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Epic Exposition The path of the traveler is oft filled with danger toe-biting wombats and animals even stranger; puzzles, conundrums or some quizzical door that goes round and round, then round even more! The heroic stars spending themselves, Coining their very flesh into bullets for the lost battle, They must burn out at length like used candles; And Mother Night will weep in her triumph, taking home her heroes. There is the stuff for an epic poem -- This magnificent raid at the heart of darkness, this lost battle We don't know enough, we " ll never know. But as we were to be encouraged The smaller deeds made the knights outraged The fearless hearts have always been valued, - The thought which occurred as we started the travel Such perils we " ve faced give little for granted, The threats that we face may only spoil party And nothing more serious will happen to guarded we " ve laid down our cards where kingdoms have counted, crusaded through wars, some days with no shower, but now we " ve to seek out some very blue flower? ? To where did it go when it left its pink cousin? Do we search the next field or plough the next dozen?
Shall we seek out a sage, do we question the wind, can we bribe a wise ant with some sweet tamarind? Rising action Ear of Duke's son dipped in mule sweat, Yellowed femur of an agitated marmoset, You twain are bound in a plague plight To serve me twelve score days or a single night. But mark my door and here deliver Twelve solved quests to me their giver. No more no less no treasure blessed, Just twelve solved quests no golden-dressed Princess or any such nonsense. For Wyndynduffa the evil puffer Of bright smokes and ill winds rougher Than the demon gales that blow asunder All the small leisure-crafts in the Bay of Tyrr under. That's me, that's me, of Lich and Jinn a chanter!
Sender of legion ghouls through my coffee strainer! Of the High Coven's Broom Closet the Official Maintainer! Nature at its best is a lesson for the human mind Working its way towards a path of unseen glory Glory as fickle as the weather forlorn (repetition) As fake as the modernity of emotions in an era of countless bounties. The enchanting spirit of a lush meadow The commanding presence of a mighty mountain The sweet lullaby of a bird chirping, the sweet lullaby of a thousand sounds. The power of a hurricane, the dread of a raging cyclone.
Conflict Of Imp, Lemur and Delinquent Schoolchildren the whispering trainer! And you be at my service... Now wherefore art that minstrel slave? Ah there, with dagger hand upraised to shave His stubble or mayhap cut an air corsage, Or favor my back with a sharp massage. Well hear you then, my loyal cub, But fail your quest or seek to rub Out my fell-spelled self and Lo, In your seed-sowing parts shall grow A carrot.
So to thy first task attend! - Far beyond the nearest towns and states Where folk don't eat with forks or plates Across high mountains and pretty lakes A very far place for heaven's sakes Lies a blossom of legend's fame Please make the day for this old dame Violets and red roses just aren't the same Search 'Mongolia' the prize by name And I bid thee success, this year and hour when you try Finding The Blue Lotus Flower. For the love of my lyre we need some direction! Now what were those clues, let's make a connection. Though niggling and few and from a harridan warded, We must discover their meaning or anon are we thwarted. Where folk do not eat with forks or with plates - Jungle Toothcomb, or thy mother's where traits like manners at tables find no obvious favors over sleeping in stables and dung-heaping labors? Climax Did she call it Magnolia, or was it really Mongolia?
Is that not also the name of the Enchanted Gondolier Who ferries a skiff down the old River Rant To the land of Montana where dogs do not pant? Oh, my prized feathered cap for a good almanac We " re wandering through woods, our brains all wreck. My body feels like a skinny bone flute Vigor sucked out, Will following suit... Resolution Oh, look at the sun, all ghastly and red Just like it was in our Quest for the Bread, when the wizard Ravgan raised ghouls without cease who stole the King's yeast and fed it to geese. Such ill-boding sights are surely a sign Let's find us a tavern and drink all its wine. This so-called quest in which we are mired, Thinking 'pon it has made me so tired...
An epic is the style, which can describe and be applied to the description of almost any event. The present poem is the description of the quest in the look for the flower prize Lotus or Magnolia. Epic poems are traditionally created for the description of the similar events. It is the description of the journey, which the unknown Knight (imaginary hero) performed in his look for the imaginary prize. The epic is intentionally written with the use of the modern English language, for the better understanding of its meaning. The journey took place in the woods, which are situated nearby.
The journey was unexpected and we didnt take any luggage with us, this is why it is written, that we eat without using forks and plates, as well as it clearly identifies the aim of the quest the look for the unknown flower. The journey is compared to the Quest for the Bread, which is the historical event and which makes the description brighter. Stylistics devices used in the epic. 1. Imagery 'Is that not also the name of the Enchanted Gondolier Who ferries a skiff down the old River Rant To the land of Montana where dogs do not pant?' Imagery is the device which gives epic a tint of a fairy-tale, but through which we also understand what the author meant to express. This very poem needed imagery as I describe the quest we had in the woods, it often appears that the woods themselves are related to various myths and legends. Thus, imagery in this case helps to create the real atmosphere in which we were in the woods with fantasies and reminiscences. 2.
Symbolism 'but now we " ve to seek out some very blue flower?' As any quest usually has certain aim, the aim of the quest described in the present poem is expressed through the symbol of the blue flower. It is traditional in the mythology and ancient literature that knights were searching for some unknown magic flower. This is why the blue flower symbol here is necessary for creating a whole picture of the quest described. 3. Allusion 'Just like it was in our Quest for the Bread' Allusion is used in poetry and prose, when the author wants to hint at some historical or well-known fact through the use of other expressions. Quest for Bread here is the hint through the use of this phrase I remind the reader of the importance of our journey. It means that the role of our quest should not be underestimated. 4.
Metaphor 'Coining their very flesh into bullets for the lost battle' This metaphor is extremely important for the present epic, as it displays the brightness of language as well as the surrounding in which we appeared during the quest. Epic is the means of describing various situations through wonderful poetic devices. Metaphor in this poem is important for the reader to imagine the beauty of night, and of the sky filled with stars. 5. Analogy 'As fake as the modernity of emotions in an era of countless bounties' The importance of analogy in this poem, as in any other, is in helping the reader to understand its meaning, giving it more beautiful form. As soon as the word 'fake' is analogized with the expression 'the modernity of emotions in an era of countless bounties', which is metaphorical in itself, the word 'fake' acquires clearer and metaphorical meaning.
Analogies are essential for any epic to be full and understandable. 6. Foreshadowing 'The path of the traveler is oft filled with danger' Foreshadowing here is represented by the example at the beginning of the poem. It is important here to make a hint about the future actions, which will take place during the epic Thus, foreshadowing is important to give the reader the general picture of what may happen while reading the poem to the end. 7. Irony 'crusaded through wars, some days with no shower' Irony is also found in this poem.
Its importance in the phrase noted is to describe the real situation and its seriousness without giving the poem a tint of sadness, as it was meant to be optimistic. This is why though there are dangers and problems with which the characters meet, the general optimistic mood of the poem is better saved through irony. 8. Hyperbole 'His stubble or mayhap cut an air corsage, Or favor my back with a sharp massage' Hyperbole is used only once, and is important to see the improbability of the action described. It may at first be confused with metaphor, but in fact it exaggerates the danger which the 'dagger hand to shave' may carry. It may even be taken as irony, but it is in fact a hyperbole. 9. Understatement 'The threats that we face may only spoil party' Understatement's importance in this epic poem lies in the fact, that the dangers which may be faced by travelers are very serious.
Simultaneously, it is necessary to describe their brave hearts and optimism. Understatement here is important for understanding the seriousness of the situation through the prism of optimism and courage. 10. Flashback 'The smaller deeds made the knights outraged The fearless hearts have always been valued' What I meant by this sentence, is that at the beginning of the quest we have reminded ourselves, that we had to be brave. In the face of dangers it was like a flashback about the knights who had been always looking for great deeds, without accounting the smaller ones.
This is why flashback was important here to convey the idea and not to break the poem's structure. 11. Alliteration 'Did she call it Magnolia, or was it really Mongolia?' Alliteration, or sound device, is also important to be used in the poem for making it sound brighter. The combination of the two words which sound similarly, creating a kind of doubt as for the correct meaning, makes the reader think and thus pays more attention to the poem itself. This poetic device was important here to describe the character's reflections and search for the truthful meaning of the object he looks for. 12. Repetition 'That's me, that's me, of Lich and Jinn a chanter!' When creating this poem, I intended to strengthen the impression, given by the character.
Repetition enforces his call for understanding how he is and what his role is in the epic. This poetic device is important for accentuation of the meaning, which the character tries to express.
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