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The third glimpse at Keats craftsmanship comes through his mastership at yet another poetic form: the ode. In his poem Ode to Autumn, Keats praises the season overlooked by most people: Autumn. In the first stanza, the reader gets a vivid picture of the landscape by Keats focusing mainly on visual imagery: Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the most cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has oer-brimmed their clammy cells. (Keats, 1 - 11) The second stanza starts with the personification of Autumn, embodying her in the daily labors of harvest: Who Hath not seen thee oft amid thy store? /Thee sitting careless on a granary floor, (11, 13). Then, Keats follows with words that place the reader in a peaceful and harmonious environment: Thy hair soft-lifted by the winnowing wind; /Or on a half-read furrow sound asleep, /Drowsy with the fume of poppies, ... (15 - 17). In the last four lines, the realization of Autumn in a more physical and active form is seen: And sometimes like a gleaner thou dost keep/Steady thy laden head across a brook; / Or by a cyder-press, with a patient look, / Thou watches the last oozing hours by hours. (19 - 22). In the last verse, Keats presents the reader with the symphony of Autumn and sheds light on the fact that everything has a purpose in life: Where are the songs of spring?
Ay, where are they? / think not of them, though hast thy music too, (23 - 24)
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Research essay sample on Keats Autumn Thy
