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Friends And Family Horror Films
1,753 words
How on earth do horror film directors sleep at
night? Don't they ever wake up and say, "Is this
what my life is about: making people fear dark
rooms, old houses, and things that go bump in the
night?" How do they stand it all? What inspires
them to create these vividly outrageous spins on
reality? These may be the questions often asked by
people who don't quite understand the method
behind the madness that is the horror film. These
questions will be answered in this paper as it
explains the deve...
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Nightmare On Elm Street Film And Reality
1,373 words
The original A Nightmare on Elm Street was
inspired by an extraordinary series of unnoticed
stories in the Los Angeles Times. A young
immigrant male, early 20 s, usually from Southeast
Asia, a son, would have a severe nightmare where
he would wake up screaming. The next day, he would
tell his family it was the worst nightmare hed
ever had, and he had been terribly shaken by it.
The next night when he went to sleep died. Six
months later I looked in the paper and there was a
very similar story. I...
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Psychological Elements Of The Picture Dorian Gray
1,582 words
Oscar Wilde was an egocentric author with strong
morals and values. The picture of Dorian Gray is
the only novel he wrote Wilde is a play writer-
and provoked controversy in the Victorian society.
The novel critiques many things such as art for
arts sake and modernism issues. Wilde also
explores the themes of rebellion against the true
nature of things-in this case- aging and
conventionalist view of the Victorian society. He
combines it with a denouement classified as horror
in a subtle and effe...
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Horror Films Blair Witch
2,300 words
Horror Films Recent years have seen a glorious
revival of American horror cinema with films such
as Scream and The Blair Witch Project
re-introducing moviegoers to the joys of
high-caliber fright flicks. Sadly, however,
British attempts to capitalize on the genre's
return from the grave have been embarrassing to
say the least, with films such as Revelation and
Long Time Dead boring audiences and making
hardcore horror fans yearn for death's sweet
embrace. So, it comes as an enormous relief to
re...
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Story Of A Man Wes Craven
2,338 words
... may even enjoy it, or, according to some
psychologists, benefit from it. Is it though, one
of the higher human emotions? Is it noble? Mark
Kermode, Radio One film critic and the maker of a
BBC documentary on The Exorcist, reckons it is.
And he scorns those who have a snobbish attitude
to horror movies. (Cook & Bernink 84 - 90).
"Horror is the most noble of genres and people who
think it a lesser one because it is popular and
successful are intellectual retards, " he said.
"Terror is a fundam...
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Century Fox Horror Films
2,232 words
Into The? Time Warp? : The Rocky Horror Into The?
Time Warp? : The Rocky Horror Picture Show As An
Enduring Pop Cult Classic For years, with its
phenomenal success as a midnight movie, The Rocky
Horror Picture Show has made? don? t dream it, be
it? the motto for its ever-growing cult audience.
The film continues to be regarded by critics and
audiences as the only no-holds-barred, ultimate
theatre experience, which has seemingly drawn a
repeat audience of cult film followers year after
year. More...
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Horror Genre Horror Films
1,211 words
Morbid Fascinations: Carroll on Horror The
Philosophy of Horror; or Paradoxes of the Heart by
Noel Carroll is an in depth look at the reasons
why so many people are intrinsically drawn to
images of horror and gore and death in film, art,
and life. Carroll discuss the many avenues that
people have taken in the past to explain this
phenomenon, this apparent paradox of how artistic
presentation of normally averse events and objects
can give rise to pleasure. (Carroll, p 161) This
paradox is a parti...
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Kurtz Last Words Cut Off From Civilization
1,937 words
Conrad s Heart of Darkness is the story of the
dissolution of a man and the system that he stands
for. Kurtz has decomposed because he lacks
restraint. While Kurtz was in the darkness of the
Congo, he found the most inhumane and violent ways
of producing material wealth. It is Kurtz s
metamorphosis into absolute evil which kills him.
is the man who has decayed and succumbed to the
evil within himself because of the society s
system he is from. European civilization has
conjectured itself to be s...
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Avant Garde Boris Karloff
3,386 words
Certain films which today are regarded as classics
of American cinema John Ford 39; s The Searchers
(1956), Orson Welles 39; Citizen Kane (1941),
the Judy Garland musical The Wizard Of Oz (1939),
Frank Capra 39; s It 39; s A Wonderful Life
(1946), Walt Disney 39; s Fantasia (1940) are,
or at least used to be, cult films. Box-office
disappointments when they were released, these
films were kept alive over the decades not by
reviewers or studios or theaters, but by film
goers who loved t...
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Marlon Brando Escalating Horrors
3,987 words
Inherent inside every human soul is a savage evil
side that remains repressed by society. Often this
evil side breaks out during times of isolation
from our culture, and whenever one culture
confronts another. History is loaded with examples
of atrocities that have occurred when one culture
comes into contact with another. Whenever
fundamentally different cultures meet, there is
often a fear of contamination and loss of self
that leads us to discover more about our true
selves, often causing per...
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Boris Karloff Horror Films
3,055 words
As a companion piece to the articles outlining the
histories of the eight major film studios, this
survey examines four low-budget studios. They
produced mostly Grade- 34; B 34; films: genre
efforts made quickly and cheaply for targeted
audiences usually young ones, whether it was the
fare aimed at juvenile cowboy enthusiasts,
provided by Monogram, PRC (Producers Releasing
Company), and Republic during the 1930 s and
39; 40 s, or the older teen crowds sold on AIP
39; s (American Interna...
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Kurtz Last Words Cut Off From Civilization
1,319 words
In Heart of Darkness it is the white invaders for
instance, who are, almost without exception,
embodiments of blindness, selfishness, and
cruelty; and even in the cognitive domain, where
such positive phrases as " to enlighten,
" for instance, are conventionally opposed to
negative ones such as " to be in the dark,
" the traditional expectations are reversed.
In Kurtz's painting, as we have seen, " the
effect of the torch light on the face was
sinister" (Watt 332). ...
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Kurtz Last Words Heart Of Darkness
1,469 words
The Horror! In Heart of Darkness it is the white
invaders for instance, who are, almost without
exception, embodiments of blindness, selfishness,
and cruelty; and even in the cognitive domain,
where such positive phrases as to enlighten, for
instance, are conventionally opposed to negative
ones such as to be in the dark, the traditional
expectations are reversed. In Kurtz's painting, as
we have seen, the effect of the torch light on the
face was sinister (Watt 332). Ian Watt, author of
Impressio...
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Francis Ford Coppola Heart Of Darkness
2,221 words
Daniel Torture Paper 4 Final Draft Heart of
Darkness, a novel by Joseph Conrad, and Apocalypse
Now, a movie by Francis Ford Coppola can be
compared and contrasted in many ways. By focusing
on their endings and on the character of Kurtz,
contrasting the meanings of the horror in each
media emerges. In the novel the horror reflects
Kurtz tragedy of transforming into a ruthless
animal whereas in the film the horror has more of
a definite meaning, reflecting the war and all the
barbaric fighting tha...
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Kurtz Last Words Cut Off From Civilization
1,288 words
Heart of Darkness In Heart of Darkness it is the
white invaders for instance, who are, almost
without exception, embodiments of blindness,
selfishness, and cruelty; and even in the
cognitive domain, where such positive phrases as
to enlighten, for instance, are conventionally
opposed to negative ones such as to be in the
dark, the traditional expectations are reversed.
In Kurtz's painting, as we have seen, the effect
of the torch light on the face was sinister (Watt
332). Ian Watt, author of Imp...
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York N Y Heart Of Darkness
1,426 words
The Horror 9; Heart of Darkness by Joseph
Conrad is a novel where the main character Marlow
is telling a story of a trip to the Congo. This
novel is said to possibly be an autobiography of
Conrad? s life at sea. This is said because Conrad
was a seaman for a many years and went into Africa
many times. The story is so powerful that even
after 100 years, we still struggle with its
meaning. This story has been retold by Francis
Ford Coppola in the film Apocalypse Now. China
Achebe has recently e...
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Bram Stoker Wes Craven
1,364 words
Horror films have always been designed to frighten
and invoke the audiences worst fears, often in a
terrifying or shocking way. Yet at the same time,
horror films are suppose to be entertaining,
despite, or in addition to the scariness. They
deal with our most primal nature and its fears:
our nightmares, our vulnerability, our alienation,
our terror of the unknown, our fear of death, or
loss of identity. Horror films have developed out
of a number of sources from folk tales with devil
characters...
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Kurtz Last Words Cut Off From Civilization
1,437 words
In Heart of Darkness it is the white invaders for
instance, who are, almost without exception,
embodiments of blindness, selfishness, and
cruelty; and even in the cognitive domain, where
such positive phrases as to enlighten, for
instance, are conventionally opposed to negative
ones such as to be in the dark, the traditional
expectations are reversed. In Kurtz's painting, as
we have seen, the effect of the torch light on the
face was sinister (Watt 332). Ian Watt, author of
Impressionism and Sym...
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Wes Craven Horror Genre
2,324 words
At a time when the stalker movie had been
exploited to all ends and the image of mute,
staggering, vicious killers had been etched into
society? s consciousness to the point of
exhaustion, a new kid entered the block. The year
was 1984 and it was time for a new villain to
enter into the horror genre. A villain that was
agile, intelligent, almost inviolable yet viscous,
and by all means deadly. A Nightmare on Elm Street
introduced the distinctive presence of Fred
Krueger to the horror industry an...
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Addison Wesley Longman Reading Across The Curriculum
1,147 words
Essay 4: Synthesis Activity # 2 How often do you
hear a person refer to a movie as a horror movie
these days? Now that you think about it, you don t
hear it very often. Usually, when you hear a
person describing a movie categorized as a horror
they refer to it as a scary movie. While working
on this project I came to the conclusion that
there is a noticeable difference between the two.
Last week I invited some friends over for a night
of scary movies. The first movie that we watched
was Wes Crav...
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