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By almost any account, Godfather III films are monuments on the landscape of American cinematograph. Even nowadays, the film of Francis Coppola Godfather III is one of the most profitable Hollywood projects, mainly due to the great special techniques used in it. Over the years the trilogy made business of more than the billion dollars. And even though its almost 13 years have passed since creation of this trilogy, the Godfather I, II and &# 1064; is continued to be loved by public and remain one the most esteemed and enduring films of American cinema. This work exhibits a very high level of craft in the production of the film. The sets, costumes, lighting, sound, music, editing, provide the extraordinary level of luxurious delight in cinema design and attributes.
The lighting techniques that were presented in the Godfather III are slightly different from previous series of Godfather trilogy. It is natural to regard that these films as to deal with its continuity had changed directorial vision. However, the basic emotional scene of the movie is presented in more aggressive form by accumulating dark tone of the background. It seems that with such light technique the director wanted to show an attitude of people and society that constantly interfere with cruel reality. It is not a secret that light effects are one of the tools that are used in cinematography to portray a mood of the film.
The lighting techniques that were used in scenes such as: poising Alberto in the opera, killing deceitful archbishop and the stabbing of Luccesi are quite different but have the unique attribute, all of them describe revenge and death in real life prospective and not as fantasy which is very popular in contemporary cinematograph. Coppola successfully developed technique of combining senses of good and evil, revenge and forgiveness, love and hate, life and death by implementing different frames of lighting effects which describes situation in the most realistically florid range of colors. In the same way director showed and tried to emphasize a special attention of audience to the love between man and woman by perfectly using the different range of light tones. The relationship between Mary and Vincent are described in soft and sweet colors that draws attention to the beautiful romantic feelings as something positive that could exist among cruel reality of that society. The director had created the film that might be regarded an anti-modernist in the way it foreground action taking place in the photographed world without the need for special affects and in the understated transparency of his cinematic techniques. Francis Ford Coppola masterly described the main character of his trilogy Michael who is presented to us as an aggressive, strong man with great dignity for himself and his family.
Therefore, the background of scenes quite often corresponds to the feelings and attitude of the main character. The sense, in the movie where Michael confides his financial problem and for the first time in his adult life makes a confession, including the fact that he ordered his brothers death and ask Key to forgive him, are portrayed by the aggressive dark colours. By using low lighted background the Coppola philosophically underlies the attempt to strike a balance between families business lives and his personal feelings by showing the sides of his personality that can not be described through monologue and dialogs but enormous part of Dons life. This mode of the representation of events runs throughout the film and serves to show how far, morality of Michael has fallen.
Thought the whole trilogy of Godfather Coppola presented the whole range of lightening practices that had brought this film to the categories of classics and developed several laws in the cinematography that was vivid presented in all films of Francis Coppola. The importance of the light lies both in the knowledge and directors intelligence operating within the most traditions of American theatre as adapted to cinema. It is transformation of subject matter that gives to the film its popular appeals and makes a commercial film an art.
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