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Stephen Yenser " The Mouth of the Hudson" is virtually an emblem of the precarious position of man as the persona has come to see him. The poem opens with " A single man, " who stands on an outcrop above a railroad siding and watches the trains switching beneath him These lines sum up the random violence of the poet-speakers world, his lack of control over that world, and the scrambled puzzle that it seems to him. The fact that the train is a mechanical, and the ice floe a natural, phenomenon suggests the ubiquity of anomie and implies the impossibility of self-determination; in a world in which neither nature nor civilization is ordered, the individual has no choice but to drift. This theme is all the more remarkable in " The Mouth of the Hudson" because several of its details recall, ironically, " The River" section of The Bridge.
Lowell seems to repudiate implicitly the optimistic vision of Crane; and the poem ends, not with Cranes " Passion" and promise of deliverance, but with " the unforgivable landscape. " From Circle to Circle: The Poetry of Robert Lowell. Copyright? 1975 by the Regents of the University of California.
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