (Lampert 12-13). Early on in the year of 1877, Rodin was accused of being an imposter. The Salon claimed that he had taken a statue and just molded right over it with new material. When Rodin found out what he was being accused of, he rushed to the press and had pictures taken to prove that he was not an imposter, and to prove that the sculpture was not exactly like the human body. Finally, the Salon concluded that it was not the same thing and Rodin said, "I have learned how to use it [bronze casting]." Rodin returned to Paris in late1877, when a death occurred in th ...
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  • Nicolas Poussin And Roman Influences - 1,405 words
    Nicolas Poussin and Roman Influences in France The city and art of Rome had an enormous impact on the French Baroque Classical artist Nicolas Poussin and through him an effect on French art and artists in the following centuries. Poussin was greatly influenced by the classical ideals of Italian art and flourished in the art-loving city of Rome that encouraged a young artist to explore his abilities. Nicolas Poussin spent a most of his productive artistic career in Rome and over half of his life in the ancient city. Though Poussin was a known, practicing artist before he spent any time in Rome, it has been said that his successful artistic career actually began with his arrival in the city. W ...
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  • Ayasofya - 4,943 words
    ... misphere set on the larger circle is intersected by vertical planes rising from the sides of the square, forming four arches. A horizontal plane is then passed through the hemisphere at the tops of these arches, providing a ring on which is built the dome, which has a diameter equal to the circle inscribed within the square. The pendentives are spherical triangles, the remaining portions of the first, or outer, hemisphere. At Hagia Sophia, two opposing arches on the central square open into semidomes, each pierced by three smaller radial semidomes, forming an oblong volume 31 m (100 ft) wide by 80 m (260 ft) long. The central dome rises out of this series of smaller spherical surfaces. A ...
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  • Titian - 1,104 words
    No one knows exactly when the Italian artist, Tiziano Vecellio, was born. Over the centuries, there has been a great deal of confusion concerning the date, due to a misprint in his biography by sixteenth century art historian, Girgio Vasari. Vasari recorded the date as 1480, but the progress of Tiziano Vecellios work, as well as other documented sources, announce his date of birth to be sometime between 1488 and 1490. (Magill 2310) The place of his birth was Pieve de Cadore, in the Alps north of Venice. Tiziano Vecellio, also known as Titian, was a great master of religious art, a portraitist, and the creator of mythological compositions, which have been so decorative and inventive that no o ...
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  • David Awaiting Goliath - 490 words
    Before going to Eleganza, the only sculpture that I had ever seen, besides the small statues in neighbors' yards, was in books that I had looked at. When I entered the museum I noticed the many sculptures that occupied the small space. After walking around, observing the different sculptures and listening to Dr. Roselle speak, I came to a decision that David was my favorite statue in the museum. The complexity, texture, and realistic characteristics of Michelangelo's David made this a beautiful sculpture. I had only been exposed to pictures in books of sculpture before visiting Eleganza. For me to be able to see the sculptures in their three-dimensional form right in front of me was an exper ...
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  • Sistine Chapel - 622 words
    Without question the most recognized work of the Renaissance is Michelangelo's Sistine Chapel. Named for Pope Sixtus IV della Rovere (1471-1484), the chapel is simple in shape. Its measurements repeat those given in the Bible for the temple of Solomon. But, despite the Sistine Chapel's structural simplicity, its ceiling is one of the pinnacle achievements in art history. After more than four years, Michelangelo completed his masterpiece ceiling in October of 1512. On it he portrayed the nine stories from the Book of Genesis, including its most famous image, God's Creation of Adam. The achievement of this work lies not only in the detail and beauty of the artistry, but also in the comprehensi ...
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