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Within our generation music has become an essential part of our daily lives. Established favorites ranging from 2 PAC to Pearl Jam have touched the lives of many. But today we walk through the record stores seeing more and more new faces among the top ten artists. A wave of boy bands and blondes with beautiful faces are rising out of the woodwork and selling more albums than many established artists of the past. Their faces and voices flood our minds through the television and the radio as many become just as successful as the campaigns that promote then. Today advertising and MTV are working with the music industry to help launch new bands and artists to heights never imagined.
Mtv's Total Request Live and the proper public exposure are proving to be two of the key components in the success of selling a record. With the help of the internet, information from interviews with Carson Daly, and Rolling Stone magazine, I have gathered the information which seems to make todays pop stars instant hits. Within the past two years Carson Daly and Total Request Live have rebuilt the pop charts. According to the TRL web site, Carson was once a college student pondering playing the amateur golf circuit and now finds himself the head man of the powerful TRL.
TRL attracts fans from around the world and has become the undisputed center of the pop world. By simply playing its viewers requests, the show has become a hit for MTV. It has made unknowns from Britney Spears to Kid Rock into stars and is the engine that drives the pop charts. According to the February issue of Rolling Stone Magazine, TRL is now the highest-rated show in its time period among all cable programs, the highest rated MTV daily show, and essential viewing for many. Its impact on the youth has been immense.
Everyday at 3: 30 TRL reveals the results of its daily poll to thousands. It airs just as kids are returning from school and targets an audience record companies desire. Ron Shapiro, the executive vice president of Atlantic Records, said a decade ago a hit song on the radio was enough to launch a band. Now with the internet, Playstation, and 100 other channels, it is difficult to grasp the attention of the youth.
TRL has that power. Recently, more people are becoming aware of Trl's ability to help artists achieve record sales never imagined. Typically, when a new popular band releases a song it is often lodged at the top of the countdown until it is retired after sixty-five plays. The official TRL web site says this daily repeated exposure has helped many new bands go multi-platinum. Since the TRL voters tend to vote for what they see, this means that when a song is in the top ten it tends to stay there. In an interview between ABCs Sam Donaldson and Carson Daly, Carson mentioned the power of being played even once on TRL.
One single play on can ignite sales, which means that when a label knows that their bands clip is going to air on TRL they make sure there are enough albums available to satisfy the increase in demand. Carson continued to expand on the power of television publicity. He stated that by running a video on TRL you are automatically predicting an increase in record sales. He used Nsyncs latest album as an example. Their new album was heavily promoted through appearances and the play of their new single on TRL. As a result, the album sold over 1. 1 million copies on its first day of sales.
Before the week had ended it had already sold over 3. 4 million copies. No artist has ever accomplished such a thing and Carson believed that much of the success stemmed from their exposure on TRL. Some people have even gone as far as to accuse MTV for picking the selections for TRL as a way of pushing certain names. But according to Rolling Stone magazine, last year a group organized online voters to vote for New Kids on the Blocks 1988 hit Hangin Tough to see if MTV really considered the voters opinion. After MTV checked the results for errors, on March 11 th the 1988 hit was Number Two on TRL. It proved the true power of TRL.
Aside from TRL, the proper public exposure has also proven to be successful in launching a name. Mandy Moore is a new name familiar to most of us. In an article with Rolling Stone her manager described her as being on an extremely busy promotional campaign. The Mandy Moore marketing plan began over a year ago.
In March of 1999, it started with the construction of two web sites representing her. Then came the photograph sessions that followed her tours with Nsync and the Backstreet Boys. Though her new album is not yet selling blockbuster numbers, it is right in line with the Mandy army's master plan. According to her web site, other promotional campaigns have also enhanced her image. She just signed a three-year contract with MTV which has her playing a big role in the coverage of spring break, she is modeling for Tommy Hilfiger and Wet Seal clothing, and is in the process of becoming the global spokeswoman for Neutrogena. She has become an artist in the making.
Though Mandy is just one example, many other artists have chosen public exposure and advertising as a way to reach fame or increase record sales. This shows just how strong the connection between TRL and the top albums in the country is. In todays industry it appears as if cross-marketing is becoming just as important, if not more important, than the music itself. Advertising and MTV are working with the music industry to help launch bands and artists to heights never imagined. So we are left with what appears to be a top ten list molded by strong promotional campaigns and TRL. Many of the hard working bands are falling far past the increasing popularity of todays pop stars.
Whether it be a slot on the play list of TRL or an advertisement for Guess, artists are reaching for new ways to push the sales of their albums. So until the next wave of music trends pass through, I suppose will have to stare at the Backstreet Boys and Britney Spears a little longer as we walk pas the top ten in the music store. Bibliography: Billboards Top 50 Albums. Rolling Stone April 2000.
Carson Daly. TRL. http; // web (12 April 2000). Daly, Carson.
Interview by Sam Donaldson ABC News, March 29, 2000. Edwards, Gavin. The New American Bandstand: A Day in the Life of Total Request Live, the Epicenter of Pop. Rolling Stone February 2000: 13 - 14. Hendrickson, Matt. Building a Better Pop Star: The Making of Mandy Moore.
Rolling Stone March 2000: 23 - 24. Mandy Moore. The Official Site. web (12 April 2000). Billboards Top 50 Albums.
Rolling Stone April 2000. Carson Daly. TRL. http; // web (12 April 2000). Daly, Carson. Interview by Sam Donaldson ABC News, March 29, 2000.
Edwards, Gavin. The New American Bandstand: A Day in the Life of Total Request Live, the Epicenter of Pop. Rolling Stone February 2000: 13 - 14. Hendrickson, Matt. Building a Better Pop Star: The Making of Mandy Moore. Rolling Stone March 2000: 23 - 24.
Mandy Moore. The Official Site. web (12 April 2000).
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