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... more stylized city that mixed one form of bleak architecture right next door to the other, which created the ultimate feeling of confusion and hopelessness. In addition, Burton only let the audience see Gotham City in sunlight for two scenes. Again, like a cartoon, he creates Gotham City not on the conventions of realism, but rather a few selected elements of reality, then exaggerates them out of proportion. The Gothic scenery followed Burton in the film between his Batman's, Edward Scissorhands. The castle of Edward, Johnny Depp, dominates the skyline of suburbia below it.
The castle is even more gloomy than the original City of Gotham because it has sharper Gothic angles, a barren lawn, and is always covered in a dense fog. This is a reflection of Burton's newfound power in Hollywood to express his freedom. Edward himself, dressed in a black leather bodysuit with silver hinges, white skin, long black hair, and of course his long scissors, is a personification of Gothic. One of Edward's talents with his scissor-hands is topiary. The dinosaurs and bears he creates on the lawns of the townspeople provide striking imagery. By this time in Burton's career, he created a series of films that were distinctive to all the rest.
Disney capitalized on this by titling his next movie Tim Burton's The Nightmare Before Christmas. Burton returned to stop-motion animation to produce a movie that is set in Hallo " ween land. The film received much criticism because many people believed that the motion picture was too dark and shadowy for children. But it allowed Burton to create another ghastly beautiful world. Even the characters were frighteningly beautiful, with thin appendages and without eyes.
The least visual of his movies, Ed Wood, was set in the 1950 's. In a film about the real life of Ed "worst director of all time" Wood, played again by Johnny Depp, and his actor Bela Ligosi, an Oscar winning performance by Martin Landau, he compromised for the intrusion of reality by filming in black-and-white. Just as the creation of a visual world is elementary to Burton, the contrast of that to a completely different world is apparent in all of his films as well. Pee Wee's bright world is contrasted by the nightmares he has about the whereabouts of his beloved bike. The primary, happy colors of his life stand out to the dark sequence of Large Marge's truck, the evil clowns who "operate" on his bicycle, and the Devil himself who plans to melt the bike. In Beetlejuice the world of the Maitland ghosts (Alec Baldwin, Geena Davis) is a warm country home complete with lots of wood.
The new inhabitants, the Deetze's, intrude Gothic styling onto this warm atmosphere. The snakeskin stair rails, the dark colors of furniture, and the horrid sculptures that are on display further distance the Deetze's from commonplace. A gift that Burton has is to draw the audience into the worlds that he creates. For example, in Beetlejuice, the "weird" world of ghosts is seemly much more normal than the "normal" world of the living.
For his Batman movies, Tim Burton mainly expresses the dual worlds as in split personalities of Bruce Wayne and Batman, of Selina Kyle and Catwoman, and of Oswald Cobbelpot and the Penguin. The alter ego's are just outlets for the revenge that the characters must vent. In the first Batman, the main visual contrast is of the City of Gotham and the newsroom. The brighter, and almost modern newspaper headquarters serves as a contrast and emphasize of the Gothic structures outside. In the sequel, the sharp contrast between the Penguin's (Danny DeVito) campaign office and his home immediately upstairs (as well as the rest of the film) provide impressive contrasts. The castle in Edward Scissorhands is sharply contrasted to the bright and pastel suburbia below it.
Dark and eerie, the castle lays in fog and darkness while bright suburbia always looks happy. The Nightmare Before Christmas provides Burton's most extreme difference between visual styles. The home of Jack Skellington, Hallo " ween Land, is a uncanny world that is capable of giving nightmares to viewers. Christmastown, however, is just the opposite. Layered on bright, soft, happy snow, "Sandy Claws" and other inhabitants are equally amicable. The main contrast of worlds in Ed Wood are mental.
Ed Wood and Bela Ligosi see their films as masterpieces while Hollywood and the rest of the world cannot bear to view their movies. Visually, Ed Wood dresses up as a woman to escape his normal world. While the visual aspects of a Tim Burton Film are the first noticed and most enduring, there are characterization al and social ingredients as well. Every movie made by Burton has an outsider, a character that is misunderstood and does not fit into his / her environment. Pee Wee Herman is the first of these characters. He is most understated an outsider.
He even tells Dotie, the woman who adores him even after he pushes her aside for the love of his bike, "There's things you don't know about me. Things you wouldn't understand. Things you couldn't understand. Things you shouldn't understand. I'm a loner, Dotie. A rebel. " The next misunderstood character is of Lydia Deetze who is played by a young Winning Ryder in Beetlejuice.
Misunderstood by her parents, and seemingly a social outcast, she finds refuge and company in the world of the ghosts. She says the ghosts of the Maitland's, "I myself am strange... and unusual. " Burton's next outsider is Bruce Wayne/Batman. Wayne is eccentric and absent minded and has a set of his own personality quarks. He tells the Joker, "So if you wanna get nuts, come on! Let's get nuts!" By night, he transforms into the mysterious Batman, who at the beginning of the film is seen a sinister and described by reporter Knox (Robert Will), "They say he can't be killed, they say he drinks blood... " Until the end of them film, the citizens of Gotham really have not passed judgement on whether Batman is friend or foe.
In the sequel, Selina Kyle (Michelle Pfeiffer) and Oswald Cobbelpot join Wayne as outsiders. As Catwoman, Kyle proclaims, "Life is a bitch; now so am I, " as Cobbelpot whose parents abandoned him because of hideous deformities declares, "I was my parents number one son; they treated me like number two. " Edward Scissorhands is an outsider to the bright suburbia. He tries so hard to fit in and have friends, but everything or person he touches he ends up hurting. At the end of the film, he is chased off by the inhabitants of the town and realizes that he does not belong in suburbia and he must return to his castle.
Jack Skellington in The Nightmare Before Christmas feels like an outsider in his own Hallo " ween Land. He then travels to Christmastown where he is overjoyed by the beautiful, cheerful scenery. But every cordial attempt at interacting with the people of Christmastown fails because he unintentionally scares them. He then understands that he cannot fit in and must return to dreary Hallo " ween Land. Ed Wood and Bela Ligosi are in their own world. They cannot understand why the public does not adore their masterpiece horror films.
The rest of the world, however, views Ed Wood as the worst director of all time. Bibliography:
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Research essay sample on Rest Of The World Johnny Depp
