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... the Proser points out: "With this crime conscience is all but repressed completely. No 'horrid image' raises its head. Macbeth's only acknowledgments of conscience are reflected in the haste imposed upon the decision and in his failure to commit the deed himself. " Although he is afraid in the deepest part of his sterile heart, the tyrant will not stop even when his present life is meaningless, "a tale told by an idiot" (V, v, 26 - 27). His past full of evil deeds is no longer important either because he cannot feel. now his present and future demand more strength until "Birman Wood remove to Dunsinane, (he) cannot taint with fear" (V, iii, 2).
Fear: the sole emotion Macbeth can or perhaps could feel until his tragic end. His last battle, the battle which will lead him to his death, has come with full recognition of his own fate. Birman Wood has been removed to the castle and Macduff -- the man of "none of woman born" (IV, i, 79) -- will kill him. But Macbeth is no longer the man unnerved by fear of the beginning of the play, supported by a wife who at the end could not relieve her conscience from her guilt. Macbeth, the "walking shadow", recognizing his end, will carry his meaningless life and fight. At the end, the reader will hear a Macbeth saying: "I will not yield" (V, vi, 66).
His conscience never leads him to repentance. Macbeth's process of discovering his own fear and confronting it comes to a resolution at the end of the play. Macbeth, in order not to surrender to the forces of his own fear will try to show a strength that cost him his conscience over his evil deeds and, in the long run, his own heart. The thane of the beginning, the king after, and, at the end, the tyrant will fall down by his own pressure for his sense of courage. A courage disguised under the mask of madness which will remain with him until his death. Since I chose to write about Macbeth's fear and conscience, a very important question rose in my mind: Why can the reader feel sympathy for his "deadly butcher"?
I presume that the answer lies on the way the hero leads us in his world and how he confronts his weakness, the "evolution" or perhaps "degeneration" of his perspective of evil and good and, of course, his perspective of what is free will and fate. I would like to end with a quotation from Proser's essay "The Manly Image": "In the end what is heroic about him is his refusal at the mercy of other outside himself, to passively will away his death to agents of any mysterious force as he had self-deceptively attempted to will away the lives of others. Having chosen himself as his own god and killed without mercy, he ironically becomes subject to the rigor of his own judgment, or perhaps misjudgment, and at the same time, his own blind justice. " Bibliography: Bibliography Farnham, Willard. Shakespeare Tragic Frontier. Oxford: Basil Blackwell & Mott, 1973. Proser, Matthew.
The Heroic Image in Five Shakespearean Tragedies. Princeton University Press, USA, 1965. Shakespeare, William. Macbeth. Penguin Books, England, 1967.
Willard Farnham, Shakespeare's Tragic Frontier, p. 122. Ibid. , p. 123. Matthew Proser, The Heroic Image in Five Shakespearean Tragedies, p. 82. Ibid. , p. 91. (cD- D D D D$ x q m w j x c T" U" U i" Q k" M }}K# Y R# T s# P xx# y (cnX" n < - X" g" n iss# u# n v# n x# l = < - xA#! # # # A. 6 8! ?
z'h ", # U n >? @ - 11 / 19 / 9711 / 19 / 97 DEPARTAMENTO DE SISTEMAS DEPARTAMENTO DE SISTEMAS 11 / 17 / 9711 / 19 / 97 Bibliography Farnham, Willard. Shakespeare Tragic Frontier. Oxford: Basil Blackwell & Mott, 1973. Proser, Matthew. The Heroic Image in Five Shakespearean Tragedies. Princeton University Press, USA, 1965.
Shakespeare, William. Macbeth. Penguin Books, England, 1967. Willard Farnham, Shakespeare's Tragic Frontier, p. 122. Ibid. , p. 123. Matthew Proser, The Heroic Image in Five Shakespearean Tragedies, p. 82.
Ibid. , p. 91. (cD- D D D D$ x q m w j x c T" U" U i" Q k" M }}K# Y R# T s# P xx# y (cnX" n < - X" g" n iss# u# n v# n x# l = < - xA#! # # # A. 6 8! ? z'h ", # U n >? @ - 11 / 19 / 9711 / 19 / 97 DEPARTAMENTO DE SISTEMAS DEPARTAMENTO DE SISTEMAS 11 / 17 / 9711 / 19 / 97
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Research essay sample on Macbeth His Fear And Conscience