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... alapropisms. Dogberry also adds much of the suspense to the play as it is revealed through him of Don John's evil slander and deception. Without Dogberry as the middleman much of the deception within the play would never be unraveled. This therefore making Dogberry a much more important Father of Hero, and garden of his niece, Beatrice.
The serving-woman of Hero. She is tricked into helping Borachio and Don John deceive Claudio into thinking that Hero is unfaithful to him. Another one of Hero's serving-women. The servant of Don John. He is the lover of Margret, Hero's serving-woman. He conspires with Don John to trick Claudio and Don Pedro into thinking that Hero is unfaithful to The deputy, or chief assistant, to Dogberry, the constable (head policeman) of Messina.
Three men assigned to the night watch at Leonato's mansion. The words and actions of the watchmen make them seem more alert and intelligent than Dogberry and Verges. The Watchmen overhear Don John's plot with Borachio, report the misdeed (without completely muddling the information), and provide testimony that convicts Borachio, The elderly brother of Leonato, and uncle of Hero and Beatrice. A public official who records the testimony of Borachio and Conrad in a trial. Author's Method of Revealing Characters The first impression the reader gets from the beginning of the play is that Hero and Claudio are perfectly in love with each other and they definitely would get married sometime during the play. Bene censored and Beatrice are supposedly great enemies, and everybody is waiting for some day when Beatrice would finally scratch Bene censored 's face.
However, as the plot develops, things change. The roles of the main characters change by the middle of the play. The Prince, Don Pedro, decides to make Bene censored and Beatrice fall in love with each other and get married. Everyone, the characters and the readers as well, think of that idea as of the craziest one. However, the other characters are willing to help the Prince in that big joke.
Bene censored "accidentally" hears that Beatrice is madly in love with him, and Beatrice, in return, hears a conversation that Bene censored is in love with her, too. Of course, all those "accidental" conversations have been planned and acted out by the Prince himself, Claudio, Hero, and Margaret, the waiting gentlewoman to Hero. The Prince's plan ends up working Bene censored and Beatrice end up swearing their love to each other. Through this plot by the rest of the characters, Beatrice's and Bene censored 's true feelings for one another Hero, along with Ursula and Margaret her maids, plot to trick Bene censored and Beatrice into falling in love by telling each of them of the others attraction, and ironically they succeed in remarking a pre-existing flame. This trick that Hero and her maids pull off is not an invention of Shakespeare, rather, he may have borrowed the theme from a tale in a collection of stories about the French court in the Valois era written by Marguerite de Navarre.
The story, quite similar to the play, describes female courtiers tricking a man that despised women into falling for a particular woman, catching him in The storyline of Much Ado About Nothing occurs during several days of a visit by Don Pedro, and his followers at the large estate of Leonato. Don Pedro has been victorious in a small war against his own half-brother, Don Pedro, who has now Compared to the technical theaters of today, the London public theaters in the time of Queen Elizabeth I are very limited. The plays had to be performed during daylight hours only and the stage scenery had to be kept very simple with just a table, a chair, a throne, and maybe a tree to symbolize a forest. What the theater today can show for us realistically, with massive scenery and electric lighting, Elizabethan playgoers had to imagine.
This made the playwright have to write in a vivid language so the audience could understand the play. Not having a lighting technician to work the control panels, Shakespeare had to indicate weather it was dawn or nightfall by using a speech rich in A playwright had to please all members of the audience. This explains the wide range of topics in Sharkesperian plays. Many plays included passages of subtle poetry, of deep philosophy, and scenes of terrible violence. Shakespeare was an actor as well as a playwright, so he new well what his audience wanted to see. The company's offered as many as thirty plays a season, customarily changing the programs daily.
The actors thus had to hold many parts in their heads, which may account for Elizabethan playwrights' The play is set in Messina, Italy, a small province facing the Straits of Messina, in northeastern Sicily, at the estate of the governor of Messina, Leonato. Although the 1993 film of Much Ado About Nothing shows picturesque Italian countryside, the actual setting had little influence on the play and the characters themselves. This was because in Elizabethan times, very little was available in the way of props or scenery. Even though there was very little scenery, the feeling of immense emotional tension and confusion that is present in the play. Even the costumes were unimportant, because the actions and the words of the actors were the meat of the scene. Indignant voices, hands thrown into the air and violent wheeling around were all examples of the actions that could have been made by the actors.
The vital characteristics of a scene are the characters themselves. If the actors remain unseen throughout the scene, and only the characters shine through, the true emotions and thoughts of the scene are felt by the audience. Despite his inability to control weather patterns, Shakespeare was able to develop emotional scenes which he displayed in his own theater, The Globe. Fate didn't seem to play a very big role in Much ado About Nothing. The only possible examples of fate are the two pairs of lovers; Claudio and Hero, and Beatrice and Bene censored . Both pairs of lovers seemed destined to get married form the start.
Relevance of the Work to the Present Time One of the best representatives of modern day values in any of Shakespeare's plays is Beatrice. Her character touches on the current social ideas that encourage greater and self-assertiveness for women that has been traditional for women of the western world. Beatrice's characteristics would be greatly respected in today's society. She is witty, strong, straight forward, humorous, and at the same time, a genuinely nice person. The traditional woman of the Elizabethan period, especially of Beatrice's class, is better represented by her cousin Hero; the naive, chaste, and quiet young woman of whom Beatrice is extremely Beatrice is extremely protective. Beatrice is as cunning and forward Diction, Grammar, and Language Style Much Ado About Nothing is a play that is big on puns.
One of the most significant puns we come across, "Note notes, forsooth, and nothing!" (II, iii, 57) 'Nothing ' is meant to be pronounced 'noting'. Noting is also used to mean observe, and throughout the play each character at sometime is required to observe and judge, and most characters judge poorly. It is this deception which plays a large part in these misjudgments, and therefore meaning that this story is based upon mis-noting. It is this mis-noting that builds the idea of deception versus reality within the play. In Much Ado About Nothing, love is the major subject discussed by the author, which is presented to the readers. The author does not give a direct answer to this question - he lets the reader find it and think about it from his or her own point of view.
Bene censored : God keep your ladyship in that mind! [Beatrice had just sworn off getting married] So some gentleman or other shall 'scape a Beatrice: Scratching could not make it worse, an 'there such a face as In this battle of words with Bena censored , Beatrice puts up a noble fight, even though she is eventually put on the defense by Bene censored . But while Bene censored has the last word this time, Beatrice ends the conversation by saying (aside), for the benefit of the audience, that this war of words is nothing new. It's quite obvious from the start, from the way that they argue, that Beatrice and Bene censored really do love each other and will Bene censored : A miracle! Here's our own hands against our hearts.
Come, I will have thee [Beatrice], but buy this light I take thee for pity. Beatrice: I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a Bene censored and Beatrice find out that they both learnt about their passion from other people at the same time. Claudio first presents Beatrice with a love poem written by Bene censored . Then Hero gives Bene censored a love poem that Beatrice wrote for him. Bene censored and Beatrice realize that they both fell for the joke. They do not deny that they love each other, but they both understand that it is not the passionate love they feel towards each other.
Beatrice says that she loves Bene censored "truly, but in friendly Claudio: If I see anything tonight why I should not marry her, tomorrow in the congregation, where I should wed, there will I shame her. In this passage Claudio threatens that if he does see Hero in another man's arms, that he will publicly shame her at their wedding tomorrow. Later that evening, Claudio witnesses the encounter between "Hero" (who is really Margret and Borachio. The day after, Claudio publicly accuses Hero in adultery and refuses to marry her. Hero is shocked so much that she faints during that scene. So, "the love from the first sight", between Claudio and Hero has been destroyed so easily; only by a scene set up by Don John.
Only selfishness is seen in this speech. Claudio publicly accuses Hero in cheating on him without trying to talk to her first. And even if she did cheat on him, why would he want to hurt her so much? This aspect presents the fact that he probably loves himself, but not Hero. It's easy then, to doubt whether the love was ever real between the two characters characters. Why did it take so little effort to influence them?
Bibliography: Sources Buckler, John; Hill, Bennet D. ; McKay, John P. ; A History of Western Society; pgs 485 - 562; Houghton Mifflin Company; 1999 Heart, A. Kent; William Shakespeare; Encarta 98; 1998 Shakespeare, William; Much Ado About Nothing; Bantam Books; New York, New York; 1993
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