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Example research essay topic: Third Person Narration Red Room - 1,056 words

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... new. This is done to continually keep the audience off balance and in a way this creates more tension overall as we do not lose it as a reader may do in one continuous build up. The main features are all present in the main build up of tension which is Lavinia's chase through the ravine. Bradbury has a definite structure to do this and he follows a pattern of having relatively long paragraphs of descriptions that place the image of the chase in our minds, such as For a change, all of the far summer night meadows and clear summer-night trees were suspending motion; leaf, shrub, star and meadows ceased their particular tremors and were listening to the heart of Lavinia News heart.

This is also a relaxing plot, so it seems also that Bradbury has waves within waves that continue to sweep at a reader and keep them continually guessing. In these there is little punctuation for a flow and they have a regular rhythm in them to relieve tension from a reader. This is then followed by words that indicate speed in short, sharp, sometimes one word sentences that have no rhythm and give the impression of running scared which creates tension in a reader. Here real time is introduces by Lavinia counting One hundred eight, nine, one hundred ten steps we are now not an impartial observer and to experience the real pace we become Lavinia in mind and thought, even though tense or narrator never changes here.

Bradbury also times his explosions of pace to correspond with a tension creating event after relating the story of the dark man coming into her bedroom Lavinia screamed. /she had never screamed so loud in her life, which jolts a reader with a sudden blast of tension that continues the build up of the chase. Wells again uses pace not as a single device but as part of the whole he highlights the build up by using more and more candles being burnt out by the invisible hand and words that imply violent action which give the impression that something of malevolence is in the room with him, as it says the shadows had the unidentifiable quality of a presence which creates the undercurrent and the wash of tension and fear that continually ebbs and flows but not in staccato bursts as with Bradbury. Throughout The Lonely One Bradbury uses third person narration, referring to characters by name or he / she . This makes us observers of the story as we have everything related to us by Bradbury.

This may result in security as we can see everything, but we can therefore see every possible threat to the story and Bradbury combines this with his overriding atmosphere of mystery to create a mood of threat that acts as a medium for the sustenance of tension. However, in effect the narration changes to first person with Lavinia herself as the narrator by her talking to herself in the context of I which lets us experience her sheer terror which is the key moment of tension in The Lonely One. Wells, however, uses first person narration throughout the story so therefore we are only aware of what the narrator is aware. We cant see what is coming at us as readers from any angle and so insecurity is formed as the key tension builder in the story. This is especially true in the Red Room itself, as we cannot see an omniscient view of what is going on as with third person narration, so the remorseless advance of the shadows becomes doubly terrifying which builds up the tension to extreme degrees in the Red Room. Bradbury has written the text in the conventions of a mystery so as a reader we expect the murder, the group of suspects, the discovery of the bloodied weapon etc.

We also expect a complex plot with a dark and brooding atmosphere. I think Bradbury has realised that this has been overused into a clich, so to produce new tension he has placed these in new contexts such as anyone in the text is capable of being the murderer, and that we have absolutely no clues or bodies (apart from Elizabeth Ramsells) it has meant that The Lonely One has been transferred into a sort of solve-it-yourself text where the solution to the mystery convention is open to the readers perspective which is tense as you are liable to interpret it in the worst way and so have an undercurrent of tension throughout the story. Wells seems to have stuck to the conventions of gothic castle horror, yet this can be put down to the date he was writing as this is a pre-twentieth century text. It is probably a detriment to the story that this particular convention has also been used so much in literature, yet the break from convention that is the key tension is the fact that there is really no ghost or axe-murderer there for him to fight but only his own fear and the realisation of this at the end of the story is the conclusion in convention. The story does not end on tension but on a thought that the fear will endure as long as this house of sin remains. The tension here is due to the open conclusion others could come and fail in a battle against their own emotions.

Personally, I find Wells more effective in the creation, development and sustenance of dramatic tension because he combines all of these stages and all of the devices involved in it into one continuous flow and ebb of tension, whereas Bradbury uses broken bursts with the individual devices doing this evident and so I feel it lacks sophistication and combination that produces an unequal response. He overdoes too many of his devices unanswered questions and repetition so they become ineffective and a reader just thinks its more of the same. In The Red Room the description, imagery and constant build of pace ensure the tension is not lost by continually engrossing the reader in their mental image. The image is your perspective of the descriptions so you do not notice the old conventions of the story.

The Red Room overall is far more thought provoking, tense, and filled with suspense through t...


Free research essays on topics related to: summer night, third person narration, one hundred, first person, red room

Research essay sample on Third Person Narration Red Room

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