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... mes and public works are to Roman architecture, the true beauty and amazing feats of the culture lie in several masterpieces of the Roman people. These structures, of immense importance to the Romans, have stood for two thousand years as symbols of the greatness and legend of the Roman Empire. The masterpieces are not only of immense proportion, but also of great beauty and sophistication.
They are our closest link to the Roman people and their lifestyle. The first, and maybe most magnificent of all, is the Pantheon. If looked at only by its beauty, the Pantheon would be a masterpiece, but the huge dome erected over it and its design proves to be even more remarkable. The term pantheon refers to a building that serves as a mausoleum or memorial for eminent personages of a country (as is the case of the French Pantheon), but the Romans Pantheon was a monument for all the gods.
The Pantheon was built from AD 118 - 128 under the supervision of Emperor Hadrian; it replaced a smaller temple built in 27 BC, which had been pillaged by fires. Hadrian's wish for a lasting, fireproof, structure was the reason for a bronze dome. The dome, itself, was supported by eight drums, which wrapped around the perimeter of the building. The massive forty-three meter dome had an oculus in the center portion, which emitted light into the dome. The dome sets down on the interior wall with arches to support it. These arches were designed to discharge the vertical weight of the lower part of the dome onto the solid parts of the wall inside. (Rivoira 125) The Pantheon incorporated arches, domes, vaults and columns to give it a unique design.
Inside, columns rise up to the support system; it is a truly beautiful piece of architectural genius. The Pantheon retains a universal beauty; a look of sophistication and greatness that everyone appreciates. Another masterpiece, the Coliseum, is still regarded as one of the more famous buildings in the world today. It was built by Emperors Vesuvius, Titus, and Domitian in AD 69 - 81 (Encarta). However, looking at the Coliseum now is the equivalent of looking at Michelangelo's Sistine Chapel if the paint had chipped off and his work had been left to decay. The Coliseum was not left to decay, but was destroyed by earthquake after earthquake and countless fires and even used as a quarry; it is now just a ruin of the great amphitheater.
In its day, the Coliseum was a marvel to look at. It was a full three story elliptical arcade (row of arches) with a fourth story full of windows. In between each arch and window sat statues of great heroes and gods, and in the middle of the ellipse sat a pit for the fights. Set deep in the heart of Rome, the Coliseum was once the greatest amphitheater in the Empire. The citizens would flood there to see men fight beasts and other spectacles. Inside, there was seating for approximately fifty thousand people and a special area for emperors and city leaders.
Around the pit and underground lay an intricate set of rooms where beasts such as lions would be kept and supplies stored; today it looks somewhat like an excavation of secret passages. Although it was one of the last of its kind made, the Coliseum remained active until AD 523. For the citizens of Rome it was a great place for leisure and fun, and also a beloved structure. Today, although it is damaged, many still view the Coliseum as the epitome of Roman architecture. perhaps the greatest work of architectural engineering left to us by Roman antiquity is Romes Coliseum With its tiers of arches, its superimposed orders in the form of half-columns, and its crowning range of pilasters, it was to become a pattern for Renaissance architecture. (Wheeler 118) The next structure, the Circus Maximus, was one of the more popular structures built by the Roman people.
The outer dimensions of the Circus tally at nearly 610 meters long and 190 meters wide and the inside tiers of seats could accommodate close to two hundred thousand people. During Caesars reign, the Circus was reconstructed and enlarged. The Circus was a very popular place for Romans to watch chariot races and other events, The race course and processional track first received comparably monumental treatment in the imperial Circus Maximus at Rome, where it was the most venerable of festival places It was compelling enough to annul the functional asymmetry for the starting end with its oblique arc of starting boxes and canted right wall. (Brown 29) The Circus is not revered as a true masterpiece of architecture, but, as a public area of entertainment, it does represent an important part of imperial Roman architecture. These were not the only great works of Roman Architecture. Hadrian's Wall, the Emperors Forums and many others all were symbols of the great Roman Empire and their superior builders.
Although many of these masterpieces were not necessary for survival like the aqueducts, they were favorites of the Roman people; and they signify to us ages later a magnificent empire with a sophisticated and grand style. If the Roman era were to be classified as a time of advancement, then let architecture be one of the greatest advancements. Romes ability to challenge and change the precedents set by its older brother Greece was the key to the Roman Empires greatness. The precedent challenged, or more the limit surpassed that was key to architecture was the incorporation and widespread use of the arch. Romes ability to spread its empire with minimum supplies and efficiency can all be attributed to the advancement in architecture.
While it is valid to say that Roman architecture expanded as the Roman Empire did, it might do more just to say that the advancements in architecture led to the advancement of the Roman Empire. If asked how Romans spread their power throughout the world, the response might be that Romes armies spread the power. But how did Romans move across the Empire? And how were towns able to survive across the empire?
How is it that Romans were able to sustain such great cities? And how is it that every Roman town was so similar to Rome itself? The profound answer would be the advancements in architecture. Architecture did not win the empire for Rome, but it enabled the brilliant military minds and emperors to spread their power much more easily and in an efficient manner. The arch alone provided an easy, inexpensive way to construct bridges and build basic defenses for cities.
Traveling through the road system, the armies were quickly able to attack enemies and defend cities in distress. Once a city or village was conquered the Roman builders would go to work and begin constructing a greater town with aqueducts, sewer systems, and all the coefficients of a Roman city. The Romans lasting influence from the Atlantic Ocean to the Caspian Sea, from Britain to North Africa was due largely to their ability to navigate forces and sustain cities. The influence of Rome changed many cultures throughout the Empire. Many adopted Romes spiritual and political customs.
Today it is still very possible to see Roman architecture in buildings and designs. Suspension bridges, for example, use arches for support and the dome is widely used in arenas. The vault can be seen in subways and tunnels as well. New materials such as reinforced steel and polymers as well as new design revolutions have changed our way of architecture and building, but the influence of Roman architecture and the efficient mindset of the Roman people will always play a part in construction and architecture. One cant help but wonder if some culture two thousand years from now will look at our skyscrapers and cities and be amazed at us.
Although Roman architecture is often referred to as Classical architecture, the influence and impact it has had on the world since its time should probably cause us to label Rome as the first modern age. Theyre methods and values were much different than ours, but their importance in the history of the world concludes that they are worthy of all the fascination and thought we endure in them. If history is indeed to repeat itself, then shouldnt we learn all we can about Rome? Hopefully, for our own sake, history will not repeat itself, but as we continue to advance as a society it is important to remember the past and plan for the future.
Roman architects, more than anything, remembered the past and planned for the future. They incorporated knowledge from those before them and created a marvelous society with new building principles. The concept of the arches, vaults and domes, and the greatness of structures like the Pantheon and the Coliseum have had their hand in the architectural styles of every builder since the Romans. The Romans greatness as builders and as people is unquestionable; their impact will forever be a constant. Bibliography Brown, E. Frank.
Roman Architecture. New York. George Braziller. 1961. Mac Kendrick, Paul. The Roman Mind at Work. Princeton, New Jersey.
D. Van Nostrand Company, Inc. 1958. Rivoira, T. G.
Roman Architecture. New York. Hacker Art Books. 1972. Smith, B. Earl. Architectural Symbolism of Imperial Rome and the Middle Ages.
Princeton, New Jersey. Princeton University Press, 1956. Ward-Perkins, B. John.
Roman Architecture. New York. Harry N. Abrams, Inc. , Publishers. 1977.
Wheeler, Mortimer Sir Robert. Roman Art and Architecture. New York. Frederick A. Praeger, Publishers. 1964.
Word Count: 3119 Roman Architecture Encarta Encyclopedia. CD-ROM. Microsoft Inc. , 2000. 2000 Edition.
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