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Example research essay topic: Act Iii Scene Act I Scene - 1,483 words

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Macbeth? s Representation of Ambition From top to bottom of the ladder, greed is aroused without knowing where to find ultimate foothold. Nothing can calm it, since its goal is far beyond all it can attain. Reality seems valueless by comparison with the dreams of fevered imaginations; reality is therefor abandoned.

Many have dreamed up republics and principalities that have never in truth been known to exist; the gulf between how one should live and how one does live is so wide that a man who neglects what is actually done for what should be done learns the way to self destruction rather than self-preservation. Italian political philosopher Niccolo Machiavelli (1469 - 1527) states that greed leads men to their downfall, a concept which is paralleled with Shakespeare? s play, Macbeth. This play is the representation of human society in which Macbeth represents man.

The play opens with 3 witches who honor Macbeth with three titles: Thane of Glamis (his present title), Thane of Cawdor (his son to be announced title) and the prophecy that he will be king hereafter. Macbeth who is roused by his vaulting ambitions, lust for power, tempted by these titles, murders his rivals to the throne with his wife. As a result of his ruthless quest for power leads him to his fate. Erich Fromm (1900 - 1980), a psychologist once stated greed is a bottomless pit which haunts man in an endless effort to satisfy the need without ever reaching satisfaction. He who comes along greed is condemned to this bottomless pit. Shakespeare demonstrates that greed that harms others, destroys the holder: mentally and morally, and eventually leads to one?

s ultimate destruction. When men are driven by greed to achieving their goal, they are stripped away of their morals and ethics. Macbeth is fighting a war, a deadly game where man takes advantage of others to win and claim the title of king. if it were done when? tis done, then? there well it were done quickly.

If the assassination could trammel up the consequence, and catch, with the surcease, success; that but this blow might be the be-all and the end-all here, but here, upon this bank and shoal of time, we? d jump the life to come. But in these cases we still have judgement here; that we but teach bloody instruction, which being taught, return to the plague of inventor: this even handed justice condemns the ingredients of our poison? d chalice to our own lips. (Act I, Scene VII) Macbeth has confused feelings about murdering Duncan, his worthiest cousin.

He hesitates to murder Duncan because he is scared of the consequences which may somehow return and plague him. He questions to himself, how would his new subjects react? However, his ambition numbs the fear and the conscience concerning consequences and his morals. At this point, he is already morally degraded. Macbeth does not question the morality of the actions of what he is about to take but instead worries about the consequences he may have to face if he fails. Thus Macbeth does not fear or feel any moral remorse in committing the murder itself.

Our fears in Banquo stick deep; and in his royalty of nature reigns that which would be fear? d: ? tis much he dares: and to that dauntless temper of his murder he hath a wisdom that doth guide his valour to act in safety. There is none but he whose being I do fear: and under him, my genius is rebuked. (Act III, Scene II) Macbeth is irritated by Banquo, whose existence is a hindrance towards his fulfillment of the prophecies.

The first thing hat comes to his mind is to eliminate his obstacles. Thus, Macbeth deals with this by murdering Banquo. However, this time he does not contemplate over whether or not to murder Banquo but the actions he takes are capricious. His greed for power is overwhelming him that all he sees is his succession to the throne and the actions he takes are very spontaneous; he doesn? t stop to think about the morality nor the consequences. By the end of the play, Macbeth does not feel a bit of hesitation to taking the life of another.

Seize upon Fife; give to the edge o? the sword his wife, his babes, and all unfortunate souls that trace him in his line. (Act IV, Scene I) Greed degrades a man? s morals by blinding him of them, only allowing a narrowed vision of his ambition. Greed-driven actions bring regret and remorse and thus haunts one with guilt, which impairs one? s mental coherence.

Immediately after Macbeth murders Banquo, he starts to feel regret and guilt. However, his guilt is suppressed by Lady Macbeth who accuses Macbeth of being a coward for fearing the consequences and feeling guilty. Eventually, he comes to his senses and realizes that his greed has driven him to kill a very close friend of his. Guilt overwhelms him and starts to drive him insane. Me thought I heard a voice cry? Sleep no more!

Macbeth does murder sleep. Glamis hath murdered sleep and therefore Cawdor shall sleep no more: Macbeth shall sleep no more. ? (Act II, Scene II) Macbeth avoids being caught by the law, he cannot avoid his guilt. As the saying goes, guilt is the ultimate punishment. His guilt starts to grow larger and larger. This eventually drives Macbeth insane. Macbeth?

s downfall is brought upon by the degradation of his mentality. As the guilt drives him insane, he starts to act in ways that give others the idea that he is indeed guilty. Avaunt! And quick my sight! Let the earth hide thee! They bones are marrow less, they blood is cold, though hast no speculation in those eyes which thou dost glare with. (Act III, Scene IV).

The greed that resulted from actions Macbeth took to fulfill his greed comes back to haunt him. Macbeth is crushed by his own guilt and turns himself in by accidentally admitting he has killed Banquo. This guilt is inevitable and universal. Out, damn spot! Out I say! One: two: why then?

tis time to do? t. Hell is murky. Fie, my lord, fie!

A soldier, a feared? What need we fear who knows it, when none can call our pow? r to account? Yet who would have thought the old man to have had so much blood in him? (Act V, Scene I) Even Lady Macbeth is haunted with guilt after assisting Macbeth in murdering Duncan. Lady Macbeth descends to insanity and gets up every night and washes blood off her hands; a symbolic representation of the guilt she must live with for the rest of her life. Lady Macbeth commits suicide because she cannot bare to live with the heavy burden of guilt on her back anymore.

Greed leads both Macbeth and Lady Macbeth to their downfall. Greed and ambitions that harms others eventually finds its way back and destroys the one who possesses it. All ambitions are lawful except those which climb upward on the miseries or credulity of mankind. All intellectual and artistic ambitions are permissible, up to and even beyond the limit of prudent sanity. They can hurt no one.

States Joseph Conrad (1857 - 1924), a Polish born English novelist. The ambitions of Banquo were much more simple and paradoxical than that of Macbeth and Lady Macbeth. Though Banquo was curious when it concerned the witches prophesy, he was reluctant to believe it. Banquo was much more simple, honest, and harmless in character.

He did not challenge his own fate like Macbeth and Lady Macbeth, therefore he did not corrupt himself. Banquo trusted his ambitions toward leading an orthodox life, and he did not allow other forces to interrupt his ambitions such as the witches, his destiny and greed. why do you start, and seem to fear things that do not sound so fair? It name of truth, Are ye fantastical, or that indeed which outwardly show? My noble partner You greet with present grace and great prediction of noble having, and of royal hope, That he seems rapt withal; to me you speak not: If you can look into the seeds of time, And say which grain will grow and which will not, Speak to me, who neither not by fear Your favours nor your hate. (Act I, Scene III) Banquo was skeptical of the witches prophecy, thus prohibiting their spell to penetrate his soul, leaving him pure. If Macbeth and Lady Macbeth had not allowed their greed to take over and cause them to murder Duncan, their outcome may have been different.

Charles C. Transit, Perpetual War for Perpetual Peace (New York 1957) Ibid. , 688. Roberta Worhlstetter: Pearl Harbor: Warning and Decision (New York 1980) Akira Are: Across the Pacific: an Inner History of American-East Asian Relations (New York 1967)


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Research essay sample on Act Iii Scene Act I Scene

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