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... earing no necessary relationship to everyday living. The following statement describes how the audience comprehended the film, their subconscious were provoked and liberated and the only way they could deal with the marvelous was to attack the film and its creators. Andre Brenton (1896 - 1966), was a French poet and critic, a leader of the surrealistic movement. He was born in Tinchebray, Orne Department, studied medicine, and worked in psychiatric wards in World War I. Later, as a writer in Paris, he was a pioneer in the anti rationalist movements in art and literature known as Dadaism and surrealism, which developed out of the general disillusionment with tradition that marked the post-World War I era.
Breton's study of the works of Sigmund Freud and his experiments with automatic writing influenced his formulation of surrealist theory. He expressed his views in Literature, the leading surrealist periodical, which he helped found and edited for many years, and in three surrealist manifestos (1924, 1930, & 1942) Andre Brenton was The Father of Surrealism, and his works; Exquisite Corpses created in 1930 by Andre Brenton, Tristan Tara, Valentine Hugo and Greta Knutson and If you please by Andre Brenton and Philippe Soupault created in 1919. Both of the works are automatism i. e. automatic writing/ automatic drawing, which means artwork created in a stream of consciousness. The description of Exquisite Corpses is just like drawing; chaotic.
So much is going on it the artwork, it is black and white drawing created by four artists. In the foreground there is a chair like creature with four legs, one of the legs has a hand on it, which is point to the right, while the other leg has a bicycle gear attach to it. The bicycle gear is attached to a three-legged plant, one of the legs of the plant is wearing a shoe, while the other has a claw. The claw is scraping an amputated leg, which is bleeding and wearing a shoe. (the four-legged chair is pointing at the shoe. ) Seated on the four-legged chair creature is a heart shaped item, its stem curves to the mid-ground of the artwork with the numbers 4. 7. 77. 8. 7. 13. 4. 3. 9. 10. 7. 2. 5. 33. 8. 2. 10 written beside the stem. On top of the amputated legs shoe is a snake. Which has a wing and tail is a jelly substance.
In the background there is a three-legged creature with fangs, it is cover in dots and has two big eyes. Its biting a bulls eye, in the center of the bulls eye is a smoking pipe. On one of its leg there is a feather like creature. This piece looks like a high school students doodle.
It is very disorienting, violent, chaotic and irrational. Ill now describe If you please by Andre Brenton and Philippe Soupault created in 1919. It is a three-act play, there is no relationships between the acts. The first act involves three characters, takes place in a drawing.
The dialogue is intense with feelings and images, there is no structure. The characters do not communicate with each other, but they express there dreams. This piece is broken up, the reader / viewer does not know what is happening in the act. The second act has eleven characters and takes place in a detective office. This act is anti-climatic, illogical and is internal and personal.
The third act has three characters and takes place in a caf in the afternoon. This piece has sexual undertones, is also anti-climatic and neutral. Automatic writing is certainly not the secret of poetry, if indeed the secret could ever be reveled or taught. If You Please and Exquisite Corpses are two very surreal art works. They both deal with stream of consciousness, which means no hesitation.
It is when the artist subconscious invade reality, this leads the artwork to provokes and liberate the audience subconscious. We were trying to obtain from them, namely, a monologue spoken as rapidly as possible without an intervention on the parts of the critical faculties, a monologue consequently unencumbered by slightest inhibitions and which was, as closely as possible, akin to spoken thought. It had seemed to me, and still does-the way in which the phrase about the man cut in two had come to me is an indication of it-that speed of thought is be greater than the speed of speech, and that does not necessarily defy language, nor even the fast moving pen Automatic drawing and writing was a type of surrealist game/ exercise, an activity that provoked, but at the same time accomplish the artist goal. Beginning by being a mere amusement, this game became, by reason of the many variation of which it was capable a sort of revelatory indicator of the groups mental-emotional state. The written or drawn contributions achieved a remarkable and unforeseen homogeneity; the vitality, the viability, even, of the hybrid beings thus formed was as great as that of individual creations. It even seemed that the imagination of a single individual could not have achieved so powerful a degree of disorientation nor so organic a unit and logic in the wedding together of disparate and illogical elements A childlike art, that was created to change the world.
Automatism is spontaneous, it serves it purpose with the intent to shock. In closing, the surrealist movement tried to change the world. The aftermath of WWI effected the artists, making them realize that modernity was not always good. Modernity is a double-edged sword.
In one way it leads us forward and improves our way of living, but on the other hand its chaotic and irrational. A speeding train moving us forward, but also destroying everything in its way, disorienting mankind. Surrealism tried to make us individual and subjective again. Look at the work of Salvador Dali and youll see this chaos and disorientation. Look at the work by Andre Brenton and youll see individualism and subjective visions. Surrealist were trying to create a new world, by rescuing us from our previous world.
They felt breaking down logical and rational thinking (the cause of modernity) would liberate us, causing a new way of thinking and a new way of life. Although they failed in changing the world, they did not fail in changing the individual. They inspired many other artists and movements, which made society examine itself as individuals. Beauty Leo and Cohen Marshall, Film Theory and Criticism Introductory Readings, Fifth Edition New York, Oxford, Oxford University Press 1999 Kuenzli, Rudolf Dada and Surrealist Film The MIT Press, Cambridge, Massachusetts, London England, 1996 Descharnes, Robert The World of Salvador Dali A Studio Book, The Viking Press, New York 1962 Jean, Marcel The History of Surrealist Painting, Grove Press, Inc. , New York, 1960 Microsoft Encarta 97 Deluxe Encyclopedia, Microsoft Corporation 1993 - 1996 Un Check Analog, Produced, directed and written by Salvador Dali and Luis Brunuel, Interim Video Classics, 1928 Avant-Garde in Art, Theater and Film, Fleischer, Harris and Sanderson Fall 1998 Acquire Ferdinand, The Philosophy of Surrealism, Ann Arbor, University of Michigan Press, 1965 Bibliography:
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Research essay sample on Stream Of Consciousness Change The World
