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... s Selina, she is timid and meek. Jack Napier, from Batman, is a cool collective gangster searching for power. When he turns into the Joker, he becomes a clown bent on human suffering for no reason at all by playing sadistic jokes. Vincent, from his first film, and Victor from Frankenweenie, are both children whose parents believe they dont fit the picture of normal. It is the people of the film, not the main characters that brand the stars outcasts.
Yet all the stars want to be a part of the normal world. This kind of longing can be traced to Chaplin and his character. Always wanting to be a part of someones world, be it rich or powerful, usually realizing at the end he will never be able to fit it and having to move on. Edward Scissorhands has the same longing, wanting to be a part of the town, but because of his limitations, the town outcasts him. He finally realizes he will never fit it and returns to the castle. The question arises, why are there so many characters like this?
Is he trying to say something? To understand why, one must have an understanding of where Tim Burton comes from. Tim Burton's life is an outcast character. Never really seeming to grow up feeling accepted.
Working at Disney he didnt fit it with the rest, he had his own ideas and personality, which we all do. "Disney and I were a bad mix. [... ] I got all the cute fox scenes to draw, and I couldn't draw all those four-legged Disney foxes. I just couldn't do it. I couldn't even fake the Disney style. Mine looked like road kills.
So luckily I got a lot of far-away shots to do. " Tim Burton's characters portray his feelings, as well as many other people. Jack, from Nightmare before Christmas, is a character that is the king at what he does, yet he tires of his work and no one seems to understand him. This is especially related to Burton while at Disney. Batman is nothing more than Bruce Wayne dressed in a costume fighting crime, not many people understand why he does it.
The Penguin, he also is misunderstood from his birth. Most people say Pee-Wee Herman is weird, but it is just another way of saying someone doesnt fit in. Lydia, from Beetlejuice, when asked as to why she can see the dead, but not her parents, replies: I myself am, strange and unusual. Why does she say this, because she herself is also an outcast. Since the Gothic theme runs throughout his films, music follows closely behind. When Tim Burton needs music, there is one man he continues to turn to.
That man is Danny Elfman. Danny Elfman is an accomplished composer with seventy films under his belt. On top of that he was the lead singer and songwriter for Oingo Boingo. Danny Elfman's music has dark overtones. It is accompanied by horns and other instrument not used as much, such as the cello and xylophones. Music has been said to make the movie, while this is not always true, it can contribute to the overall theme or mood of a film.
Elfman does this for Burton. Being able to create happy music, such as the Simpsons, to blood running in Sleepy Hollow. Elfman is able to created mood for Burton, not when artistic vision is lacking, but to add even more effect to what is already there. [... ] The extraordinary success of both [Batman] movies comes as something of a surprise, since these are intensely personal affairs, with Batman Returns coming across as even more of a Tim Burton film than did the original. Gothic architecture, adorned with bizarre gargoyles, is constantly powdered with snow (Edward Scissorhands), the Danny Elfman score swells around the action like a tempestuous sea (Edward, Batman) and the oddball characters are constantly preoccupied with their outsider status (Edward, Batman, Pee-Wee's Big Adventure)... ] When Tim Burton first got his chance with Disney, he made Vincent, one Disney deemed inappropriate for children. His film is good work. Not only are they blockbuster hits, but also his style is recognized across the globe as a form of artistic realism.
One such fan had this to say: Between his words and what he has created in film lies a great degree of the truth, though many times that truth is more apt to raise questions than to provide clear-cut answers. The result of this approach to him produces a darker, more complex, and possibly slightly disturbing image, but also a more human and solid one. Since Tim Burton's movies all have recurring themes, you must realize the popularity of his work and the attempt to capitalize on them. Part of Hollywood contributed to Burton's ever growing auteur. When his earlier work began to become famous, he was branded with a label, something he hates. When he first began to receive publicity, it was about his strange demeanor.
When once asked if it was all worth the price paying he replied: "You pay the price for it in your childhood. When everybody treats you as if you " re... " Burton's voice trails off, as if he's catching himself doing what's been done to him by friends, family and countless magazine writers: labeling himself. "Once you go through that in your life, and it's not something you choose, having people put you in the category of being... Burton chooses his next words carefully: .".. not like them. It's not something I chose. I would " ve probably preferred to have been a bit more accepted.
But it's a very common thing, people putting other people into categories. From very early on, it happens to everyone. For me personally, it was painful at the time, but it was also valuable, because it's so painful that you begin to realize that it doesn't matter what the f#@% anybody thinks of you, because they already think about you. It's not really who you are, anyway. " Burton's last comment, although quite strong, tells us a lot about himself. He himself is an outcast character. Trying to find his space in society where people label him as being weird.
His expression turns to film where he can be who he wants to be, or at least think he is. Burton's life is a film. His dark clothes and kooky hairstyle help with the images of Goth and Expressionism, his attitude while filming, and that during his normal life, differ just as his characters with their split personalities. His world is film, and he loses himself in that world by withdrawing from the one he is currently presiding. His grasp fro control is to try and create his world here. Bibliography: Bibliography: Done, John.
Axcess Article. Online. Internet. 9 April 2000 Available web Electronic Library Free Encyclopedia. Online.
April 8, 2000 Available web Every, Elisabeth Van. What is Goth? . Online. Internet. 9 April 2000 Available web Mast, Gerald, and Bruce F. Kevin. A Short History of the Movies.
Allyn & Bacon, 2000. Hassle, Dan. The Definitive Tim Burton Page. Online.
Internet. 8 April. 2000. Available web Internet Movie Database. Danny Elfman. Online. Internet. 8 Apr 2000. Available web
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