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Example research essay topic: Bye Bye Backstreet Boys - 1,258 words

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Nsync: A True Talent in Music Here we go, the title of one of many Nsync songs, but it is also a term that cynics often use referring to the group. Here we go, another boy band, they all sound the same, etc. , etc. , etc. I admit that two years ago I agreed with the critics of this new boy band movement, in that they were trying to duplicate the success of groups such as New Kids on the Block and New Edition. Its a guaranteed money-maker, five good-looking guys, a trace of vocal talent, and some smooth dance moves equals domination of the music industry via the teen market. Nsync may fit into the stereotype of boy band / bubble-gum pop, but they have proven talents far beyond their competition in the genre.

It all began for me in March of nine-teen ninety -eight. There was this new dance tune being played way too often by Portlands own Z 100. I Want You Back was the first release off of Nsync's self-titled debut album. From March through May of 98, Nsync performed at a string of radio station shows.

They had not yet reached the success of a fellow Trans-Continental produced group, The Backstreet Boys. In June of 98 they recorded a special Disney show called Nsync N concert, thus beginning the craze of another successful boy band. Soon after the special aired they released their second single, Train Up My Heart. The audience that had not yet been won over by those two songs were soon captured by a sweet ballad, God Must Have Spent A Little More Time On You.

Personally, as cheesy as it may sound, it helped me through one of the toughest moments Ive had to deal with, my grandmothers death in November of 1998. God Must Have Spent... in a way was a therapy to help me think of the good moments I had spent with her. After that release I was thankful to them for the way they could harmonize in that song.

Soon after I bought their debut CD, as well as the November 1998 release of their Home Hearing them on the radio every once in a while many people thought, and continue to think that Nsync will be just another flash in the pan. Some believe that just because these five guys do not play their own instruments live means they have no talent. I once believed the same. I shall testify right now that I was wrong, and that everyone who doubts their talents are wrong as well.

Nsync won me over, not for the blonde haired guy, or the crazy fun guy, but for the harmony that comes from the group. They have been through many interviews where they have been asked to sing on the spot, a capella. This is where they are best. They have no need for instruments aside from their vocal cords. This impressed me so much that I decided to see them The first time I saw them was at the Clark County Fairgrounds, August 8, 1998. At the time I was barely interested in them, and did not pay much attention to the show.

The following three concerts took place April 24, 25, and 26 of 1999 in Portland, Tacoma, and Seattle. I was not sure what to expect, I had high hopes for them to showcase their vocal abilities, and let me say now that I was not let down one bit. Too often artists choose to lip-sync during live shows, not Nsync. I have been to concerts by Aerosmith, Whitney Houston, Bryan Adams, Everclear and many others. All of them were great, but these Nsync boys put on THE best live show I have ever seen. It was full of flashy moves, great dancing, and even a song where they played their own instruments.

But what caught me the most in their show was the a capella performance. They had the audience stunned by the a capella rendition of there March 1999 released I Drive Myself Crazy. Harmonies and rhythm are what catch my attention, and these five young men have mesmerized me with their talents. In the summer of 1999 Nsync made three grand career moves. They collaborated with great musicians of three different genres. They helped country group Alabama remake God Must Have Spent.

The worked with the legendary Phil Collins on a song called Trashin The Camp for Disneys Tarzan. Trashin The Camp was a very jazz oriented scat song. It was a magnificent showcase for their vocal abilities. The next collaboration was with Gloria Estefan on the song Music of My Heart for the Music of the Heart soundtrack. Music of My Heart was a hit instantly. Another song to add to their list of harmonization's.

But along with the success of those three collaborations came a battle over creative control for their sophomore album. In September of 1999, Nsync left their label, BMG / Trans, Continental Records for Jive records. BMG & Co. filed a $ 150 million dollar lawsuit against the group for breaking their contract. In the end it was settled out of court.

The judge persuaded the out of court settlement after seeing how Trans. Cons leader, Lou Pearlman had taken more than sixty percent of the profits Nsync had earned in 1996 through 1998. Oddly enough the settlement was made December 23, 1999, two days before Christmas. What better gift could they ask for? What else could Jive records want?

After signing Nsync they became the top pop record label. They were already home to The Backstreet Boys, and bubble pop princess Britney Spears, adding Nsync to the lineup equaled big bucks for everyone involved. What else could they need? A new album! Fans have been anxiously awaiting a new album for a while now, and they are now slot to release their sophomore album, No Strings Attached on March 21, 2000.

Fans have received two previews ino the album. They released the single Bye Bye Bye to radio stations on January 12 th of this year. The song became the top requested song on top 40 radio stations nationwide literally overnight. They recently appeared on an MTV special, Snowed In. At this show they performed Bye Bye Bye, as well as another track from No Strings Attached. The second song performed was Promises, another ballad to prove their vocal abilities as well as song writing abilities.

Nsync won creative control over their sophomore release. The guys wrote at least six songs for it, and produced every track on the album. No Strings Attached is expected to sell in excess of one million copies in its first week alone. Rick Dees reported this past weekend that their new album has over one and a half million reservation already, and I believe it. I work in a local music store and in one day alone we had 10 reservations for it, which is a lot for one little store in Vancouver, Washington.

I believe that Nsync's talents, as both vocalists and songwriters, will continue to shine in the year two thousand. They have the artistry to be around for many years to come. As long as they grow with the music, and with their audience the will have continued success. People with such great vocal capacities tend to hang around the music business for many years.

My only hope is that critics will finally begin to embrace the vocal mastery of Nsync with the release of Bibliography:


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