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The poems of Sir Walter Ralegh often deal with the issue of death and mortality. In some cases he directly deals with the issue, and others he uses vast metaphors in order to convey his message. For the most part, Ralegh takes a very bleak position on the issues of death and aging, but in some cases he takes a more optimistic view. Ralegh is said to have been a man who was a historian, soldier, courtier, philosopher, explorer, and of course a poet. The fact that he spent the last years of his life in a prison and was then executed for false charges of treason suggest that he knew the potential dangers of his activities and made a conscious decision to live the way he did. It is clear from his work that Ralegh did not know exactly what to think about the issue of death, and that he spent a great deal of time thinking it over.
The result of this pressing question in Ralegh? s mind is a collection of poetry that covers the subject from several different perspectives. In Ralegh? s short poem? On the life of Man? , he (as the title suggest) reflects on the meaning of human life.
Ralegh makes the analogy of life being like a production on a stage. He compares the time spent in a mother? s womb to being like that of time spent in a dressing room where we prepare for what he calls a comedy. He gives no suggestion of any set structure in the comedy, but states quite clearly that heaven is watching and will be judging. He goes on to compare graves to drawn curtains. This is a very per volant idea in American society where there is a cliche of the term?
curtains? for meaning the end or death. This particular poem is not very optimistic simply because there is nothing in it to suggest that life has any profound or special meaning which is something that people want to believe. Ralegh concludes this poem with the line: ? Only we die in earnest, that?
s no jest. ? From this it can be assumed that he thinks of his life a a comic time which should be enjoyed except for the end which is not funny at all. In Ralegh? s poem? The Lie? , he also deals with the subject of mortality. The first line of this poem is?
Go, soul, the body? s guest? . It is clear that he sees the soul as a separate being from one? s physical body. In this scenario the body is simply the host of the soul, and it will leave upon the expiration of life. In this poem Ralegh is sending his soul on a mission to tell all of the people of the world that they are living a complete contradiction.
He lists all kinds of things that he claims are not what they seem. There are lines like? tell flesh it is but dust? , and? tell nature of decay? .
Basically he is commissioning his soul to go and tell the world what he feels that it needs to hear, and the soul is the perfect messenger because it can not be harmed. This is clearly his intent, and this is evident from the last four lines of the poem which read: Although to give the lie deserves no less that stabbing- Stab at thee he that will, No stab the soul can kill. This quote clearly shows the power and virtue of a soul. There are contradictions in this poem.
On one hand it has a very bleak outlook on life, and suggests that humans are inherently immoral, but at the same time it touches on the sorrow and loss in the event of death. All the while the soul which is now free and untouchable is sent to be the bearer of bad tidings. This poem can be interpreted in more than one way, but there can be no doubt that Ralegh believed that death meant the soul could move on to better things which is not a pessimistic attitude. In Ralegh? s poem?
Nature, That Washed Her Hands in Milk? , he shows a much more negative sentiment towards the life cycle. He concludes this poem with the lines: Oh, cruel time! which takes in trust Our youth, our joys, and all we have, And pays us but with age and dust; Who in the dark and silent grave When we have wandered all our ways Shuts up the story of our days. In this passage he is condemning time for having no regard for man. He blames its passage for the aging process. He suggest that it should give something in return for what it takes.
He is overlooking the obvious which is the fact that time is not cruel, but rather indifferent to life. It passes consistently and disrespectfully with absolutely no regard to the human condition. He also blames time for making people forget the lives we live which is some people? s greatest fear. This passage offers little in the way of hope or comfort to people, and seems to dote on the negative aspects of life. In contrast to this poem?
s negative nature, Ralegh? s poem? The Passionate Man? s Pilgrimage? . This entire 59 line poem is dedicated to the idea of passage from life to death. In this poem Ralegh magically captures his idea of the nature of heaven.
His basic idea is similar to all of the glorious ideas of what society pictures heaven to be. His description includes fine cloths, gold and diamonds in the streets, happiness with good friends, and an overall feel of goodness and peace. After this extended description of heaven he states: Seeing my flesh must die so some, And want a head to dine next noone, Just as the stroke when my values start and speed Set my soul on an everlasting head. From this line it can be taken to mean that he feels that as long as he is permitted to go to this place which he has described that he has absolutly no problem with death what so ever. Since death is unavoidable, this is a fine attitude to take about the subject.
He evidently has come to terms with his own mortality, and is prepared to take the next step. Ralegh? s poetry varies quite a bit when it comes to the subject of mortality. Is some cases he shows spite and bitterness towards the ever encroaching aspect of time.
He seems to feel robbed and cheated by his rapidly shortening amount of time in the world. On the other hand, much of his work takes a great deal of solace in the fact that the eternal soul moves on to a better place upon the conclusion of life. Ralegh clearly did not feel that he had all of the answers when it comes to the transition from life to death. It was a subject that occupied a great deal of his poetry, and most likely his thoughts. It is evident from his work that Ralegh was a man who believed that there was something beyond death, and this is the idea he embraced and glorified in his poems.
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