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Alfredo Diego Rivera &# 65279; Gutierrez 1 Alfredo Gutierrez Ms. Maureen A. Thompson Humanities 102 Tuesday, May 23, 2000 Diego Rivera (20 th century genius). Diego Rivera (1886 - 1957), muralist painter, was one of the greatest artist in the 20 th century. Born in Guanajuato Mexico on December 8 th 1886, He studied in the San Carlos Academy and in the carving workshop of artist Jos? Guadalupe Posada, whose influence was decisive.
Diego Rivera? s Legacy to modern Mexican art was decisive in mural and canvas, he was a revolutionary painter looking to take art to the big public, to the streets and buildings, managing a precise, direct and realistic style, full of social content (web). Rivera painted more than two and a half miles of murals in his lifetime. The first was a series of 124 panels encompassing the entire history of Mexico. It took him more than four years, working eight to fifteen hours at a stretch, to do all the painting by hand. Up on completing the work he was instantly famous (Lives of the artists p. 89).
Diego was an excellent student. A report card from December 1896 showed that he received first prize in the year-end exams. Late in 1898, he was graduated with honors from elementary school, just four years after entering. Throughout his scholar years the gift for painting slowly developed.
When he was barely ten years old, Diego? s family moved to Mexico City. There, he obtained a government scholarship to attend to the Academia De Bellas Artes de San Carlos (San Carlos Fine Arts Academy), in which he remained until he was spelled in 1902, due to his participation in the Gutierrez 2 student revolts of that year. Five years later, Diego had his first exposition, which was a great success among the public; this earned him a Veracruz?
s government scholarship to continue his pictorial education in Spain, at the San Fernando de Madrid school. From there he traveled to France, Belgium, Holland and Great Britain, between 1908 and 1910, until he finally moved to Paris in 1911. In 1910 he also exhibited forty of his artworks in Mexico, with which, even though his vigorous style was not fully developed, he obtained a favorable reaction from the public. The murals that Rivera painted in Mexico turn him so famous that he became, not only the leader of a pictorial movement, but also a political leader. In the 1930 decade, his fame expansion took Rivera to show his art in New York, an was asked to paint at the Detroit Art Institute and at the Rockefeller Center in New York, where his fresco? Hombre en la encrucijada (man at the crossroads)? , received a lot of criticism because of the resemblance of one of his figures with Lenin.
The mural was destroyed by the Rockefeller Center, and substituted by another from Brangwyn, but Diego later reproduced it for the Palacio De Bellas Artes (Fine Arts Palace) in Mexico City. During the final years of his work in the Ministry of education courtyard, he founded relaxation by starting another set of murals. He was hired to paint frescoes in the administration building and the chapel at the Universidad Aut? noma de Chapingo (the Agricultural College at Chapingo). By August 1927, Rivera had completed the Chapingo murals and nearly all of the more than one hundred panels at the Secretaria de Educacion Public. He had created a body of work that would take many artists a lifetime to finish.
He was already famous and becoming even more so (Diego Rivera Mexican Muralist p. 70 - 74) Gutierrez 3 The following is list of the locations of Rivera? s murals and smaller works in the United Sates. San Francisco was Rivera? s firs stop during his stay in the United States in the early 1930 s and he had many patrons there, so the city is especially rich with his work. ? Rivera painted the mural at City College of San Francisco, Pan-American unity (marriage of the Artistic Expression of the North and South of this Continent). ?
The mural in the San Francisco Art Institute? s exhibition hall, The Making of a Fresco, The San Francisco Museum of Modern Art owns the important oil paintings The Flower Carrier and Symbolic Landscape. ? Los Angeles County Museum of Art, Flower Day and in San Diego Museum of Art owns A Lady in White and a Self-Portrait. ? At the Art Institute of Chicago you can see Portrait of Madame Marcoussis. ? The Fog Art Museum at Harvard University in Cambridge (Massachusetts) owns a few pencil drawings, including Sleeping Woman. ? The Smith College Museum of Art in Northampton owns a Self-Portrait as well as Market Scene, a large, movable fresco. ?
The Detroit Institute of Arts has one of Rivera? s greatest murals, Detroit Industry. ? Rivera? s distinctive Portrait of the Knight Family is at the Minneapolis Institute of Arts. ? You can see Rivera? s painting Copalli at the Brooklyn Museum. ?
The Philadelphia Museum of Art has one of the largest collections of the master? s work in the United States. It contains Liberation of the Peon and Sugar Cane. ? The Cubist Still Life with Gray Bowl is at the Lyndon Baines Johnson Library-Austin Texas (a weekend with Diego Rivera p. 49 - 51). Gutierrez 4 From the end of the 1930 decade he painted landscapes an portraits.
In his last paintings, he developed an indigent and social style of great popular a tractive. His most ambitious and grates project, an epic mural based on Mexico? s history for the National Palace, was left unfinished due to his death, in November 25 th 1957 at Mexico City. Gutierrez 5 Work Cited Braun Barbara? A Weekend With Diego Rivera? Rizzoli international Publications, Inc. 1994 Hargrove Jim. ?
Diego Rivera Mexican Muralist? Library of Congress Cataloging-in-Publication Data. 1990. Krull Kathleen? Lives of the Artists?
Harcourt Brace &# 038; Company 1995. San Diego, New York and London. (web). 31 f
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