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The Process of Edna Pontellier's Awakening The society of Grand Isle places many expectations on its women to belong to men and be subordinate to their children. Edna Pontellier's society, therefore, abounds with mother-women, who idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves as individuals (689). The characters of Adele Ratignolle and Mademoiselle Reisz represent what society views as the suitable and unsuitable women figures. Mademoiselle Ratignolle is the ideal Grand Isle woman, a home-loving mother and a good wife. Mademoiselle Reisz is the old, unmarried, childless, musician who devoted her life to music instead of a man.
Edna switches between the two identities until she awakens to the fact that she needs to be an individual, but encounters resistance from society. This begins the process of her awakening. Chopin carefully establishes that Edna does not neglect her children, but only her mother-woman image. Chopin illustrates the idea by telling the reader, Mrs. Pontellier was not a mother-woman (689).
Edna tries to explain to Adele how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image. She says, I would give up the unessential; I would give my money; I would give my life for my children; but I wouldnt give myself. I cant make it more clear; its only something I am beginning to comprehend, which is revealing itself to me (720). Similarly to Edna's relationship with her children is that with her husband, Leonce.
The Grand Isle society defines the role of wife as full devotion and self-sacrifice for your husband. Edna never adhered to societies definitions. For example, the other ladies at Grand Isle all declared that Mr. Pontellier was the best husband in the world (689). And Mrs. Pontellier was forced to admit she knew of none better (689).
By using words like forced and admit, Edna has to acknowledge her true feelings towards Leonce. Edna's leaving Leonce's mansion is another important detail when considering the process of her awakening. By moving to her own residence, Edna takes a big step towards her independence. Throughout The Awakening, Edna increasingly distances herself from the image of the mother-woman, until her suicide, which serves as the total opposite of the mother-woman image. Adele Ratignolle and Mademoiselle Reisz, the two important female supporting characters, provide the two different identities Edna associates with. Adele serves as the perfect mother-women in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps.
For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother. Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the independence that Adele completely lacks.
But Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes it clear that an adequate life cannot build altogether upon independence. Although she has a secure sense of her own independence and individuality, her life lacks love, friendship, or warmth. What Edna chooses for her identity is a combination of Adele Ratignolle and Mademoiselle Reisz. More honest in self-awareness than Adele, more dependent on human relationships than Reisz. In The Awakening the womans existence intertwines with her maternal nature.
Edna's sense of herself as a complete person makes impossible her role of wife and mother as defined by her society; yet she discovers that her role of mother also makes impossible her continuing development as an independence women. So her thoughts as she walks into the sea comment profoundly on the identity problems that women face, She thought of Leonce and the children. They were a part of her life. But they need not have thought that they could possess her, body and soul (685). Unable to have a full human existence, Edna chooses to have none at all Chopin, Kate. The Awakening.
American Literature Volume II: Realism to the Present, 6 th edition. Ed. George McMichael. Upper Saddle River: Prentice-Hall, 1997. 683 - 775.
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