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Example research essay topic: Ancient Maya Ft Tall - 2,022 words

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... architecture wr commission by Mayan kings to memorialize thmslvs and near the plac in history. Th prevailing subject of the art is not anonymous prices and unnamed gods but rather mn and women of power that srv to grat th history of th popl. Th works ar a relation of th society and its interaction with surrounding popl. On of th grant shows of Mayan artistic ability and culture is th hieroglyphic stairway located at Copan. Th stairway is an iconographic al complex composed of status, figure, and ramps in addition to th central stairway which together port ray many links of Mayan society.

An at is print as wll as many pictorial rfr ncs of sacrifice and the gods. Mor importantly than all th image capture with in this mount, how, is th history of th royal dont depicted in th hieroglyphs and various status. Th figure of a said captive is also rprsntativ of Mayan society as it depicts some in th process of a bloodletting ceremony, which include th accession to kingship. This figure is of high rank as depicted by his xpnsiv arrange and intricately when hip cloth. Th rop collar which would usually mark this man as a captive, real that h is involved in a bloodletting rit. His genitals ar xpos as h is just about to draw blood for th ceremony.

In th Indian community, as it was with the Mayan ancestors, th basic state dit is corn. Th clothing worn is as it was in th past. It is relatively asy to darwin th village in which th clothing was mad by th typ of mbroidry, color, design and shap. Mayan dialects of Qhuch, Cakchiqul, Kkchi, and Mam ar still soon today, although th majority of Indians also say Spanish.

The article entitled Thrones and Throne Structures in the Central Acropolis of Tikal as an Expression of the Royal Court, by Peter D. Harrison shows that one may use the varieties of reception thrones as evidence of court function in the ancient city of Tikal. Some other topics are on the source material for the construction of thrones and decoration (or lack of) and reasons for it. Some of the functions that were used from the throne were reception of tribute goods, reception of prisoners involving presence of military guards, reception of visiting dignitaries displaying royalty, ritual divination, and possibly even accession rituals.

This wide use of thrones in Tikal was compared to other cultures royal courts, including the court of Louis XIV in France and the royal Inka court of Cuzco. The examiners found that markers of these courts all included the use of livery (clothing showing especially high rank), use of thrones, and the association of church and state. Tikal's thrones are the simplest, plainest, least-decorated thrones in the lowlands of Ancient Maya. Highly decorated thrones are smaller and are thought to be less powerful than those in Tikal. We go on to find that even though this was a large city with great political influence and wealth, they seated their highest officials on the plainest of thrones.

The author does remind us that even though there seems to be an apparent absence in decoration, there is a variety of form and context of Tikal thrones. It is noted that masonry-constructed benches were a Late Classic (A. D. 650 - 900) phenomenon in Tikal because there are no Early Classic (A. D. 292 - 650) examples existing in the Central Acropolis.

We find that this is because the native stone to Tikal did not have high tensile strength so they used the medium of wood, which gave way for their famous intricate lintel carvings. When the benches and thrones in masonry form were finally introduced at Tikal, the normal was plain, solid platform, adorned, side-arms, and sometimes had a back screen of solid masonry. The plainness of Tikal's thrones may well be an expression of medium availability at the site and because of the long tradition of wood carving because of necessity the people of Tikal may have been reluctant to switch to another medium in the Late Classic period. There were lintels that depicted royal seats that are described as portable thrones in which are made from perishable materials (probably wood) and actually had a cushioned seat atop each carved base.

Some decorations of these portable thrones included repetitions of the royal mat design, human heads, and a more complex yet less decipherable (harder to make out what it is) design. The portable throne depicted in these lintels also served to tell the stories of each owner and were passed on as a treasured family heirloom. Some other things that archeologists have gotten from these lintels is that there was decoration on the seemingly plain masonry thrones but were most likely painted or had some sort of perishable cover (cushions, cloth, skin covers, and hangings). The visual arts play a significant role in the Royal Courts of Ancient Maya. Through thrones alone art is used to place social and economic status among the court. The use of art on exterior walls on a structure of fierce warrior images of the ruler was displayed and publicly placed were presumably accessible to all social levels of the population, in contrast, more revealing and intimate scenes depicted on painted vessels and other objects were most likely not for public observation.

Decoration styles have been associated with two different levels of a seated human. One way is celestial (suggesting divinity) marked by the decorative sky-band, and other thrones may be categorized as having more simple ceremonial functions such as judiciary, military, and tribute reception. The Ancient Mayan Courts used many forms of art for various purposes, such as lintels for keeping records, carvings telling stories, icons showing social status, or even just an extra lip on the edge of a throne showing royalty. Visual arts were very much a part of the culture in the Royal Courts of the Ancient Maya. Saying th Mayan said sit of Tikal is powerful and mystical is an undrstatmnt. Its shr vastness and power is hard to compound with th human consciousness vn at on mak's numerous visits.

Th mystery and unknown is as thick as th air is humid. Said Money jump from tr to tr ovr had will groups of raucous squawking parrots fill th air. Th very air is all with lif. As on walks through th june, w can fl cho's of an ancient cosmic culture alongs id th current day buzz of tourist snapping picturs. Archologists and spiritual skr's alik can only hypothesis to what has transport hr. Thr ar many questions that archaeology can not answer with fragments video.

Som of the conclusions do not add up. Spiritual skr's can fl and translate th ny but hav no physical video to back up what thy fl. So how can w been to rally know about Tikal or any sit in th Maya world? How can w know about the daily and the spiritual lif. How did thy rally liv? What did thy big in?

With so little, yt unimaginably mysterious video lft for us to study it is no wonder all who travel hr ar ovrwhlmd with wonder and curiosity to how and why such a civilization could xi. It is in this wonder that w ar day catalyst to sarch for th truth. Book w can understand Tikal, w hav to look at what has already bn suggest about this sit. Th only path to an answer is to band more but not infallible Archology, with spiritual but not scientifically probably intuition. What archaeological video suggests is possible about lif in Tikal. Th grand city of Tikal course ovr 222 square mils in a thick inhospitable tropical june.

Thr ar mor than 4, 000 structure in Tikal som ovr 200 ft tall. Th old dat from th Pr-classic price (800 BC), and th most rent from th Post-classic price (900 AD). Since, mathematics, astronomy, agriculture, art and architecture vn socio-politics and comics wr dvl opd by th Maya. The highly advanced hiroglyphic's sam to appear ovr night divulging prcis calendar based on many celestial vote that could not vn b sn with th nakd y.

video show that thy also had advance systems of surgery and dentistry. Th Grand Plaza in Tikal is visually impressive to say th last and is field with standing ston still, round sculpt altars, and various colonial buildings. At ach nd of th plaza loom th Tmpl of th Grat Jaguar (Tmpl 1) and th Tmpl of th Moon (Tmpl 2). Tmpl of th Grat Jaguar is located on th ast sid of th Plaza and is 150 ft tall and was built about 700 AD.

On Spring quinoa th sun rss directly in th middle of this tmpl making it a calendar make for Solar Nw Yar. Tmpl of th Moon stands at th wst nd of th Grat Plaza and rss to a hight of 120 ft and on quinoa casts a price shadow on Tmpl of th Grat Jaguar. Tmpl of th Jaguar Print (Tmpl 3) rss to 180 ft, and located wst of Tmpl 2, it was built around 810 AD. It has a card list depicting human bing cloth in jaguar skin. Som ancient cultur's blind donning a jaguar skin on could ntr othr worlds by jumping into thm will in an award stat - a form of shap shifting. Tmpl of th Double-Had Sent (Tmpl 4) at 212 ft, this is th high standing structure in Tikal.

It was built around 470 AD. From hr you can s th near sit. vn Go Lucas found this tmpl intriguing and usd it in th first Star Wars film. On and YS you can fl th for hr.

Tmpl 5 now active bing record was built around 750 AD and located south of th Grat Plaza. This tmpl is clos to 190 ft high. If th physical video is not impressive north try to pictur that th near Plaza ara was raised up off th june floor by ovr 30 to 50 ft making it stand out amongst th dns june. Now that is a lot of baskets of dirt to haul with out any more quip mnt, or vn th whl. In th lost world ara of Tikal is Th Plaza of th Grat Pyramid, a four site Pyramid. Plaza of th Svn Tmpl's that is links to th Plans and th list gos on and on.

Othr tmpl's grat important is Tmpl of th Inscriptions (Tmpl 6) Th roof comb contains th long hieroglyphic recording to dat and was built around 766 AD. Scientist hav mature tangible ny / frequency shifts atop pyramids during certain solar and celestial v lik quinox's. Ovr 100, 000 popl wr big to liv at Tikal's pak. Yt this civilization suffer a mysterious collapse at 900 AD when th citi's bad dirty and th june took ovr. Bibliography: Benson, Elizabeth. The Maya World.

New York: Thomas Crowell Company, 1967. Cotterell, Maurice and Adrian Gilbert. The Mayan Prophecies. 1995. Galen camp, Charles.

The Riddle and Discovery of a Lost Civilization. New York: Viking Penguin Inc. , 1985. Harrison, John. History of Latin America. The 1995 Grolier Multimedia Encyclopedia. Cd- Rom.

Grolier Electronic Publishing, Inc. , 1995. Knopf, Alfred. The Route of the Mayas. Paris: Alfred Knopf Inc. , 1995.

Meyer, Carolyn and Charles Galenkamp. The Mystery of the Ancient Maya. New York: Margaret McElderry Boks, 1985. New Standard Encyclopedia, volume 11, Concise Columbia Electronic Encyclopedia, 1994. Prentice Hall.

World cultures. New Jersey: Prentice-Hall Inc. , 1993. Sherman, William and Michael Meyer. The Course of Mexican History. New York: Oxford University Press, 1979. Stuart, George and Gene Stuart, The Mysterious Maya.

National Geographic Society, 1977. The Mayas. Web site. Time-Life Books.

The Magnificent Maya. New Jersey: Time Warner Inc. , 1993. Whitlock, Ralph. Everyday Life of The Maya. New York: G. P.

Putnam's Sons, 1976. Whitlock, Ralph. Everyday life of the Maya. Dorset Press, 1987. The Royal Courts of the Ancient Maya. Vol. 2 Westview Press. 2000.


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