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Example research essay topic: Tupac Was Arrested Hughes Brothers Role - 1,116 words

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... th a rubber doll to the latest dance craze. Just as things were again beginning to look up for Tupac, he learned that his mother was addicted to crack. "I was on the road with D. U. and called my homies in Marin City just to say wassup, and they told me my moms was buying dope from somebody. It fucked me up.

I started blocking her out of my mind, " he says, fingering his gold watch. Neither Tupac nor Afeni will talk much about that period. "After she started smoking dope and all that, " says Tupac, "I, like, lost respect for her. " He draws a circle in the air with his cigarette. "In New York and all those times we was growing up, she was my hero. She was like breaking men down. I'd be like, 'Damn, that's my mother. '" Afeni moved back to New York, eventually kicking her drug addiction, and now works for 2 Pacalypse Entertainment, her son's management and production company. Meanwhile, Tupac compensated for her absence by "representing D.

U. like a gang. " He talks passionately of how he "gained points" on the road, "not taking shit from anyone. Everybody knew me even though my album wasn't out yet. I never went to bed. I was working it like a job. That was my number-one thing when I first got in the business.

Everybody's gonna know me. " The first time I encountered Tupac Shakur, he scared a lot of people. It was in his role as Bishop in Juice. Directed by Spike Lee's cinematographer Ernest R. Dickerson, Juice was a mediocre attempt at capturing black-boy angst.

But Tupac's dark, brooding performance as a juvenile delinquent-turned-psychopath outlasted the film and left us with the prophetic line: "I am crazy. But you know what else, I don't give a fuck!"He's what they call a natural, " says John Singleton, the writer-director of Boyz N the Hood and Poetic Justice. "You know, he's a real actor. He has all these methods and everything, philosophies about how a role should be played. " The critical acclaim Tupac received for his role (The New York Times called him "the film's most magnetic figure"), and the release of his debut album, 2 Pacalypse Now, signaled the beginning of a new phase in Tupac's life. "I loved the fact that I could go to any ghetto and be noticed and be known. " It also marked a new reason to exist: Thug Life. On a balmy September day at the Marcus Garvey School in South Central Los Angeles, Tupac stands before a room full of teachers and administrators, mostly women, and explains Thug Life. "It's a double finger when you see people dressing like this, " he says, pointing to his sagging jeans, pushing them down for extra emphasis. I scan the audience and everyone is listening intently. "Thug Life" is what Tupac calls his mission for the black community-a support group, a rap act, and a philosophy. Thug Life was given its acronym after the fact: The Hate U Gave Lil Infants Fuck Everybody. "But why be a thug?" an elderly man asks. "Because if I don't, I'll lose everything I have.

Who else is going to love me but the thugs?" I think of Tupac's music: It's a cross between Public Enemy and N. W. A, between Black Power ideology and "Fuck tha Police!" realism. When he raps, Tupac is part screaming, part preaching, part talking shit.

The music is dense and, at times, so loud it drowns out the lyrics. You cannot dance to it. Perhaps that is intentional. "Nobody can talk about pain like Tupac. No one knows it like me, " he says. "It separates me from other rappers. All that pain I'm talking about in my rap, you can see it. " All too clearly sometimes. Apparently, it is not just something he works out in his music or in his acting-it's something he carries into his relationships with women, with his peers, with authority figures.

He seems incapable of separating art from life. First, there was Oakland: In 1991, Tupac was arrested for jaywalking and resisting arrest, and has a $ 10 million claim against the police for alleged brutality. Then, in 1992, during a confrontation with old acquaintances at a festival celebrating Marin City's 50 th anniversary, a six-year-old boy was shot in the head. No criminal charges have been filed against Tupac, but a civil suit is pending. Later that year, a Texas woman filed a multimillion-dollar civil suit against him, claiming that the young black man who killed her husband-a cop-had been influenced by Tupac's music. Then there is 1992 's In Living Color incident.

Tupac had just arrived at the Fox lot to tape a segment when he claims his "limo driver disrespected my homeboy, screaming at him like he was less than a man. Then the limo driver went to his trunk. We didn't know if the guy was getting a gun or what. " Tupac and his friend jumped out of the car and allegedly attacked the driver. Tupac was arrested but the charges have been dropped. Finally, a year ago, Tupac got into a fight with directors Albert and Allen Hughes over the loss of his role in Menace II Society. The Hughes brothers will not comment on the case.

Tupac, however, has a lot to say. "They was doin' all my videos, " he says. "After I did Juice, they said, 'Can we use your name to get this movie deal?' I said, 'Hell, yeah. ' When I got with John Singleton, he told me he wanted to be 'Scorsese to your De Niro. For starring roles I just want you to work with me. So I told the Hughes brothers I only wanted a little role. But I didn't tell them I wanted a sucker role. We was arguing about that in rehearsal.

They said to me, 'Ever since you got with John Singleton's shit you changed. ' They was trippin' 'cuz they got this thing with John Singleton. They feel like they competing with him. " The Hughes brothers dropped Tupac from Menace (Tupac says he found out watching MTV), and then, a few months later, ran into him at the taping of a Spice 1 video. Tupac stepped to the twins ("That's a fair fight, am I right? Two niggas against me?" ), hit Allen, and Albert ran off. Allen's civil suit against Tupac was still pending as VIBE went to press. When I spoke with John Singleton in September about Tupac's problems, he said, "Everybody needs to fuckin' chill out and under...


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