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Example research essay topic: Deek And Steward Women Of Ruby Convent - 1,175 words

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... rd have given their history a distinctly fundamental aspect by integrating it into the religious story of the first Christmas. Instead of the traditional scene of Mary and Joseph trying to find a place to sleep, Ruby's pageant depicts the future founders of Haven seeking shelter. In this way, Deek and Steward are directly connected with the word of God.

In fact, it is more than that Deek and Steward can actually mold the word of God, as the number of families is lowered from nine to seven over time. Pat Best correctly surmises that each of the original families who violate the blood rule by mating with those of a lighter skin are removed from this true history of Ruby (Morrison, 216). Deek and Steward get their way by controlling the history of Ruby and elevating its status to the divine. It is clear that Deek and Steward are in charge of Ruby.

They are responsible for the protection of Ruby from external forces and internal dissent, and have control over the bulk of the towns money, and much of its property. In exchange for the protection of Ruby financially, racially, and bodily Deek and Steward demand the obedience of their townspeople. However, they have a fundamental biological problem with their rule: to perpetuate their race, their town, and their prosperity, they must have offspring. As Pat Best explains, [i]n that case everything that worries them must come from women (Morrison, 217). The Convent is a home where women live in safety.

It begins as a traditional Convent that provides safety for at least one girl, Consolata. After the death of Mother Superior, it becomes the only place where Mavis, Grace, Seneca, and Pallas can live. The Convent is also self-sufficient. The women raise their own food, and sell their peppers for purchasing items in the outside world. As a safe and independent community, the Convent functions similarly to Ruby, or at least the vision of Ruby.

Thus, the citizens of Ruby and the women of the Convent frequently interact. More importantly, the interactions always prove the Convent superior in safety and independence. Deek and K. D. come to the Convent for the gratification that the women of Ruby cannot give them. For Deek, the seduction of Consolata is suggestive of his droit de seigneur.

In addition to the desire fulfilled at the Convent, Billie Delia and Sweetie come for protection from Ruby. The entire town comes to buy the peppers. The presence of more beneficent and powerful lords within the isolation of Ruby threatens Deek and Stewards feudal power. That is, although the fiscal control they have over the citizens of Ruby will remain, their control on the lives of the citizens of Ruby is in danger. The history of Haven and Ruby is moving out of the control of Deek and Steward. The youth of the town seek to redefine the motto of the town, from the fearful Beware the Furrow of His Brow to a kinder, and more personally empowering Be the Furrow of His Brow.

In other words, the youth wish to change the dynamic of the town from a system of fearing the wrath of God and His servants to a sense that Gods power can be felt individually. This undermines the direct connection that Deek and Steward have made between their history and God, and they can only control the situation by threatening I will blow your head off just like you was a hood-eye snake (Morrison, 87). This is the clearest evidence of a loss of control for the Morgans. Steward is telling his serfs that if they attempt to change the way he has told them their history, he will consider them white even worse, a hood-eye member of the Ku Klux Klan and because whites have no safety under their feudalism, they will be slaughtered.

Although this sentiment from the youth is more inspired by Reverend Miners teachings of the Civil Rights Movement than the Convent, the Convent does provide a haven for the youth of Ruby from the Founders of Ruby for Arnette and Billie Delia. Furthermore, it is clear that the Convent is a source of empowerment for the women of Ruby. Some finds a close friend in Connie and Sweetie finds a brief respite from the stifling atmosphere of her house. The Convent is a safe home away from the strictures of Ruby. It may not seem clear why it is that the Founders of Ruby move to annihilate the Convent when they do. After all, the Convent had been functioning as an independent and safe place for years before the attack comes.

The necessity arrives when the women in the Convent begin to freely tell their stories. [U]nice some people in Ruby, the Convent women were no longer haunted (Morrison, 266). Their pasts, tales of sin, horror, and embarrassment free the women in their telling. The male voices saying saying forever saying push their own down their throats are now countered by female voices telling their own history (Morrison, 264). This is no small problem for the Founders of Ruby, because their ability to narrate the history of Ruby allows them to define and control the homage of the inhabitants of Ruby. However, their exclusive rights on history could be shattered by the voices of their wives, who also carry the oral history but it is not the same history the Founders relate. The Oven, for the women, is quite different. [P]riv ately, they resented the truck space given over to it rather than a few more sacks of seed or even a childs crib (Morrison, 103).

The connection the women of Ruby have with the Convent, combined with the new influence of telling stories threatens to topple the power of the Founders. Immediately after the incident at the Convent, instead of only Deek and Stewards history of what happened, there are at least two competing versions spoken around the town. For the first time, a new story is told in Ruby, and it shatters much of the feudal power that Deek and Steward have. Deek seems to finally understand how out-of-control he was, and begins to reexamine his own history by confessing to Reverend Master. Steward is still trying to keep control, but the potential consequences of his actions if the bodies had been found bring his own safety and freedom into question.

This feudal interpretation of the life and political structure of Ruby is derived from a male point of view. This, however, it not necessarily the way that Morrison builds the story. The feudalism of Ruby is rigid, linear, and polar. People are outsiders or townspeople, founders or debtors, 8 -rock or violators of the blood rule. Paradise itself is nonlinear, constantly changing the meaning and perceptions of events within, and based around the stories of women. However, the women of Ruby live under the control of men.

Therefore, it is the foundation of Deek and Stewards feudal order that controls all life and politics in Ruby.


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