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Lillian Gish Silent Film Stardom - 1,034 words
The history of the great talent Lillian Gish is immeasurable. She has acted in more productions per decade then anyone else in this century. She has been in one hundred and five films alone, thats not counting all the on stage productions she has performed in. The amazing talents of this once beautiful young actress can be seen in any of her early silent films too. Way Down East and Orphans of the Storm are two of her earlier films that portray her exquisite skills. Yet none of this would be know if it wasnt for a mastermind of directing, D.W. Griffith. Gish would have lived a long unrecognized life of theatre and missed out on the most important part of her career, the silent film. Gish fir ...
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Film Noir - 2,401 words
... orce of Evil (MGM, 1948), Framed (Columbia, 1947), Out of the Past (RKO, 1947), The Pitfall (United Artists, 1948), and The Unsuspected (Warner Bros., 1947) and discover that eight different directors, cinematographers, and screenwriters adapted different original stories for different stars at eight different studios. These people of great and small technical reputations created eight otherwise unrelated motion pictures with one cohesive style.3 I have previously contended that the noir cycle's consistent visual style is keyed specifically to recurrent narrative patterns and character emotions. Because these patterns and emotions are repeatedly suggestive of certain abstractions, such ...
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Societal Commentsand Historical Inaccuracy In Braveheart - 1,713 words
... rrey, was the English commander and he regarded Scotland as a whole nation not to be associated with in any way25. The day before the battle he outlined his plan. Warenne ordered the English army across the Stirling bridge over the river Forth and onto a piece of land that was surrounded on three sides by water. Soldiers fighting for the English king would then conduct a full frontal assault on the Scots who held the high ground26. The Earl of Surrey was so confident of the superiority of his troops that he spent no real amount of time planning for the battle. On the morning of the battle the crossing was begun and reversed several times as Wallace pursued diplomatic options in an effort ...
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Matin Scorsese - 1,448 words
Movie critic, Roger Ebert, has called him a "directing god". He has been called the "most influential and best director of their time" by fellow director, George Lucas. Director Martin Scorsese has been an influential director for the past twenty years. In the 60's class of directors that included, Francis Ford Coppola, George Lucas, Brian De Palma, and Steven Spielberg. Scorsese ranks with this class of artists, and his movies have changed the film industry of America (Friedman I). The impact of Scorsese can be shown in a number of ways, such as his style of directing, the films that he has made, and also the relationships that he has made in the film industry. The first is his directorial ...
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The Magnificent Ambersons - 1,173 words
The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel. -Orson Welles Orson Welles was passionate about film. By the young age of 25, he had directed, produced, and starred in what is today considered by most to be the greatest movie ever made, Citizen Kane. About a year later, Welles began work on his next film project, The Magnificent Ambersons. Based on the novel of the same name by Booth Tarkington, The Magnificent Ambersons tells the story ...
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The Birth Of A Nation And Greed - 1,289 words
The progress of the film industry was remarkably fast in the first quarter of this century. I have chosen two films namely The Birth of a Nation (1915) and Greed (1924) for comparison and contrast to show how much the industry had evolved within the short span of nine years. These two films are chosen for the short time span between them. This short time span will enable us to evaluate the development of the film industry in terms of the psychological build-up of the plot and the characters, cinematic qualities and the gradual acceptance of ironies in the films on the part of the American audience. D.W Griffith's The Birth of a Nation and Erich Von Stroheim's Greed are both films adapted fro ...
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A Brief History Of Film - 998 words
History of film has been dominated by the discovery and testing of the paradoxes inherent in the medium itself. Film uses machines to record images of life; it combines still photographs to give the illusion of continuous motion; it seems to present life itself, but it also offers impossible unrealities approached only in dreams. The motion picture was developed in the 1890s from the union of still PHOTOGRAPHY, which records physical reality, with the persistence-of-vision toy, which made drawn figures appear to move. Four major film traditions have developed since then: fictional narrative film, which tells stories about people with whom an audience can identify because their world looks fa ...
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Singing In The Rain Review And Summary - 1,877 words
The hit musical "Singin' in the Rain" may possibly be one of if not the greatest musicals of all time. With it's tale of the film world of the mid 1920's and its creative underlining love story between Don Lockwood (Gene Kelly) and Kathy Selden (Debbie Reynolds), it provokes the interest of someone who would not generally be attracted to a musical. It is a classic masterpiece that set the standards that musical films of today will be judged by. It is a classic performance by the great Gene Kelly and displays outstanding performances by Debbie Reynolds and Donald O'Connor. As well as starring in this brilliant movie, Gene Kelly teams up with Stanley Donen to make their mark in film history. I ...
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The Playhouse - 627 words
In "The Playhouse" (1921), a tour de force of special effects unrivaled even to this day, Keaton played every part in a theater: the whole orchestra, the actors, all nine blackface minstrels, both halves of a dance act, and every single member of the audience, young and old, male and female. He was a generous collaborator, sharing directing credit with Eddie Cline on most of the shorts and three features, though Cline graciously conceded that Keaton was responsible for 90 percent of the comic inventions in their films (Dardis, 70). Working in the same atmosphere of experimentation and absolute artistic control that had characterized Arbuckle's operation, his team developed a sort of anarchic ...
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