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Dramatic Irony Elizabethan Audience
1,507 wordsShakespeare presents Shylock as both a villain and a victim in 'The Merchant of Venice'. To what extent is this true? Shylock is shown as a villain because he has attempted to kill Antonio, he's abused Jessica's freedom and cares more about his money than his daughter. He is, however, presented as misunderstood and a victim, because not only is he physically abused in the text (he is spat on and kicked), his business is undermined, and he is an alien in his own city. A modern audience would not ...
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Comic Relief Modern Audience
1,579 wordster> As an actor, select one character from The Tempest and discuss how you would create the role, bearing in mind its function in the plot and its relationship to other characters. I have chosen Caliban to discuss, since, as an actor, I find him the most interesting character and thus the most enjoyable to discuss. Caliban's function in the plot is one that is difficult to define. He is not the key protagonist, since this title belongs to the treacherous Alonso in his usurpation of Pr...
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Hester And Dimmesdale End Of The Film
1,560 words... her trappings of power as his example. The Scarlet Letters filmmaker, Roland Joffe, mastered the coloring of his film just as Hawthorne did. An interesting visual cue he used was a slight, brilliant red bird. The bird first glided across the screen when Hester was planting her garden. Joffe silenced all background noise and music while the bird, in nearly slow motion, flapped out of the forest. The effect was hazy and surreal; all focus was on the radiant animal. Time resumed its interminabl...
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Hester And Dimmesdale End Of The Film
1,443 words... newness were probably a punishment for their behavior. Lust is an important theme of the novel, and central to the films development. In his sermon, Dimmesdale spoke of the power of divine love, and how it must exist between Indians and free men and slaves. He also preached of lust, but not merely in the physical sense. With great force, he urged his parishioners to avoid lusting after what is not theirs, but interestingly used money and other trappings of power as his example. The Scarlet L...
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Late Nineteenth Century Importance Of Being Earnest
902 wordsThe society presented by Wilde in the first act of The Importance of Being Earnest is the late Victorian society within which he lived. This society was highly influenced by the nouveau riche and aristocracy. Wilde's play focuses upon this sphere of social society with its drawing room setting. The late nineteenth century society was very much based upon rigid class distinctions and this comedy of the same period holds this same ideal. Evidence of the society this literature was drawn from can b...
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Modern Audience Tragic Hero
1,770 wordsIn the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be ...
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William Shakespeare Romeo Romeo And Juliet
988 wordsFranco Zeffirelli and Baz Luhrmann's Romeo and Juliet Sex, drugs, and violence are usually a potent combination, and only William Shakespeare could develop them into a masterful, poetic, and elegant story. In the play, The Tragedy of Romeo and Juliet, all these aspects of teenage life absorb the reader or watcher. It is understood that Hollywood would try to imitate this masterpiece on screen, and it has done so in two films: Franco Zeffirelli's 1968 Romeo and Juliet and Baz Luhrmann's 1996 Will...
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Romeo And Juliet Physical Actions
2,835 wordsThe Application of Method Acting to Shakespearean Text Preface I never really believed that acting could, or should for that matter, be taught. There is no concrete way to act. For some people, the ability to do theatre, and to do it well comes naturally; for others, it does not. I have always held the conviction that to teach acting is to rob the art of its truth, its beauty. Over the summer, I performed in Shakespeare's Romeo and Juliet. I was directed by someone who really made me understand ...
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