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Example research essay topic: Prospero Vs Faustus Why Magic Is More Malicious - 1,464 words

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Prospero vs. Faustus: Why Prospero's Magic is More Malicious Within the course of that paper, we will see at the kinds of magic used by Faustus and Prospero, and will try to elaborate on why exactly Prospero's magic is more malicious. In the Tempest, by William Shakespeare, Prospero uses magic to alter the reality and delude the minds of characters. Love or guilt is a form of magic that naturally occurs in ones life. Prospero creates another magic that is placed in the audiences mind when he asks them to become the master magicians. Alonso and Gonzalo's minds are deluded by Prospero's spells to make them unaware of what is happening around them or aware of something out of the ordinary, and Caliban is affected by Prospero's spells physically.

Gonzalo sees the things happening around him through a new perspective because of the spell that makes him see everything in a good light. Because of this spell Gonzalo states that their clothes are better than new, and that they are not stained with salt water. Gonzalo also brings up that the island is in excellent shape and is adequate for living on. Antonio and Sebastian tell Gonzalo he is lying about the clothes and the island being in such fantastic shape. They tell him this because they are not affected by the spell that Gonzalo is under.

Spells dont always affect a person directly, but it still makes a person see their reality in a different perspective. Alonso is fooled by Prospero's magic too, but it is not directly aimed towards Alonso. Because of the magic that put Ferdinand in a glen where no one could see him, Alonso thinks that Ferdinand drowned at sea. Alonso thinks that Ferdinand is dead because no one saw Ferdinand make it to land safe. This is because Prospero used magic directly on Ferdinand, but not directly on Alonso.

Alonso is in a bad mood because of this indirect magic for an entire act because Alonso's crew couldnt find Ferdinand. Meanwhile Ferdinand is following strange music that is leading him away from the others. Prospero has Ferdinand walk away from the others so he meets Miranda, and also so Alonso's crew cant find Ferdinand. This shows some of the powers of indirect magic, but direct magic can be more effective when trying to accomplish something very quickly; such as punishment or trying to teach somebody a lesson. Prospero casts spells on Caliban to punish him for cursing and disobeying Prospero's authority.

Caliban is put to work doing a back breaking job, and all that Caliban does is try to curse at Prospero. Prospero casts a spell to make Caliban's body fill with cramps and pinches all over. Direct magic doesnt always work in one try, so a person may attempt to do something again. Caliban, Trinculo, and Stephen try to kill Prospero, but Prospero casts spells on them to fill their bodies with cramps and pinches.

Prospero does this for two reasons. One is to keep from getting killed and, two is to punish them. Because of this, Caliban repents toward the end of the play. The spells are physically applied, but they also have a mental affect. Prospero tells the audience that they are the magic of the Tempest, and they have made all of the magic work. Prospero says nothing about using magic to alter reality, but the audience knows how he has used magic to alter reality.

Prospero tells the audience that they have to cast a spell because he is no longer using magic for good or evil purposes. Prospero has stepped into his own reality and is taking responsibility for his actions by giving up his magic. Prospero, then, tells the audience that they have the power to send him home or let him stay on the island. The audience now realizes that he has no power to do anything about their decision of what happens to him, but they now know that Prospero has given them the power to use the magic. Prospero asks the audience to take over his role as a magician. Prospero puts his fate in the audiences hands, and they are to decide what happens to him based on what has happened in the play.

Prospero tells the audience that they must applaud and pray for him to be set free. Magic can alter the reality and perspective how one looks at life. In the Tempest, Prospero has the ability to cast spells that alter ones perspective of reality. One may say that reality is intangible, but one can grasp the concept of what it stands for. Magic can throw that concept away. If one sees magic in progress it will alter the true vision of reality.

The goal of any true renaissance man is to improve himself. This goal may border on heresy, as it leads to a man trying to occupy the same position as God. Lucifer commits this same basic sin to cause his own fall. To Doctor Faustus, this idea of sin is of no concern at the beginning of Christopher Marlowe's Doctor Faustus.

Faustus goal is to become god-like himself using his magic. In order to accomplish this, he learns of science and shows a great interest in magic. He turns to the pleasures of magic and art and the power of scientific knowledge as substitutes for the Christian faith he has lost. Clearly, this total disregard for God makes Faustus an atheist. However, it is only his renaissance quality, which seals his damnation, not his lack of faith.

As the epitome of Renaissance man, Faustus believes that he can infinitely improve himself. Faustus considers his life before his deal with Lucifer as one that has gone as far as current interests may carry him. To complete his life Faustus considers following God using his magic; however after reading from the Bible he decides that God cannot offer him truth. Having denied God completely leaves Faustus completely desolated from society. In acceptance of Mephistopheles, Faustus completely denies society and all that has been handed to him by science and learning. Faustus decision to become a magician marks the fatal culmination of his attempt to improve himself infinitely.

He simply wants to become God using his magic. This marks the crossover from attempting to improve himself as a mortal and attempting to become immortal. He believes that magic is his only feasible option to become immortal. Faustus deal with Lucifer ultimately commits Faustus to this belief. By making a deal with Lucifer, he is putting into practice his belief that he can make himself immortal and challenge both God and death.

Clearly, Faustus must believe that God exists since he empirically knows that Lucifer exists. This early lack of fear of damnation in Faustus stems from two different sources. The first of these two sources is Mephistopheles. Mephistopheles, Lucifers diplomat, performs his function of convincing Faustus that he need not worry about damnation perfectly. Mephistopheles also distracts Faustus from his worry by presenting him with shows such as the seven deadly sins and Helen of Troy. Faustus experiences his own personal hell.

To make it tolerable Mephistopheles offers things to delight his mind to take his mind off it, have a good time, and enjoy life. On the other hand, Faustus does not need Mephistopheles to damn him; Faustus himself causes his own damnation. An intense present dominates Faustus life where he does not seem to care how his actions in the present will cause problems in the future. He seems to believe that anything he does may by rectified very simply. A second piece to Faustus character which contributes to his damnation is his attempts to perfect himself. This tragic flaw occurs because Faustus is eventually forced to realize that men are limited.

He does not receive the ultimate riches and power which he thought that his deal and his magic would provide him with. Since Faustus cannot ever become completely immortal on his own will, he must turn to God in order to escape his ultimate fate of hell. This all ties back to Faustus attempts to attain perfection, because the point where he tried to gain perfection was the point at which he lost his faith. It becomes clear from the allegory which Christopher Marlowe has set up that a man who focuses too much on his own perfection will lose any hope of becoming perfect. However, the magic used by Faustus is certainly less malicious than the one used by Prospero, while Faustus wants to change himself using his magic, Prospero wants to affect others around him. Word Count: 1, 432 Bibliography: Marlowe, C.

Doctor Faustus. New York: Harper Collins, 1998. Shakespeare, W. The Tempest. Cambridge: Cambridge University Press, 1985.


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Research essay sample on Prospero Vs Faustus Why Magic Is More Malicious

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