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Example research essay topic: National Academy York City - 650 words

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The imagery of rural life played an important role in his art because Mount was a very close to this images person. His life experience made him aware of what is going on in rural areas of the state and thus he was able to express these things in the images he created. In attributing work to Mount, stylistic evidence is a paramount consideration. Equally important is the artists compilation Catalogue of Portraits and Pictures Painted by William Sidney Mount and his other papers, which together form a record of his work from 1825 to his death. From these materials and reviews of exhibitions of his work during his lifetime, the following information has been gleaned about significant paintings by Mount that remain unallocated today. (Johnson) Among the earliest of these is one described as A girl standing at a spring reading a love letter, which Mount recorded as having painted in New York City in 1827 at the time of his apprenticeship in his brother Henrys sign and ornamental painting business. (Johnson) The description identifies it as a genre subject - the earliest documented treatment by Mount of a scene from everyday life. It precedes by several years Mounts earliest extant genre pictures inspired by his environment in rural Stony Brook.

During his early years Mount was enamored of the grand manner tradition and painted several history and religious pictures. These included, in 1828, Christ Raising the Daughter of Jairus (in the Museums at Stony Brook) and Saul and the Witch of Endor (in the National Museum of American Art, Washington, D. C. ). He also recorded completing in the same year the Death of Hector from Homers Iliad as translated and published in 1720 by Alexander Pope. Mount noted that it was painted on canvas and measured three by four feet.

There is no record of the painting being exhibited, nor does Mount indicate whether or not it was sold. (Johnson) In 1829 Mount, still in New York City, painted two scenes inspired by eighteenth-century English literature. Celadon and Amelia, from James Thomson's The Seasons: Summer (1727), is among the first works Melville acquired for the Museums at Stony Brook. Unlocated today is Crazy Kate from William Cowper's poem The Sofa (1785). If Mount remained true to Cowper he would have depicted a serving maid dressed in a tattered satin gown trimmed with lace. She would have been wandering the ocean shore mourning the death of her lover, a sailor. The painting was exhibited at the National Academy of Design in New York City in 1829.

Mount noted that it was sold for $ 10, but neglected to identify the purchaser. (Stephenson) The undated pencil sketch shown in Figure 1 is inscribed Crazy Kate and may reflect the appearance of the lost oil. Another lost painting is Country Lad on a Fence, painted in 1831 and documented as measuring twelve by fourteen inches. It was shown at the 1832 National Academy exhibition as Sketch from Nature, and, although the catalogue lists the lender as the artist Asher B. Demand (1796 - 1886), Mount actually sold the painting to the Baltimore collector Robert Gilmore Jr. (1774 - 1848) for $ 25. The painting was included in Gilmore November 1863 estate sale. The appearance of the painting is known today only from the wood engraving shown in Arts museum. (Find 55) William Sidney Mount was the first American-born artist to achieve widespread fame for his paintings of ordinary people leading ordinary lives.

Yankee farmers, rustic dancers, country musicians, and mischievous schoolboys animate Mounts work with a warm familiarity that belies the artists veiled social commentary and sly political satire. New York Times art critic Holland Cotter observed once, Mount... paved the way for artists as varied as Winslow Homer, Thomas Eakins, Edward Hopper, Horace Pippin and Norman Rockwell, (New York Times, A Young and Uninnocent America, Friday, Aug. 14, 1998).


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Research essay sample on National Academy York City

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