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John Ent. & Terminus presents The Legendary Wailers The Legendary Wailers performed African Herdsman on Tuesday, September 14, 1999. This particular song promotes black equality and political independence, which is a primary focus of African American Psychology. Can't see the right roads, when the streets are bend The old slave man, might grind slow, but it grinds fine, yeah African herman, why linger on, just concentrate, 'cause heaven lives on Retired slave man, will look with a scorn, with a transplanted heart [guess how quick they had to part, guess how quick they had to part] The remembrance of today, is the sad feeling of tomorrow, oh [guess how African herman, seize your time, I'm taking illusion on the edge of my mind I'm taking loses down through my life, down through my life [guess how quick they had to part, guess how quick they had to part] In remembrance of today [guess how quick they had to part] African herman, why linger on, just concentrate 'cause your heaven Retired slave man, will look with a scorn With a transplanted heart [guess how quick they had to part, guess how In remembrance of today, brings sad feelings of tommorrow [guess how [African herman, African herman, African herman] African herman The foundation of The Wailers was formed in 1963 and consisted of vocalists Bob Marley, Bunny Livingston, and Peter Tosh. Unfortunately, the foundation crumbled in 1973, and Bob Marley left the band.
Bob Marley went on to become the first Jamaican reggae performer to achieve significant international stardom. However, at the same time, Peter Tosh and Bunny Livingston embarked on a successful tour under The Legendary Wailers. Even though the bands that have backed The Legendary Wailers changed throughout the years, these two stayed together and consistently put out brilliant and groundbreaking music. On Tuesday, September 14, 1999, I experienced the wonder of The Legendary Wailers at the Georgia Theater.
The group's recordings are in a style called ska, a hybrid of New Orleans rhythm and blues and Jamaican men. Men was the first of the reggae styles. By the late 1960 s, influences from United States rhythm and blues, Jamaican folk rhythm, and dub (rhythmic, improvised verses) were synthesized into the rock-steady and poppa-top styles, and The Legendary Wailers emerged as a rising talent in this new genre of Jamaican music. The performance at the Georgia Theater is relevant to African American Psychology because it promotes black equality, diversity, acceptance, and love. In 1967, Bunny Wailer converted from Christianity to Rastafarianism, a religion that has had a profound influence on reggae music. The Rastafarian movement of this period, among other beliefs, recognized Haile Selassie I, king of Ethiopia, as the living God; praised the spiritual effects of marijuana; and endorsed black racial equality.
Influenced by the Rastafarian movement, The Legendary Wailers' music contains elements of spiritualism and mysticism. Some songs call for personal freedom through revolution, while others embrace carefree attitudes toward life or convey stories of love. As one can see, this is particularly related to the content of an African American Psychology course. During the band's greatness, their music came to be closely associated with the movement toward black political independence and abolition of slavery, a movement prominent in the United States at the time. The Legendary Wailers' music has remained highly popular, and for many it has continued to symbolize the hopes of the downtrodden for a better life. In my opinion, The Legendary Wailers' performance at the Georgia Theater was a success because it spread a positive message about the equality of blacks and the need for diversity and acceptance.
In addition, I like the band because the clarity, conviction, and sincerity of The Legendary Wailers' performances, and their unique, melodic style of songwriting, have influenced many pop-music artists, including songwriter Stevie Wonder and rock guitarist Eric Clapton. Bibliography: none
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