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Helen Vendler Sonnet 60
685 wordsHelen Vendler, Sonnet 60 Helen Vendler thinks that Sonnet 60 is a perfect example of the 4 - 4 - 4 - 2 Shakespearean sonnet form. In her critique of Sonnet 60 Helen Vendler noted that each quatrain of this sonnet had a new modification in concept and tone while the couplet-here a reversing couplet contradicting the body of the sonnet-adds yet a fourth dimension. Time[-s] is one member of the Couplet Tie and the word stand[-s] is the other. Helen Vendler paid her attention to the word stand, its ...
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Quot Quot Poem Quot
4,897 words" I Came To Talk You Into Physical" I Came To Talk You Into Physical Splendor': On The Poetry Of C. D. Wright" by Stephen Burt Stephen Burt Other poets have long admired C. D. Wright for her compact, spiky, forceful language, and for her depictions of bodily sensation and sexual life. 1 Those depictions, and their word-hoards, took two decades to emerge: a full description of Wrights achievement ought to show both her big changes of style and the way each of her books of poetry ge...
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Negro Dialect Helen Vendler
1,603 wordsOn " Negro Minstrelsy" In The Dream Songs On " Negro Minstrelsy" In The Dream Songs William Wasserstrom What distinguishes a dream song, therefore, is not a coquetry or a clumsiness of art, as Toynbee argued, but a rather capital thing, the discovery that American minstrelsy long ago devised a formula which could transmit the mood of an idea and simultaneously conceal its reason. This discovery enabled Berryman to create what Lowell calls a " waking hallucination, "...
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Negro Dialect Helen Vendler
1,844 wordsRobert Lowell (1964) [Lowells review was important for Berryman: it appeared in the New York Review of Books and at the height of Lowells own achievement For the Union Dead had just been published. Lowell was at times baffled, irritated and dismayed by the poems, and when he offered support, it was remarkably tentative... His descriptions would set the tone for other reviewers. When eulogizing Berryman in 1972, Lowell blurted out: " 77 Dream Songs are harder than most hard modern poetry, th...
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Helen Vendler U P
494 wordsHelen Vendler As a historian of the phases of sensuality, Merrill is unequaled in our century. His best poetry (a prism of the opalescent spectrum of the sensual) describes moments so elusive to specification that his founding a music for them is a genuinely startling act. Episodes of intense sensations are extinguished as passion but sustained as art. Flashing with ironies and inventions, rapid in movement, intricate in language, these poems dazzle before they convince, and convince, subsequent...
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