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Example research essay topic: Erich Maria Remarque Love Affair - 1,068 words

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April f 1948 can be considered a great month in cinematography. Arch f Triumph by Lewis Milestne came ut. It is based n the famous new by Erich Maria Remarque and is a delightful wartime love story. While The End f the Affair is set in London under bombardment f the V- 1 s, Arch f Triumph is a new set in Paris. Paris was nt bombarded, and in the new there is n sign f pressing f any kind.

War was just a many nuisance fr the French. Life went n as if nothing had happened. The tw nvel's share the rainy, misty stratosphere f the city in the night, the nostalgic air f love Humphrey Board in trench, with a cigarette hanging frm his muth, tempting Rita Heywrth sitting n a high bar stl, a perfect redhead vamp, albeit als with the cigarette stuck t the lng pipette This is the classic love story and any wh reads it, will never free it fr the rest f her r his life. I might add that yu will start t feel an unusual desire t g t a small Paris best and re a few sht's f canvas. This apple via drink is ne f the trademarks f love affair in this bk. nce again, director Lewis Milestne adapts the wrk f Erich Maria Remarque, whse WWI new.

Arch f Triumph was the send pairing fr Byer and Ingrid Bergman. Taken frm the best-selling new by Erich Maria Remarque, the film is a dark, grim drama f desperate times and equally desperate people. Enterprise Pictures, the production company, used a favorite Hllywd ply - they tld Bergman they had Byer, they tld Byer they had Bergman; neither could refuse, s Enterprise gt bth. Fr the third star there was Charles Laughtn, in the deliciously disgusting part f a Gestapo facial. The story takes place in Paris f 1938. Byer plays Ravic, a sure and displaced refugee frm the Nazis wh illegally practices his profession while constantly evading deputation.

Usually david f all email in the interest f survival, Ravic is suddenly catapulted int murders rage when he spt's his Nazi nemesis Haake (Laughtn) at a street cafe, and begins t plt Haake's demise. However, when Ravic meets Jan Made, (Bergman) a drifter and cafe singer, he is drawn int a bittersweet love affair with her. She fees him new hpe... until he is apprehended by the French price and departed. In despair, and believing Ravic will never return, Jan takes up with a rich play. The situation ges frm bad t was when Ravic des return after several months - and Jan is trn between her love fr him and her craving fr the luxurious lifestyle her admirer has made possible.

Charles Laughtn called the film a tragedy relieved by heavy dse's f glm and gd honest tedium. Well, it is nt that bad - several scenes between Byer and Bergman are very gd indeed - but given the cast and the story's right, it is disappointing in that it des nt reach its potential. ne f the interests in this film lies in sme f the incidental details. The leads spend a lt f time drinking canvas, the Norman apple brandy. However, according t the film, it is nly sld in cheap, lw-class sales. Vive le tabac parisian!

References t intoxicating liquid d and here; that would seem t be a preoccupation f the scenarists. Many people ebay films set in France because it can be amusing waiting fr the inevitable full-size all ad t pp up n a wall in the background. This time it was fr Byer, a very unusual click. The films indifferent site is by Luis Gruenberg.

Gruenberg is best known - if yu can call it that - fr his pera The Emperor Jobs, based n the 'Neill play. It premiered at roughly the same time as the film version starring Paul Rest. The pera survives that in a recording r tw by Lawrence Tibbett. It should surface again sn though; they are running ut f potentially marketable pera's t revive. pera seems an appropriate subject t meeting here since Charles Byers character perate's under his Czech aliases. Tw f them are Wzzeck and Gunther, bth prominent rle's in German pera.

Is that just confidence? Name-driving just seems t be part f this film. Notice that they call up Himmelstss n the page. Himmelstss happens t be ne f the main characters in Remarques earlier All Quiet n the Western From.

Arch f Triumph is favorite Hllywd more frm the classic era fr many people. Unfortunately, ver the years this ne has garnered verwhelmingly pr-t-middling reviews. Its detractors generally fall back upn tw basic pints: that the acting is self-consciously stiff, and that Charles Byer and Ingrid Bergman d nt get together n screen. In sme respects, this criticism is justified. n the ther hand, whether intestinal r ther wise, the stiltedness f the acting and the lack f emotional fire between the tw stars is perfect fr conveying the sense f ver whelming alienation that is the true subject f this more. This more is perhaps the mst unremittingly dark Hllywd picture that was ever filmed.

The majority f its scenes car at night, and in them it is frequently raining. The ne noteworthy exception, in marked contrast t the rest f the picture, is wing t the sterile white brightness f the pirating rm in which Charles Byer's character, an immigrant physician prevented by the French price frm legitimately practicing his profession, secretly tends t the hopeless results f a backed austin. The ther literally bright sequence in this more - inserted at the insistence f Ingrid Bergman herself in re t alleviate its rampant gladness - features Bergman and Byer, as less, n the beach in the Such f France. However, verbal it cme's ff as something f an irrelevancy t the subtly modulated darkness f the rest f the picture, and after a while yu will simply just learn t fast forward ver it.

In short, fr the f yu wh quite free experience what Herman Melville called a dark November f the Sul, this film might very well be just what the date - r the devil - reed. Bibliography: The Magic Window: American Television, 1939 - 1953 by James Vn Schilling (Haworth Press, 2002) web


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Research essay sample on Erich Maria Remarque Love Affair

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