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Example research essay topic: Michelangelo Artwork Consisted Pope Julius Ii - 1,447 words

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Michelangelo was pessimistic in his poetry and an optimist in his artwork. Michelangelo s artwork consisted of paintings and sculptures that showed humanity in it s natural state. Michelangelo s poetry was pessimistic in his response to Strazzi eventhough he was complementing him. Michelangelo s sculpture brought out his confidence. Michelangelo was fond in completing The Tomb of Pope Julius II and persevered through s many revisions trying to complete his vision.

Sculpture was Michelangelo s main garland the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in touch with his positive and negative sides, showing that he had area and stable personality. Michelangelo s artwork consisted of paintings and sculptures that showed humanity in it s natural state. Michelangelo Buonarroti was called to Rome 1505 by Pope Julius II to create for him a tomb for him. We have no clue of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the bottom level was to have sculpted figures representing Victory and bond slaves.

The second level was to have statues of Moses and Saint Paul as well as symbolic figures of the active life representation of the human striving for knowledge. The third level was supposed to have an representation ofthe deceased pope. The tomb of Pope Julius II was never finished. What was finished ofthe tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun to work on the pope s tomb when Juliuscommanded him to fresco the ceiling of the Sistine Chapel to complete the work done inthe previous century under Sixtus IV. It consisted of four large triangles at the corner; arteries of eight triangular spaces on the outer border; an intermediate series of figures; annie central panels, all bound together with architectural designs and nude male figures.

The corner triangles portray a heroic action in the Old Testament, while the other eight triangles portray the biblical ancestors of Jesus Christ. Michelangelo conceived and executed this huge work as a single unit. The issue has engaged historians of art for generations without satisfactory resolution. The paintings that were done by Michelangelo had been painted with the brightest colors that just bloomed the whole ceiling as one entered to look. The ceiling had been completed just a little after the Pope had died. The Sistine Chapel is the best fresco ever done.

Michelangelo embodied many characteristic qualities of the Renaissance. A highly competitive genius. Michelangelo want afraid to show humanity in it s natural state, nakedness. Even in front of the Pope andthe other religious leaders.

Michelangelo portrayed life as it is, even with it s troubles. Michelangelo wanted to express his own artistic ideas. The most puzzling thing about Michelangelo s ceiling design is the great number of unrelated nude figures that he included in his gigantic fresco. We know from historical records that various church officials objected to the many nudes, but Pope Julius gave Michelangelo artistic freedom, and eventually ruled the chapel off limits to anyone save himself, until the painting was completed.

The many nude figures are referred to as Ignudi. They are naked humans, perhaps representing the naked truth. Michelangelo himself said, Whoever strives for perfection is striving for something divine. In painting nude humans, he is suggesting the unfinished human.

In Rome, in 1536, Michelangelo was at work on the Last Judgment forthe altar wall of the Sistine Chapel, which he finished in 1541. The largest fresco of the Renaissance, it portrays Judgment Day. Christ, with a clap of thunder, puts into motion the inevitable separation, with the saved people ascending on the left side of the painting and the damned people descending on the right into hell. As was his custom, Michelangeloportrayed all the figures nude, but prudish decorations were added by another artist a decade later, as the cultural climate became more conservative. Michelangelo painted hinson image in the condemned skin of St. Bartholomew.

Although he was also given another painting commission, the decoration of the Pauline Chapel in the 1540 s, his main energies were directed toward architecture during this phase of his life. Instead of being obedient to classical Greek and Roman practices, Michelangelo used themed columns, pediments, and brackets for a personal and expressive purpose. A Florentinealthoughborn March 6, 1475, in the small village of Caprese near Arezzo Michelangelo continued to have a deep attachment to his city, its art, and its culture throughout his long life. Hespent the greater part of his adulthood in Rome, employed by the popes, characteristically, however, he left instructions that he be buried in Florence, and his body was placed therein a fine monument in the church of Santa Croce. Michelangelo portrayed both optimism and pessimism.

Sculptures was where he wanted his heart dedicated. Michelangelo gave up painting by contracts to take up a new career in sculpture. Michelangelo then went to Rome, where he was able to examine many newly discovered classical statues and ruins. He soon produced his first large scale sculpture, the over-life-size Bacchus. One of the few works of Pagan rather than Christian subject matter made by the master, it rivaled ancient statuary, the highest mark of admiration in Renaissance Rome.

At about the same time, Michelangelo also did the marble Piet (1498 - 1500), still in its original place in Saint Peters Basilica. One of themes famous works of art, the Piet was probably finished before Michelangelo was 25 years old, and it is the only work he ever signed. The youthful Mary is shown seatedroyaly, holding the dead Christ across her lap, a theme borrowed from northern European art. Instead of revealing extreme grief, Mary is held back, and her expression is one of withdrawal.

In this work, Michelangelo summarizes the sculptural innovations of his 15 th-century predecessors, such as Donatello, while ushering in the new monumentality ofthe High Renaissance style of the 16 th century, Michelangelo was pessimistic in his response to Strazzi. I did not see Strazzi as complementing him. Michelangeloresponds in a pessimistic tone to what should have been a complement. Michelangelo said, sleep is precious; more precious to be stone, when evil and shame are aboard; it is accessing not to see, not to hear. Pray, do not disturb me. Speak softly.

During his long lifetime, Michelangelo was close to princes and popes, from Lorenzo de Medici to Leo X, Clement VIII, and Pius III, as well as cardinals, painters, and poets. Neither easy to get along with or easy to understand, he expressed his view of himself and the world even more directly in his poetry than in the other arts. The great Renaissance poet Ludovico Ariosto wrote succinctly of this famous artist: Michael moreton mortal, divine angel. Indeed, Michelangelo was widely awarded the title divine because of his extraordinary accomplishments. Two generations of Italian painters and sculptors were impressed by his treatment of the human figure, Raphael, AnnibaleCarracci, Pontormo, Rosso Fiorentino, Sebastian del Piombo, and Titian. In conclusion, Michelangelo was arguably one of the most inspired creators in the history of art and, with Leonardo da Vinci, the most potential force in the Italian High Renaissance.

As a sculptor, architect, painter, and poet, he put forth an immense influence on his generation and oblate Western art in general. Michelangelo was pessimistic in his poetry and an romantic in his artwork. Michelangelo s works showed humanity in it s natural state. Michelangelo s sculptures were his goals. Michelangelo was very intelligent for the works that he did. Michelangelo always wanted to finish the works that he worked on before moving on to another.

I think that Michelangelo was to good of a person. He educates the people of today as well as the people in his time about the true religious appearance that there is tolar. Michelangelo was a role model for the people of his time as well as for the people today. Michelangelo was also a great poet, a pessimist, a great one. MichelangelosDavid is one of Michelangelo s best known creations. The 4. 34 -m (14. 2 -ft) tall marble statue shows an alert David waiting for his enemy Goliath.

It was originally created for the piazza in front of the Palazzo Vecchio in Florence, Italy, but was later moved to the Galleria dell Accademia. The Sistine Chapel represents one of the earliest examples of customized art. This is an alarming view of Judgment Day, with deformed and twisted figures. While Christ stands in the center of the fresco detecting out justice, the saved risen the left and the damned descend on the right.

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