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Matter Of Fact Citizen Kane
1,625 wordsThere really are two ways of looking at a movie when it is based on the true story. When I see a movie of this type, I always struggle with the two choices, and usually end up somewhere in the middle. The Untouchables is that kind of movie. To start off with, I think that its a great film, director Brian De Palmas well done work. However, as is usual when the tale of Al Capone and Eliot Ness is told, some facts are taken with the source material. Manufacturing a confrontation between Ness and Ca...
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Ready To Kill Citizen Kane
1,647 words... n change the life. The composition here is like a family one, the light is flat. In the middle of the table the candle is blazing. The camera pans from Nash showing everybody in the medium shot a couple of times and stops panning on Malone. Malone is opening the secret of his call box key, that they suit Nash. That means that he is opening Nash talent by teaching him. The key is symbolic which added by filmmakers advisedly, which appears a couple of time during the film conveys the idea of t...
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Close Up Shot Point Of View
1,396 wordsJonathan Demme, the director of Silence of the Lambs, and Tak Fujimoto, the cinematographer, do an excellent job in portraying almost every aspect of cinematography to make this movie suspenseful and gripping. Various motifs of camera angle, shot duration, movement, point-of-view shots, on-screen and off-screen space, and framing allow the viewer to better feel the intensity and reality of the scenes. In addition to motifs, there were certain scenes in the film that portrayed Demme's directing a...
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Citizen Kane Textual Analysis Of The Picnic Scene
1,070 words... g him appear older and obviously prostrate. Despite his casual dress, the top button of his shirt remains fast and his coat clasped between his hands. With his chin on his chest he appears fragile yet stubborn. His tone spells out his weariness and his boredom with Susan's continuing attack. His obvious attempt to avoid the discussion through remarks on Susan's volume and his wish for her to cease display his desire to avoid conflict and keep up appearances with the guests. Kane's character ...
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Point Of View Personality
1,695 wordsGone with the wind (1939) dir. Victor Fleming This is a film about contrast. In the film clip, large amount of contrast can be found between characters, lighting, the way of how colour is presented, the way of how camera being placed, and the way of how shots being taken. Misc-en-Scene From the film clip (and the whole film), the colour image is strong on contrast, not only the colour of the settings, the furnitures, and the costumes, also the colour contrast of indoor and outdoor. In the film c...
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Martin Luther King Close Up Shot
1,844 wordsThe first scene begins with a close up shot of Senor Love Daddys mouth, the top of a microphone, and an alarm clock. The alarm clock, being used as a prop, is making a very loud, annoying, ringing sound. This is done in order to get the viewers attention to the problem of racism. After the ringing stops, we start reframing in, and zooming out slowly, seeing more of Senor Love Daddy and the microphone. There is hard lighting present in the scene. The entire shot has a reddish color to it. A slow ...
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Point Of View Orson Welles
1,609 wordsHello, My Name Is Orson Welles Orson Welles liked to reuse certain elements throughout his films. He liked a good deep focus shot. He liked low key lighting. He liked the grotesque side of life, blocking actors in groups of three, low camera angles and especially pointy bras. He also liked to open his movies in a certain predictable way. In Citizen Kane, he used the announcer in News on the March to introduce the subject and main character, Charles Foster Kane. In The Magnificent Ambersons, Well...
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