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Example research essay topic: Thrushcross Grange Wuthering Heights - 1,170 words

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Bront's novel seems to contain all the typical, traditional Victorian social values and divisions such as the master of the house with servants below him and so on. Social distinctions were very much more marked and rigidly respected. We first glimpse what Bront might think of social stereotypes and divisions, right at the start of the book through Lockwood, and later through other narrators such as Nelly Dean. Lockwood is seen as the epitome of Victorian social values and ideals, he is a normal Victorian gentleman an agreeable but shallow character. He is perhaps a sketchy attempt to portray a sophisticated townie. He is a well meaning but rather confused and superficial person, who is naive but also shows signs of maturity and intelligence inspite of moments of conceit.

Lockwood is an honest narrator with no hidden agenda, his ordinariness, like Nelly contributes to the credibility of the events he is caught up in and hears of. Lockwood is used by Bront to show what Victorians would think of what they saw or heard, using their social values. Right from the beginning of the book Lockwood tries to place Wuthering Heights into his own conceptions of what society should be, he tries to put people in boxes, to label them, to socially stereotype them. Bront makes a fool of Lockwood, perhaps showing that she disagrees with the idea of placing people in Lockwood views Wuthering Heights as a fairly unfriendly place, and his narrative of the place and the people in it suggests strangeness, conflict and perhaps the abuse of physical and social power. This is clear from Heathcliff's obvious suspicion of He evidently wished no repetition of my intrusion...

It is astonishing how sociable I feel myself compared It is also made clear from Josephs sour aloofness and in the aggressive manner of the dogs. The description of the whole place makes it seem a very unfriendly and cold dwelling. However Lockwood also sees a parallel to this strangeness in seeing what is ordinary, familiar and friendly such as the unseen kitchen and the carefully described dresser. Lockwood has various Victorian, preconceptions of social class, and places Wuthering Heights within these conceptions, which are shattered as the plot unfolds, the social stereotypes that he has are turned on their head. Bront writes in such a way that we are not meant to sympathise with Lockwood, he is made out to be foolish, and his ideas with them. This could be seen as Bront saying that you cannot socially stereotype people, however she herself stereotypes in the book with the Linton's a typical Victorian family, the The Linton's of Thrushcross Grange it seems are almost complete opposites to the Earnshaws of Wuthering Heights.

The Earnshaws are seen as social outcasts, children of the storm whereas the Linton's are the cream of Victorian society, children of calm. The Linton's are portrayed as very wealthy, respectable and morally conventional, they are a products of their class. Thrushcross Grange itself takes the stereotype... ah!

it was beautiful - a splendid place carpeted with crimson, and crimson-covered chairs and tables, and a pure white ceiling bordered by gold, a shower of glass-drops hanging in silver chains from the centre, and shimmering with little soft tapers. This description of the place, lavishly furnished with lots of very rich colours like crimson gives the impression of great wealth but the place is too perfect, it is too well furnished so that it has a claustrophobic nature, almost smothering the people in it. Edgar and Isabella are made to seem foolish by Bront, they are seen as petty and snobbish and weak - He lacked spirit in general. The way that the Linton's relate and interact with the other characters also makes them seem weak. Edgar is physically inferior to Heathcliff, just as Isabella is both physically and emotionally inferior to Catherine.

Isabella is made out to be quite pathetic, fainting, whining and weeping with her infatuation for Heathcliff. She is seen to be degrading herself by loving Heathcliff. The Linton's are the extreme version of the Victorian values of the time, and these values through the Linton's are perhaps undermined my Bront. However Bront does evoke some sympathy for the Linton's because of the harsh way they are treated, and the Linton's are no different from the Earnshaws in that they are both extremes of society. Bront uses both people put in boxes and individuals, the Linton's are Victorians but characters like Heathcliff are completely individual. Heathcliff is a character would the reader could either sympathise with, or who can be seen as evil.

In Heathcliff there is almost a Satanic hero, an idea which may have come to Bront from Byron, in such verse tales as Lara and The Giaour. The Satan figure develops other characteristics: He is defiant, anti social, and his origins are hidden and he is associated with fatal love. These traits are applicable to Heathcliff as a tragic hero, the fallen angel. It could be said that Heathcliff is the non-human element of man, natural but detached and impersonal.

Bront could also have made Heathcliff a political statement in that he is a poor child transformed to a wealthy landlord, or a symbol of the working class degraded by an uncaring Victorian society. In my view Bront views Heathcliff as worthwhile. As the (depressingly boring) poet William Wordsworth wrote; The child is the father of the man, and I think this paradox applies to Heathcliff in that his boyhood experiences, i. e.

neglect and ill treatment determine his character when mature, and this is why I think Bront thinks him worthwhile and why the reader has a degree of sympathy for him. Lockwood views Heathcliff as having A genuine bad nature and by Nelly (when a landowner) as rough as a saw-edge and hard as whinstone. The way Heathcliff acts is such that it seems that he has no regard for social conventions, as with Catherine when a child until her stay at Thrushcross Grange where she picks up the Linton's social values and is Socially seduced. As an adult she regards Heathcliff as inferior to her, something beneath her social status. Throughout book one Bront undermines the social values of her time. She does this in many ways, right from the start with the narration of Lockwood who we as readers are obviously not meant to sympathise with.

He is the model Victorian along with the Linton's who also do not gain much sympathy. These characters with correct social values and high status are the weakest characters, whereas the Earnshaws who are social outcasts are the stronger set of characters. In my view Bront criticises socially labelling people, with people like Heathcliff who cannot possibly be placed in a social mould, he is an individual. The stark contrast between the Linton's and the Earnshaws is obvious, they are two ends of the spectrum of society, and perhaps Bront is saying through the novel that neither works, and that something Bibliography:


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