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Leonardo da Vinci was born in 1452 in the small town of Vinci, in Tuscany. He was the son of a wealthy Florentine notary and a peasant woman. In the mid- 1460 s the family settled in Florence. In 1466 Leonardo was apprenticed as a garzon to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day. In Verrocchios workshop Leonardo was introduced to many activities, from the painting of altarpieces and panel pictures to the creation of large sculptural projects in marble and bronze. In 1472 he was entered in the painters guild of Florence, and in 1476 he was still considered Verrocchios assistant.
In 1478 Leonardo became an independent master. His first commission, was to paint an altarpiece for the chapel of the Palazzo Vecchio, the Florentine town hall, he never finished it. Leonardo was a master of many parts of art. In 1482 Leonardo entered the service of the duke of Milan. He served, as principal engineer in the dukes numerous military enterprises and was active also as an architect. In addition, he assisted the Italian mathematician Luca Pacioli in the celebrated work Divina Proportion...
The most important of his own paintings during the early Milan period was The Virgin of the Rocks. During his long stay in Milan, Leonardo also produced other paintings and drawings, theater designs, architectural drawings, and models for the dome of Milan Cathedral. His largest commission was for a colossal bronze monument to Francesco Sforza, father of Ludovico, in the courtyard of Castello Sforzesco. In 1502 Leonardo entered the service of Cesare Borgia, duke of Romagna and son and chief general of Pope Alexander VI.
In his capacity as the dukes chief architect and engineer, Leonardo supervised work on the fortresses of the papal territories in central Italy. In 1503 he was a member of a commission of artists who were to decide on the proper location for the David the famous colossal marble statue by the Italian sculptor Michelangelo, and he also served as an engineer in the war against Pisa. Toward the end of the year Leonardo began to design a decoration for the great hall of the Palazzo Vecchio. The subject was the Battle of Anghiari, a Florentine victory in its war with Pisa.
He made many drawings for the decoration and completed a full-size cartoon, or sketch, in 1505, but he never finished the wall painting. The cartoon itself was destroyed in the 17 th century, and the composition survives only in copies, of which the most famous is the one by the Flemish painter Peter Paul Rubens During this second Florentine period, Leonardo painted several portraits, but the only one that survives is the famous Mona Lisa. One of the most celebrated portraits ever painted, it is also known as La Gioconda, after the presumed name of the womans husband. Leonardo seems to have had a special affection for the picture, for he took it with him on all of his subsequent travels. Because none of Leonardo's sculptural projects was brought to completion, his approach to three-dimensional art can only be judged from his drawings.
The same strictures apply to his architecture: None of his building projects was actually carried out as he devised them. In his architectural drawings, however, he demonstrates mastery in the use of massive forms, a clarity of expression, and especially a deep understanding of ancient Roman sources. In 1506 Leonardo again went to Milan, at the summons of its French governor, Charles d Amboise. The following year he was named court painter to King Louis XII of France, who was then residing in Milan. For the next six years Leonardo divided his time between Milan and Florence, where he often visited his half brothers and half sisters and looked after his inheritance. In Milan he continued his engineering projects and worked on an equestrian figure for a monument to Gian Giacomo Trivulzio, commander of the French forces in the city, although the project was not completed, drawings and studies have been preserved.
From 1514 to 1516 Leonardo lived in Rome under the patronage of Pope Leo X. He was housed in the Palazzo Belvedere in the Vatican and seems to have been occupied principally with scientific experimentation. In 1516 he traveled to France to enter the service of King Francis I. He spent his last years at the Ch teau de Club, near Amboise, where he died.
Leonardo died in 1519.
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