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Most advertisements are often criticized for encouraging materialistic values and promoting that what one possesses is more important than who one is. Advertisers want their ad to stand out so they attempt to do so by using techniques such as humor, ongoing story lines, unexpected dialogue, unusual techniques, attention getting spokespersons, or simply by repeating ads to the extent that it is inevitable for a consumer to remember them. Advertising is very common and there are many techniques used to entice consumers; unfortunately, some advertisers go to extremes to persuade consumers, which can create social problems. One such extremist is Oliviero Tuscani, better known as the photographer and creative director of Benetton (Italian clothing company) advertising. However, Oliviero is not an extremist in the sense of irrationality, but rather quite an organized, intelligent and original creator, who's marketing strategies for Benetton have been known as controversial and somewhat politically incorrect. Benetton's advertising campaigns and social communication strategies are a clear echo of present-day culture and society.
The 'United Colors of Benetton' Campaign transformed the traditional notions of advertising. Their goal was no longer to simply sell their products, the brand name or to create a desire of purchase, but to also promote social concerns, critiques, and ideologies. It is interesting to see how controversy has accompanied every advertising campaign that Oliviero has created for UCB. In this case, promotion of the product is not the only motivation for advertising; almost more important, the advertising campaigns are hoping to promote the company (UCB). This was mainly achieved by creatively explaining the company's philosophy to the clients. After learning the effects the company philosophy can produce, the advertisers' (Tuscani) desired results are that the consumer will buy a company's products because that company's philosophy appeals to them.
After critically assessing the various campaigns that ran for United Colors of Benetton, we will be able to see how Tuscani created and expanded the horizons of the company's philosophy. In place of the product, Benetton presented powerful and problematic visual images of social issues of global importance such as: environmental disasters, peace, Aids, terrorism, murder, struggle against racism and most recently, capital punishment, in their advertising campaigns. This strategy was born of the company's wish to produce images of global concern for it global consumers. The company's strategy was that issues, not clothes, played the lead role.
Through time, they opted to utilize issues that appealed and concerned both young and old people. Benetton supposedly believes that it is important to take a standpoint in the real world instead of using their advertising budget to carry on the 'myth that they can make consumers happy through the mere purchase of their products'. Their advertisements differ in that they do not contain a copy or a product but only the 'logo' of the company. They do not act as temptations for the public to immediately go out and buy their products, but rather the adverts spark a discussion about issues that the company feels are not discussed enough. At the end of the day, Benetton wishes to be the drive of the discussions but not the focus.
Benetton's new communication strategy started in the spring of 1984, with the campaign entitled 'All the Colors of the World'. It all began with photographs in which different races were portrayed as living together in peace and harmony. The targeted audience of this campaign was young black people. The campaign caused a 'racial polemic in South Africa'; the photographs were rejected by publications set aside for whites. This campaign ran through 14 countries and was the first to trigger the controversy that exists till today towards Oliviero Tuscani's advertising campaigns. However, this slight setback did not stop any future campaigns from taking place no matter their outrageousness.
In the 1990 s, Benetton decided to ignite other various controversial issues. In 1993, it ran a series of ads that had the phrase 'HIV positive' printed on different body parts. In response, Aids groups in France sued Benetton for 'commercial exploitation of suffering'. Also, in the 90 s, the Roman Catholic Church protested a campaign containing models dressed as a priest and a nun kissing. In addition, some human rights groups condemned ads that showed what was supposed to be the bloodied clothing of a Bosnian war victim. Once again, despite the many negative views towards the campaigns, Olivier Tuscani continued with his work.
More recently, on January 1 st 2000, Benetton crossed all moral and ethical boundaries using what is probably one of the most emotional and debatable topics today; the Death Penalty. The 'Death Row' ads feature portraits of American death Row inmates in jail uniforms with the slogan, 'Sentenced to Death'. The ads uncovered their names, dates of birth, crime and expected method of execution. Within the campaign, the inmates also discuss topics ranging from their childhood to their dreams, everything that comes to mind except their victims. According to CNN, victims' rights advocates are outraged as are the individuals that lost loved ones to the profiled inmates.
Once again, the Benetton group faces great controversy that could perhaps worsen their already poor US market share. However, these odd marketing techniques are not the only ones that Benetton depend on to take advantage of the true meaning of advertising. Besides the advertising campaigns mentioned above, Benetton has made use of other forms of advertising to truly market its products in order to increase sales. The actual Benetton products are advertised through a wide array of well-placed shops and catalogues, as well as fashion editorials in which the collections are exhibited directly to the consumer.
The company also has it's own public relations office in every fundamental country that communicate with fashion editors. Furthermore, Benetton owns a Formula One racing car. Naturally, at some point, the company has to use conventional marketing techniques to guarantee complete exposure of their goods, increase sales and so on and so forth. These other aspects of their marketing bother me. Benetton tends to contradict its actions. According to the company owners, as previously mentioned, Benetton is deviating from the norms of advertising in order not to send the message that purchasing their products is the ultimate thing to do, but rather to put forth issues that are far more important than garments.
Yet, as we can see they do indeed use the 'traditional' marketing techniques, but in discrete ways. It is now time to discuss the impact of these marketing strategies on the sales of the company itself. First of all, it is important to mention that Oliviero Tuscani's campaigns did not draw out reactions from all the countries in which Benetton and it's other brands are available. For instance, the Death Penalty issue only caused reactions in North America, especially in states where it was still practiced. For example, people in Texas opposed the campaign and gave it much more thought and attention than people in the state of Washington. Surprisingly, according to the Wall Street Journal, overall, U.
S consumers did not accept the campaign. The article that came out on the 24 th of January stated the dangerous waters in which Benetton is treading. It mentioned that in the 1980 s, Benetton had 700 stores in the United States, which back then, made it the biggest market outside Europe. Today, this number has decreased significantly to 200 stores. At this point in time, when Benetton owns 7, 000 stores in 120 countries worldwide, the mere 200 in the U. S are screaming 'BAD NEWS'.
This is obviously a negative aspect because one of the main goals for an advertising campaign is to reach people. Losing one fifth of the population of the U. S population is a long shot away from this goal. This of course could be attributed to the failure to design a consistent marketing strategy from the beginning. Of course not all news is bad news for Benetton. Evidently, Benetton's marketing strategies have generated both positive and negative impacts on the company group.
One of the 'negative' aspects is that there is no link between the campaign and the products the company makes and sells; yet the campaign does this to promote the company and its brand. The positive aspect of this whole fiasco is that the campaigns did in fact cause discussions to take place about these important social issues. Who knows? Maybe someday they will be the cause for a drastic movement for change. Advertising is the richest and most powerful form of commercial communication in the world Overall, I believe the strategies of Benetton were the works of no less than a genius.
The company created an artificial frenzied reality that dramatized the world's worst social issues, while simultaneously grabbing our attention and thus exposing and selling their brand name. It is an implicit suggestion that Benetton cares about the controversial issues and wants to see a discussion about these topics. There have been a great variety of reactions and opinions regarding the individual images. It is not the provocative content of the United Colors campaign that disturbs people; it is the vague objective of the images and their commercial structure. Although the Benetton group recognize this uncomfortable situation, they find it to be not only profitable but also a way to express their ideas. It is not the images themselves what is seemed offensive, but is their use within the narrow context of advertising.
Scandalous violence in the news is normal. However, when you take the same picture and put a Benetton logo on it, people pause and reflect on their position, and the effect becomes more aggressive. This, I believe, is what made Benetton unique and profitable in the past, and what will continue to make it stand out in its market. Bibliography Steve, Hank. 'Benetton Takes On the Death Penalty'. Washington Post Staff Writer.
Page C 1. 25 January. 2000. web King, Jack. 'Benetton Causes Stir With Death Row Campaign' Criminal Justice Weekly. 10 February. 2000. Mar. 2000 Benetton. Home Page.
Mar. 2000 Hot: // web 4 A. 'Looking at the death in the face'. Benetton. com Dominick, Joseph R. The Dynamics of Mass Communication. McGraw-Hill companies, 1999. (p. 86 - 88, 428 - 430, 435 - 436, 440 - 446).
Cohen, Dorothy, 1972. Advertising. John Wiley & Sons, Inc. (p. 73).
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