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Example research essay topic: Othello Must Experience Forgotten As Othello Desdemona - 1,086 words

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From out first introduction to him, to the point at which he strangles his wife, Othello undergoes a remarkable change. How does this happen and how do you explain it? Our first impressions of Othello in this play are of him as a noble a courageous man. He is portrayed as a simple soldier. He also seems to have a very positive relationship with Iago. Along side those positive images Shakespeare prepares us for the evil deeds that Othello will commit later in the play.

For example, if he were a more moral man then he would have ignored Iago when he was trying to exploit the deceit of Desdemona? s father: ? ? ? ? ? ? ? ? ? ? ? ? ? ? She deceived me and may well you? Brabantio said this to Othello when he found out Desdemona had picked Othello over her father; Iago overheard this and decided to exploit it in his own plotting manner.

We see another example of the courageousness of Othello when he is urged to hide from the outraged father, he refuses to run away; he feels secure in the rightness of his position: ? ? ? ? ? ? ? ? ? ? ? ? ? ? My parts, my title, and my perfect soul shall manifest me rightly. ? Love is something new to Othello, and his reaction to Desdemona has a mature intensity that is almost frightening in its richness. As he tells us his story to the Duke we can, in the space of some forty lines, watch the development of this mutual feeling from is earliest days, when a shy Desdemona hovered near her father? s exiting guest, to its full flowering in the declaration. The meeting in Cyprus, when Othello is re-united with Desdemona after a perilous voyage, has a sublime happiness, which even Othello finds hard to describe: the bliss of heaven cannot equal it.

His love has embraced Desdemona, and the two seem to be separate from the rest of the plays characters, in their own world of innocent, joyful loving. But even the Garden of Eden has its serpent, and we can never forget the presence of Iago. Only we-the audience-can see his machinations. Every one of the other characters is duped by this honest exterior; and, like them, Othello too is deceived by the man whom he knows and trusts. His belief in Iago is quite understandable: after all, he has worked with him for many years, and must have shared the hardships of battle with him. And although Othello has done the state some service, he is still a foreigner in Venice who does not know the customs of the country, whereas Iago is a Venetian, who seems to be wise in the ways of the world and tells his general: I know our country disposition well.

Othello is not easily provoked into jealousy, but when Iago starts his subtle insinuations it is only too easy for Othello to identify in himself the possible reasons that could cause Desdemona's love to waver. Chief of these is his colour: Haply, for I am black. The early scenes of the play emphasized Othello's colour when Iago and Rodrigo abused the thick lips, and when Brabantio was revolted at the thought of the sooty bosom. But Desdemona saw Othello's visage in his mind, and the Duke shared her perception when he told the angry Brabantio that his son-in-law far more fair than black.

But since then, the matter of colour has been largely forgotten as Othello was called upon to demonstrate his public authority and his private love. On stage, of course, the reminder is permanently present in the Moors person: but it has seemed irrelevant. Now it matters intensely: it is Othello's first thought. But soon the fact of his blackness is forgotten as Othello wrestles with himself, torn between his great love for Desdemona and the doubts, inculcated by Iago, of her faithfulness. Because his love is so great, surpassing all other cares and affections, the thought of its betrayal is equally overwhelming: there is no longer purpose anywhere-Othello's occupations gone? .

His threats to Iago, promising not physical pain but eternal damnation, have a heated violence which is frightening to read-and contrast with the cold, measured lines in which he declares his resolution, comparing himself to the sea Whose icy current and compulsive course Neer feels retiring ebb, but keeps due on. Yet this declaration, however, is not final. Othello must experience more anguish, caused in the first place by Iago's calculated slander. The mental suffering is expressed physically when he falls to the ground in passion: even his body is no longer under his control, almost as though he were experiencing some kind of diabolic possession. Iago dismisses the frenzy as a commonplace epileptic seizure-his second fit; he had one yesterday.

The excuse may satisfy Casino-or at least have the desired effect of sending him away from the scene-but it is not an adequate explanation for Othello's distress. There is nothing usual about this episode: Othello's sense of wrong, like his feeling for Desdemona, is of heroic dimensions. His subsequent conduct towards Desdemona, however, is less than heroic. Having been confronted with Iago's ocular proof -the missing handkerchief-the Moor treats his wife as though she were a loathed prostitute. The powerful love turns to almighty hatred of the supposed deed of adultery rather than the woman herself, for it is the deed, which has defeated his highest ideals. When, at the beginning of the last scene, Othello approaches Desdemona's bed, we see that his love is by no means extinguished.

He reacts with acute sensitivity to her warm, sleeping, beauty which he experiences as physically as the scent of a rose-the most potent of all English flowers. This speech and the death of Desdemona must surely make the most beautiful of all literary murder scenes! But when his wife lies at peace, Othello must experience the cruellest torture he has so far endured. Emilia, Iago's wife, reveals the truth of the situation, and Othello is the most miserable of men. A deeply religious man, he looks at the murdered body and foresees his own punishment-he will be condemned on the Day of Judgement to eternal damnation: ? ? ? ? ? ? ? ? ? ? ? ? ? ? When shall we meet at cost this look of thine will hurl my soul from heaven and friends will snatch at it. ?


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Research essay sample on Othello Must Experience Forgotten As Othello Desdemona

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