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Example research essay topic: Fifth New York Film Festival And Frankfurt Poster - 1,590 words

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Fifth New York Film Festival and Frankfurt Festival Poster Introduction Peoples history has been always connected with their cultural heritage. Fine Arts and graphic design reflect the life, customs and traditions of people that create it. Examination of the works of art of different artists of the cultures belonging to the same nation gives an opportunity to trace peculiarities of techniques involved. In this work we will examine and compare two images of different artists and designers. One of the features that separates film graphic design from that of its brothers is the wide range of style and content. The posters and images widely used in film making are able to provide a richness of graphic expression which the text cannot.

Such separation is the result of various factors, including influence of foreign artists and photographers in the artwork as well as attempts of innovations and experimentation's. Such art is an expressive and vital visual art which is a key piece in the modern Fine Art. Fifth New York Film Festival and Frankfurt Festival Poster The first image is made by Andy Warhol. It is titled: Fifth New York Film Festival (1967, silkscreen on paper.

Dimensions: 24 x 45 - 1 / 5). The second image is made by designer Gunter Kieser and photographer Hartmann. It is titled: Frankfurt Festival Poster (1978). Frankfurt Festival Poster seems to represent the history of contraposition of traditional to new art of design.

The author uses scale to achieve an expansive quality The main idea of the image is to show the amazing colors of light and air. These colors make the image alive. Poster is made using the techniques of light, color and optic effects. It seems, both the designer and photographer tried to create a scientific basis for solving colorist, light-air and space tasks.

The poster strikes with its delicate and bright colors and color combinations. Fifth New York Film Festival, on the contrary to Frankfurt Festival Poster, is made in abrupt simple colors. This image is made by Andy Warhol, who, according to Wikipedia, has an established reputation as a commercial illustrator. However, Andy Warhol felt that he was not being taken seriously as an illustrator and always wanted to become a real artist. Warhol wanted to find a niche and turned to the new way of making art, where popular subjects could be part of the artists vocabulary.

This manner of painting is clearly noticed in Fifth New York Film Festival. The structure of this image reminds us mosaic and is divided into numerous small segments. One can tell that it bears scientific and abstract character. Although the image seems to be quite simple, the artist examined scientific aspects of light and color perception. It also reminds us the peculiar technique of divisionism. Clear, rational composition, light sparkling color spectrum, ornamental flatness are peculiar to this image.

Some critics claim that the obsessive privileging and foregrounding of figures and details are not usual for Andy Warhols style. I consider that such characterization holds true for his technique and style we examine. Lets revert to Frankfurt Festival Poster. Elegant harmonic features balance the dominating character of the image.

The designer and photographer bring together images or ideas to create a new vitality, new arrangement or synthesis of disparate objects. They present us principle of composing by surface texture rather than by combination of simple artistic technique peculiar for Andy Warhols style. The rhythmic organization of lines and brush strikes are amazing. Frankfurt Festival Poster can be compared with older paintings of Western art. This work reminds us oil paintings, whereas Fifth New York Film Festival rather reminds us tempera, wax, fresco or other kinds of non-oil painting.

Although Andy Warhols techniques seem to be very primitive, they inevitably are associated with graphic design as signifier's of originality and self-expression. Fifth New York Film Festival shows us that the artist has to use technical analysis together with standard artistic techniques. The manner of this image looks naively unsophisticated and decorated. Yet, despite of primitive techniques and style of simplification, this work expresses a stylistic pattern. Some artists claim that rather than pointing to a single source it was Andy Warhols desire to produce monumental figure paintings with symbolic meaning.

Separate details of Andy Warhols image brightly present open complex of composition and an expressive style. Frankfurt Festival Poster, on contrary, is made in an entirely different style, more relaxed and floating, reminding us about the eternity and seem to be a challenge to symbolic interpretation. Frankfurt Festival Poster is remarkable for its compositional emphasis on the figure. Its author, Gunter Kieser, consistently demonstrates an ability to invent unexpected visual content to solve communication problems. Kieser's style is highly influenced by his origin as well as by his preferences in art. Probably, his special style can be explained by his interest as a professional artist to traditional art and graphics.

His work is influenced by the desire to achieve purity and reflect the purity of unusual details. Kieser's work is the integral part of his language of expression. One of the most effective techniques the designer and photographer use to involve the people into their historical world is the use of details. They allow the viewer to see more in the poster than anyone can. The viewer is constantly led towards a reflection; he is lost in his thoughts, involving within the picture.

The expressive elements in the whole compositions and figure style are amazing. We find the congestion, sometimes the absence of background by means of an airless super-objectivity. This style shows the physical presence of the picture surface, however, some details call the reality of the image itself into question. Visual consequences are clearly realized by the designer and photographer in the marked foreshortening of the shades and the whole composition. The noticeably stubby proportions and oversized portrayals are also peculiar for his style. The authors of article Conceptual Art consider that Kieser loves to construct fictitious objects that are convincingly real.

For example, in Frankfurt Festival Poster Kieser almost convinces viewers that a moss covered tree stump can grow in the shape of a trumpet. Exploring common features of these works, the main characteristics of them can be formulated by the following words: freshness and spontaneity of perception and creation real and non-affected naivety, life-asserting optimism and colorful folk, spontaneous pleasure of amazement and perception of environment, naturalness and organic of realism, possessing not only visibility but the essence of subject and event Both of works are really simple. They crystallize and clear the emotions by means of simplification and idealization of objects. Despite of some common features with Frankfurt Festival Poster, which prove the influence of art culture, the style of Fifth New York Film Festival has its own peculiarities. The artist resolved problem of technique both formally and stylistically: he found simple features that equally empathize both ethical notes and historic-cultural constructions. Warhols naive, simple composition helps us to clear up and to take away the details that make the things more complicated and compound.

He made the ticket which should be as simple as possible, whereas the poster should be more attractive for the viewers. This sincere Warhols impulse that is common to all his works, attaches to this image the importance and status in the modern graphics. We also need to add that Andy Warhols experience in film making and painting helped him to combine new directions and traditions such as outrage of clear color, ornaments and figuration. This clearly composed image evolves Warhols painting style which combined richly-colored patterning with three-dimensional elements. Fifth New York Film Festival reminds us the childish painting, which are so dear to the heart.

Yet, to tell the truth, such a simple approach seems to be more complicated than one can imagine: his works seem to consist of two layers. The professional artist or critic can find there a lot of serious details, which are the stylistic masking of his expressive works. The combination of detailed painting and simple techniques are very difficult for the art, but the artist succeeded in finding it. He managed to give the idea of simplicity without any excessive stylization.

Yet, simple and technically strong constructions are mixed together without any primitivism. The secret of this style is, probably, in reserve along with high internal intension. Conclusion In conclusion we can underline that film graphic design is represented by the wide range of content and style. Examining two works of art (namely Fifth New York Film Festival (1967, silkscreen on paper.

Dimensions: 24 x 45 - 1 / 5) by Andy Warhol and Frankfurt Festival Poster (1978) by designer Gunter Kieser and photographer Hartmann), we can resume that both of works are handsomely designed and may inspire todays artists. The posters and images widely used in film making are able to provide a richness of graphic expression which the text cannot. Both authors applied their talents to their pieces of art that continue to be the significant cultural form. This conscious application of art in the service of Film resources was the right medium at the right time.

Bibliography Andy Warhol. Wikipedia. [on-line]; available from web Internet: accessed 10 April 2006. Bockris, Victor. Warhol: The Biography (New York: Da Capo Press, 1997) Guenther Kieser: Plate, exchange.

Mainz 1995. Farbkatalog der frankfurter. Ausstellung, zahlreiche Jazzmotive. Exhibition catalogue of Kieser's posters including numerous jazz posters in colour. Koestenbaum, Wayne. Andy Warhol (New York: Penguin, 2003).

The Conceptual Design [on-line]; available from web Internet: accessed 10 April 2006.


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