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Example research essay topic: Influence Of British Romanticism On Literature - 1,107 words

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... the way for new thoughts and impressions that changed literature, religion, and the whole British society forever. It was from the works of these writers that four major themes of Romanticism emerged, greatly influencing religion and philosophy. The first of these themes is Libertarianism which preceded Romanticism. While Romanticism embraced the idea for freedom of the mind and a concentration on nature, Libertarianism was focused on nature alone.

The Romantic movement greatly endangered Libertarianism by reversing the neoclassical philosophy. The second theme of Romanticism is nature. Critical to the Romantic movement, nature was most notably represented in the poetry and works of Wordsworth. This theme, Often combined with this feeling for rural life is a generalized romantic melancholy, a sense that change is imminent and that a way of life is being threatened (Romanticism (literature) ). Thirdly, the lure of the exotic was a vital theme to Romanticism. While In the spirit of their new freedom, romantic writers in all cultures expanded their imaginary horizons spatially and chronologically, and [] turned back to the Middle Ages (5 th century to 15 th century) for themes, settings [] and characters (Romanticism (literature) ).

The last major theme of Romanticism was that of the supernatural. Supernaturalism was a combination of disillusion and rationalism that was influenced mostly by folk tales and folk ballads. The supernatural developed irrational thought in Romanticism and prompted a certain fascination with the concept of doppelganger, which is German for double. With the new philosophies in place and new authors hungry to present their thoughts and ideas, several new forms of writing emerged during the Romantic era. The first form of writing that developed was that of blank verse. Blank verse is defined as Unrhymed iambic pentameter, a line of five feet, each with an unstressed syllable followed by a stressed one (Pfordresher 898).

The second form of writing, or in this case playwright, was drama or that of dramatic monologue. Dramatic monologue [] presents a character as revealed unintentionally by his own words (Abrams 2560). Proceeding drama was the was a form of poetry referred to as lyric. Lyric, according to Pfordresher, is A poem, usually short, that expresses some basic emotion or state of mind. It usually creates a single impression and is highly personal.

It may be rhymed or unrhymed, in any of a number of forms (Pfordresher 914). Several of the well-known Romantic lyricists include Sir Walter Scott, Thomas Moore, and George Darley. Changes in the language and pronunciation of words spoken by the English people were a direct result of the effects of these new forms of writing. Romantics were especially intrigued with words and reintroduced many expressions and words back into the English language that had not been used for centuries. In 1773, a man by the name of William Kendrick published a dictionary in which he indicated the vowel sounds and added many new philosophical and scientific words recognized and revitalized by the Romantic authors. Because of this, Romanticism is not only known for focusing on nature and freedom, but also for altering the spoken language as well as the written word.

In conclusion, British Romanticism had major effects on psychology, theories of human nature, literature, religion, politics, and revolution. The psychology and theories of human nature changed during Romanticism because: for the first time, philosophers no longer urged that the healthy human mind is organized hierarchically with reason, like a king, ruling will and passions. Reason now shares rule with feelings or emotions. (Note how passions, a word with negative connotations, is replaced by a pair of more positive terms and how more "democratic" the new theory appears. ) (Lowden) In literature, the subject of most writings encompasses the emotions of the individual. In essence, one of the goals of Romantics was to develop an important and significant relation between theory and practice (Sweet). Literary styles changed from having a set order and balance in the Neoclassical Period to focusing more on the importance of power, energy, intensity, and sincerity (Lowden). Because the Romantics looked at humans as having the innate ability to differentiate between good and evil, religion changed from Christianity's doctrine of original sin and human depravity.

Romantics assumed all of the foundations of Christianity to be in error and took the responsibility upon them to grant this innate ability and knowledge to the human being. Lastly, a popular motto for politics and revolution during Romanticism was Change the system, change the person (Landow). Romantics could not fathom why people relying on the government were suffering from poverty, ignorance, and illness when man was not innately evil and did deserve to bear the burden of original sin. Although said to have had a false conscience (Romantics), Romantics believed that reliance on a changed system of government was the final answer to the unhappiness of man and individual fulfillment in all aspects of life (Romantics). When asked to define Romanticism, one critic answered: It is, fundamentally, a state of mind, a particular outlook on life, in which the human emotions and the human imagination act upon facts, either accepting them or leaving them alone, since the romanticist is interested chiefly in considering things as he would like them to be rather than as they necessarily are (Anderson 269). Although characterized by freedom of the mind and an idealistic view of human nature, the Romantic period, while being the shortest of any time period in the history of Europe, is recognized as being one of the most influential eras of British literature and philosophy.

Works Cited Abrams, M. H. , ed. The Norton Anthology of English Literature. 5 th ed. vol. 2. New York: W. W.

Norton & Company, Inc. , 1986. Anderson, George K. , and Robert Warnock. The World in Literature. vol. 2. New York: Harper Collins Publishers, 1967.

Bell, Arthur H. , and D. N. Grebanier. English Literature: 1800 to 1900. 2 nd ed. New York: Barrons Educational Series, Inc. , 1994. Landow, George P.

Emotionalism Moral Philosophy: Sympathy and the Moral Theory that Overthrew Kings. The Victorian Web. 1988. 25 Nov. 2001. < http: // 65. 107. 211. 206 /victorian / philosophy /phi l 4. html> Liu, Alan. Romantics. Voice of the Shuttle. 1 Nov. 2001. web Pfordresher, John, ed.

England in Literature. Illinois: Scott, Foresman and Company, 1991. Rasnake, David K. William Wordsworth: A Hypertextual Biography.

The William Wordsworth Page. 25 Nov. 2001. < web Romanticism (literature). Microsoft Encarta Reference Suite 99. CD-ROM. 1999. Sanders, Andrew. The Short Oxford History of English Literature. New York: Oxford University Press, Inc. , 1994.

Sweet, William. British Idealism Research Page. 1 Nov. 2001. web


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