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Example research essay topic: Method Of Painting Funk And Wagnalls - 1,382 words

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Claude Monet had an unbelievable talent of painting throughout his life. With an ingenious mind and the creativeness to paint the sky, Monet created a world of magic and emotions. He set the standards of Impressionism with determination. His painting method has brought a sense of beauty of light and reflections to the world, letting them understand where he has made his mark in the history of art today. Claude Oscar Monet was born in Paris, France on the fourteenth day of November in 1840. At age five, Monet and his family moved to Le Havre where they had a prosperous business of selling groceries.

They were quite proud for the fact that they had a good sum of money coming in weekly from their business. Evidently, they were hoping that young Monet would soon take his fathers position of being the owner of the store, but for Monet, this idea of being an owner of some boring grocery store did not intrigue him, nor the money. He wanted something else in life. Attending school a couple of years later, Monet seemed to be a failure to his family. In school, he was always reported for rude behavior and nonsense which was not tolerated in schools back then. The family received reports constantly about him being undisciplined.

After hearing the reports, day in and day out, Monet's family agreed with the teachers that Claude would be unlikely to make a success in his life (Sheff 1). Showing no fascination at all for school, Monet was becoming a failure. The only thing that he liked about school was the ability to paint. Eventually he became so very fascinated with painting that all he ever did was paint. It became an addiction. At age fifteen, his addiction allowed him to earn money for his paintings.

Now the future life of Monet became more evident. As Monet grew, his love of painting grew. He began to study drawings when he was a teen. He was also tutored by Eugene Boudin, a former artist who taught him techniques about painting (Encarta 94). Monet attended the Atelier Libre, a school where he met the later Impressionist group (Chew 1).

There, he met Auguste Renoir who soon became a close friend of Monet's. In school, he was taught everything about art and painting. What influenced Monet the most were Realist thoughts. Realist means being a friend of real truth declared the movements leader Gustave Courbet (Fraser 1). This quote changed Monet's perspective about art tremendously.

The idea of sacrificing reality in art to a beautiful ideal was mind blowing to him. Still under the influence of the realists, Claude Monet experienced open air painting (Fraser 1). This is when a painter paints outside, in the open air with nature. Monet's painting method was greatly influenced by a French painter named Manet. He used Manets style, along with some of his own originality to form his own painting technique. His method of painting came from observing the effects of light on a particular scene.

Since his method of painting expressed the truth, Monet had to think more deeply into his field of study. He rarely used dark, somber colors. Instead, he used the rainbow prism effect to paint. That is why his paintings express a lot of color. The color on color relationship worked smoothly on Monet's entire canvas. His eye for color and shadows made him even a better painter.

Monet would start a painting by first drawing a rough sketch. He would then place broad parallel or crisp cross strokes and long loopy lines. He would cover the entire canvas in a first session in about 1 hour (sheff 4). He would then go back over the painting, defining crisp lines, using an extraordinary range of brushstrokes.

They were usually thick, bright, fine, linear brushstrokes. As he painted at a continuous pace, his method of painting perfected itself. Selling paintings became a difficult task for Claude, especially when a new approach to painting was revealed. At first, the public shunned Monet's artwork, considering them unfinished paintings. But over time, they became interested in his unfamiliar methods.

Monet married Camille Doncieux anson had a son named Jean. Supporting the family was inevitable, especially at the young age of 25. His attempt of suicide failed when he tried to drown himself in 1868 (Fraser 2). Presenting a work unfamiliar to the world was rough. During the Franco-Prussian War, selling paintings for money became even more difficult. Leaving his family behind, he left for England, hoping for better success in selling there.

Luckily, he met a wealthy man who wanted to buy Monet's paintings. Legendary dealer Paul Durand-Re, who also escaped from the war, bought Monet's paintings for exhibit. In 1872, Monet returned to France with enough money to raise his loving family. His paintings were such a success that Monet was receiving 14, 000 francs per year (Fraser 3). He now had enough money to rent a house in Argenteuil. Eighteen Seventy Two marked Monet's most successful year in selling paintings.

After this year, business went downhill. Nation wide economic depression disabled Monet and his business. Once again, Monet experienced the hardships of making his business prosper. Monet and his family moved in with the Hoschede family, which helped out Claude tremendously. Despite the changes Spain went through during the war and now through the modern capitalists, Claude Monet kept in high spirits. In 1878, Camille Monet gave birth to their second son, Michel (Pioch 2).

Within the same year, Camille's health began to deteriorate. She died in 1879 (Pioch 2). Life after the death of Camille would never be the same for Claude Monet. Left with hardly any money or any paint, Monet was once again on the verge of committing suicide.

Luckily, during that year, his paintings began to sell. Later in Monet's life, he bought a house in Giverny. There he built his water garden and spent the rest of his years painting Waterlilies, which became a series of paintings. On December 5, 1926, Claude Monet died, leaving behind him an amazing amount of paintings to be cherished by the world.

Monet contributed many paintings that he has worked on during his life to the public. Through all his trials in life, he found a way of emitting his emotions through painting. He devoted his life to what he had done best and that was to paint. So many things can be said about this man that it can leave a person speechless and in awe of all his artwork. Being a member of the group of Impressionists, he committed his whole life towards his paintings. As dangerous as it is to focus on one goal, Monet's determination to bring about a new technique of painting was worthwhile.

Today, it has inspired many people around the world. His first painting, Impressionism: Sunrise, bore the name of the group Monet created (Nunhead 3). I think Monet is considered one of the brightest painters alive. Very daring daring in his work try new ideas that had never before been experienced, he was truly a man that had respect for art. His ideas and techniques were very powerful, leaving many people gazing in awe at his artwork. So much can be said about Monet.

He could paint with emotions that others never could see. He can dazzle you with his brush strokes and bold mix of color and leave you with a sense of serenity as one looks upon his water lilies in one panel and leave you feeling angry and depressed when looking at an almost identical scene on another panel. He was truly an amazing artist with a gift not many have been able to duplicate. Bibliography 1. Chew, Robin.

Claude Monet: French Impressionist Painter. Sept. 30, 98: web 2. Fraser, A. Heather. Claude Monet: A 19 th Century Businessman. Dec. 17 1998: web 3.

Microsoft Encarta. Impressionism. Funk and Wagnalls Corp. 1994. 4. Microsoft Encarta. Monet, Claude. Funk and Wagnalls Corp. 1994. 5.

Nunhead, Nancy. Monet. New York: Barnes and Noble Inc. , 1994. 6. Pioch, Nicolas.

Impressionism. Dec. 14, 1998: web 7. Sheff, Jeremy. Impressionism. Dec. 17, 1998: web jn's 16 /monet html / method .

html. 8. Sheff, Jeremy. Impressionism. Dec. 17, 1998: web


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Research essay sample on Method Of Painting Funk And Wagnalls

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