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... n usually harsh. This style marked the beginning of Raphael's struggle with an area of Renaissance art in which he wasnt very interested. In 1508 Raphael went to Rome. It is to be believed that he made the move because of the great architect Donato Bramente, a distant relative and old resident of Urbino. It was Bramente who introduced him to Pope Julius II. 1509 gave him, along with a number of artists, given the opportunity of decorating a suite of private rooms in the Vatican.
Julius II had an excellent eye for talent, and soon after he saw Raphael's work he dismissed the other painters and the job was directly given to Raphael. In his work there, Raphael firmly established his name along with Leonardo and Michelangelo, as one of the greatest artists of the Renaissance. After three years of working on the first room, Stanza della Segnatura, it was completed in 1511. Raphael was then immediately asked to decorate the second room, the Stanza dEliodoro, which he worked on for an additional three years. The frescoes in the second room are less spiritual than those in the first room. On the ceiling there are four scenes from the Old Testament depicting Gods appearances to mankind.
They include The Burning Bush, Jacobs Dream, God Appears to Noah, and The Sacrifice of Abraham. On the walls are another four frescoes showing extraordinary occurrences in the history of the church. In these there are also many references to important church figures such as Julius II himself, and Leo X, who followed Julius II. The paintings in the Stanza della Segnatura are more pale and cool in color, whereas, in the Stanza dEliodoro, the colors are deeper and more dramatic. In 1514, Leo X ordered Raphael to begin the third room in the suite, the Stanza dellIncendio.
By this time, however, he was assigned many other tasks and there were delays in decoration and much of the work was given to his workers. Toward the end of his life, Raphael began a large, long hall at the end of the suite, called the Sala di Constantine. His workers mainly carried out his plan for this room, and the decorations were not completed until 1524. One of the famous works of Raphael's career, was the design of a set of ten large tapestries to hang in the Sistine Chapel (1515). It was probably the completion with Michelangelo's ceiling, as well as the importance of the job that pushed him to work so hard on this particular project. During his later years in Rome, Raphael's talent for architectural design began to show.
His first projects were the church of SantEligio degli Orefici (begun 1509) and the Chigi stables (begun 1512). Among his later architectural projects was the design of the Palazzo Branconio dell Aquila (1517 - 1520). Unfortunately, it was destroyed in the seventeenth century, however, the building is known through drawings and engravings. Raphael's Villa Madam (1516), is mainly known for its fancy and elaborate plan, based on Roman buildings, as well as for its unusual interior design. While Raphael involved himself in painting the frescoes at the Vatican, designing tapestries for the Sistine Chapel, and planning various architectural projects, Raphael somehow found time to do numerous easel paintings.
These include a number of his Madonnas: Alba Madonna, the Madonna of the Diadem, the Madonna of the Chair, the Madonna of Foligno, and the Sistine Madonna. Raphael was one of the most productive artists in the history of Western art. Three large collections of his drawings are in England, in the Ashmolean Museum, in Oxford, in Windsor Castle, and the British Museum in London. Others appear in the Louvre and the Uffizi. Raphael's drawings are as varied as his paintings, and show the same early influences of Leonardo and Michelangelo as his own style displayed in works of his later life. When Raphael died in 1520, he left almost finished his most challenging altarpiece, The Transfiguration, now in the Museo del Vaticano.
This rather large picture is a good example of Raphael's potential in his late style. After his death, Raphael's workers carried different parts of his accomplishments to other Italian cities including Genoa and Mantua. None of his followers, however, even began to come close to the talent Raphael had. Although, Raphael's career was only over a time frame of barely two decades, he is surely ranked as one of the greatest artists of all time. My Reaction My report was on the life, works, and influences of Raphael.
He was a very well known painter and architect of a time period called the High Renaissance. Being a lover of art myself, Raphael was, in fact, known to me, however, Leonardo and Michelangelo were always more popular and more talked about. They were mentioned in my previous art classes as well as in my Italian class, and even in some of my regular subjects such as English. Now, looking deeper into the actual life of Raphael, I got to take a look at someone who accomplished so many things in such a short period of time. He traveled which meant he was worldly, and got a chance to share his talents with so many people, as well as inspire them. It is true that the people that did work for him were never as good as Raphael himself, however, they learned a great deal from him.
I thoroughly enjoyed researching this particular artist. Along with the information I found, I also got a chance to view and analyze some of Raphael's works for myself. Each piece is so different from the other, even though on some, the same materials were being used. Yes, Leonardo da Vinci along with Michelangelo were among my favorite Italian artists of the Renaissance, however, after doing this paper, Raphael is right up there with them. Bibliography World Book Encyclopedia 2001. Vol 16.
Chicago: World Book, Inc. , 2001. Muhlberger, Richard. WHat Makes a Raphael a Raphael? New York: The Metropolitan Museum of Art, 1993. The New Book of Knowledge. Vol 16.
Darbury, CT: Grolier Incorporated, 2001. The New International Illustrated Encyclopedia of Art. Vol 17. New York: Greystone Press, 1990.
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Research essay sample on One Of The Greatest Sistine Chapel
