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Example research essay topic: Lines Of The Poem Writing Poetry - 832 words

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John Keats When I Have Fears As John Keats When I Have Fears As A Representation Of His Balance Of Creative Manifestation A Balance of Creative Manifestation In his brilliant poem, When I Have Fears, John Keats uses several metaphors to explain the three principal things that he will miss when he cease (s) to be. The third quatrain deals with his lover, whom he fears he will not live long enough to love completely, which ironically was the case in his real life. In the last two lines of the poem, Keats reveals another love of his, which is fame, but he also resolves his fears of losing the things that are dear to him. In the first two quatrains he reveals that writing poetry is also one of his principle loves, and that he fears that his death will come before he can manifest all of his ideas or write and publish all of the poems that he could.

Strangely, Keats uses two metaphors to express his love of poetry; a metaphor of gleaning a teeming brain, and one of tracing cloudy shadows with the magic hand of chance. Keats metaphors represent two methods of approaching creative writing, which he feels are necessary for creative balance. His first use of metaphor is in the first quatrain where he fears that he may die Before (his) pen has gleaned (his) teeming brain, Before high-piled books, in character ry, Hold like rich garners the full-ripened grain; Clearly Keats is stating that he is afraid to die before he can write and publish all of the poetic ideas in his head. Grain goes to waste if a farmer can not harvest it before the winter comes, much like Keats ideas will go to waste if he can not manifest them before his death. The metaphor is also significant, however, because it represents one school of thought about writing poetry. The grain metaphor assumes that all of the ideas for Keats poems are inside his head, and that writing poetry is just the art of getting that grain out of your brain and onto paper.

This suggests that writing poetry be based not on inspiration, but on perspiration. The second metaphor is of Keats tracing shadows, with the magic hand of chance. He still is expressing his passion for poetry, but now he introduces an entirely different method to creative writing. In this quatrain he refers to poetic ideas as, huge cloudy symbols of a high romance, and fears that he will not live long enough to trace their shadows.

This metaphor suggests that ideas are not gleaned out of teeming brains, but instead are pulled out of the nights stared face, and at the will of random inspiration. Keats uses night as a metaphor for potentiality to construct a poem, but the night does not belong to the poet. This theory negates the notion that the ideas for poems reside in the poet s mind, and promotes the belief that the author has no control over his inspired creations. The two methods that Keats describes through metaphor contradict each other, yet Keats talks about them together as one of the few things he feels are worth living for. One of the techniques suggests tireless work, while the other suggests merely the tracing of ideas beyond the author.

Clearly gleaning is more laborious than tracing. In addition, one method implies that ideas come from the author s brain, while the other insists that he / she stumble across them by chance. Keats cites these two radically different ideas as one to show that a poet needs to actively use both methods for creative and artistic balance. If a poet only wrote when he was inspired to do so, then he would not get a lot of work done. Creative writing that seems to magically come from nowhere is usually pretty good; however, instances of this are few and far between. On the other hand, of a poet made writing poetry into a laborious task, such as gleaning a granary, then his work would most likely lack the love and passion that comes with enjoying what you are doing.

Therefor, Keats intends to suggest that a poet be able to reap the rewards of both techniques to acquire creative balance. He / she must be able to set time aside to work on improving poems, as well as take advantage the instances in which inspired creativity takes over. Keats knew that both methods were efficient, and he feared losing both of them when it would be his time to die. He also knew that he was in love, with fame and a woman, and feared losing them as well.

In the last two lines of the poem, Keats comes to accept that his fears are selfish and worthless. The speaker is forced to accept that it is useless to worry, and decides to stand alone, and think/ Till love and fame to nothingness to sink.


Free research essays on topics related to: lines of the poem, keats, writing poetry, creative writing, john keats

Research essay sample on Lines Of The Poem Writing Poetry

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