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Runaway There are sparkles of rain on the bright Hair over your forehead; Your eyes are wet and your lips Wet and cold, your cheek rigid with cold. Why have you stayed Away so long, why have you only Come to me late at night After walking for hours in wind and rain? Take off your dress and stockings; Sit in the deep chair before the fire. I will warm your feet in my hands; I will warm your breasts and thighs with kisses. I wish I could build a fire In you that would never go out. I wish I could be sure that deep in you Was a magnet to draw you always home.
Online Source Yin and Yang It is spring once more in the Coast Range Warm, perfumed, under the Easter moon. The flowers are back in their places. The birds are back in their usual trees. The winter stars set in the ocean. The summer stars rise from the mountains.
The air is filled with atoms of quicksilver. Resurrection envelops the earth. Goemetrical, blazing, deathless, Animals and men march through heaven, Pacing their secret ceremony. The Lion gives the moon to the Virgin.
She stands at the crossroads of heaven, Holding the full moon in her right hand, A glittering wheat ear in her left. The climax of the rite of rebirth Has ascended from the underworld Is proclaimed in light from the zenith. In the underworld the sun swims Between the fish called Yes and No. Online Source Floating Our canoe idles in the idling current Of the tree and vine and rush enclosed Backwater of a torpid midwestern stream; Revolves slowly, and lodges in the glutted Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current, Up dim meanders, through woods and pastures, Past muddy fords where the strong smell of cattle Lay thick across the water; singing the songs Of perfect, habitual motion; ski songs, Nightherding songs, songs of the capstan walk, The levee, and the roll of the voyageurs. Tired of motion, of the rhythms of motion, Tired of the sweet play of our interwoven strength, We lie in each others arms and let the palp's Of waterlily leaf and petal hold back All motion in the heat thickened, drowsing air. Sing to me softly, Western Wide, Ah the Syghes, Mon coeur se recommend? vous, Phoenix Claro; Sing the wandering erotic melodies Of men and women gone seven hundred years, Softly, your mouth close to my cheek. Let our thighs lie entangled on the cushions, Let your breasts in their thin cover Hang pendant against my naked arms and throat; Let your odorous hair fall across our eyes; Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet, Immense, and your skin ivory and humid. Move softly, move hardly at all, part your thighs, Take me slowly while our gnawing lips Fumble against the humming blood in our throats. Move softly, do not move at all, but hold me, Deep, still, deep within you, while time slides away, As the river slides beyond this lily bed, And the thieving moments fuse and disappear In our mortal, timeless flesh. Online Source Confusion I pass your home in a slow vermilion dawn, The blinds are drawn, and the windows are open. The soft breeze from the lake Is like your breath upon my cheek. All day long I walk in the intermittent rainfall.
I pick a vermilion tulip in the deserted park, Bright raindrops cling to its petals. At five oclock it is a lonely color in the city. I pass your home in a rainy evening, I can see you faintly, moving between lighted walls. Late at night I sit before a white sheet of paper, Until a fallen vermilion petal quivers before me. Online Source
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