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Example research essay topic: Rage Against The Machine Chili Peppers - 1,429 words

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... commitment to the black community, thus serving as a shining example of the lessons of his music. Brown's message of change by improving currently existing systems was conservative in comparison to some more radical artists. These artists, like the Last Poets, believe that change would only come around through a revolution.

The Last Poets who use a combination of spoken word and music in their song "Niggers Are Scared of Revolution" exemplify this. The song addresses apathy in the black community about black revolution and the lack of participation in the movement (Last Poets). Gil Scott Heron is an artist with a similar message. His work "The Revolution Will Not Be Televised" discuss the media's purposeful ommitasnce of pertinent black issues, and the manner in which change will occur. The song "Power to the People" by the Chi-Lites was originally the slogan for the Black Panther Party. "Young, Gifted and Black" by Nina Simone, "People Get Ready" by the Impressions and Edwin Starr's "War" are just a few of the many songs which drew the black community together to raise social consciousness.

Black music, specifically Soul music, will never disappear. Though the motivation for the music may change nominally, the spirit behind it will always stay the same. Passion, pain, despair, love and hope, will forever remain key elements of the human experience. This truth is the reason in which we have seen Soul music change to fit the times in which it exists. Some hip-hop artists such as De La Soul, Public Enemy and even Arrested Development carried a strong message of social change. Yet, their time too was limited as the black American climate slightly changed.

Today artist such as the crowned king and queen of the newly dubbed category of "Neo-classic soul" bear the torch. D'Angelo and Erykah Badu talk about revolution and the state of the black community and relationships. Badu's "On and On" expresses her thoughts of how she feels that we are born into the middle of a world in constant struggle as she says, ." my life keeps going like a rolling stone... I was born under water with three dollars and six dimes (a metaphor to 360 degrees in reference to her never-ending struggle) " (Baduizm).

D'Angelo addresses the rampant use of marijuana in his "Brown Sugar" as he writes, "I want some more of your brown sugar. your love makes me high right to the sky. my eyes are blood burgundy. " His Devil's Pie addresses drugs and money (Belly Soundtrack). Both Badu and D'Angelo give their takes on bad relationships in "Tyrone" and "Shit, Damn, Mother Fucker, " respectively. Badu's "Other Side of the Game" even addresses the issue of being involved with a man who sells drugs. She writes, "Do I really want my baby...

work ain't honest, but it pays the bills. " The subject matter addressed by Badu and D'Angelo express many of the problems endured by today's generation, some of which may not have been experienced in the same manner of generations past. Music is an expression of life. Hence, it can only be a reflection of life's experiences. Soul music speaks directly to the human experience. It attacks the maladies of our existence. It empathizes with our pains, and rejoices in our happiness.

Masterfully, has it changed so as that it remains sensitive to our needs today. Only the beat has changed. The Soul of soul, however, the message, will always remain. Works Cited Badu, Erika. Baduizm. Kedar, 1997.

Brown, James. James Brown's 20 Greatest Hits. Polygram, 1991. D'Angelo.

Brown Sugar. EMI, 1995. D'Angelo. Belly Soundtrack. Def Jam, 1998. Gaye, Marvin.

Marvin Gaye Anthology. Motown, 1981. Hathaway, Donny. A Donny Hathaway Collection. 1996 Heron, Gil Scott.

The Revolution Will Not Be Televised. Interscop, 1971. Last Poets. The Last Poets. Ultrasound, 1967. Southern, Eileen.

The Music of Black Americans. New York; W. W. Norton and Company, 1997 The Hip-Hop/Rock Phenomenon It seems as though you can barely read a magazine or flip on the television without hearing about one of these new hip-hop / rock groups. Media outlets such as Rolling Stone and MTV treat these bands as though miraculously created this new genre of music. Acts such as Limp Bizkit, Kid Rock and Sugar Ray are treated though they are creative geniuses when in reality they are only doing things that have already been done before.

True some of these new bands are very talented, but bands such Run DMC, the Red Hot Chili Peppers and Rage Against the Machine, blended the seemingly mismatched flavors of rap and rock with brilliant results long before any of these bands had ever even seen a turntable. The earliest recorded example of this fusion of hip-hop and hard rock, came in 1985 with the release of Run Dmc's Rock Box. The song featured a beat which sounded more like an AC/DC instrumental than what your average hip-hop consumer had grown accustomed to, nevertheless underneath the vocals of Run DMC the song was their first bonafide crossover hit. The single even landed them onto heavy rotation on MTV, making Run DMC the first hip-hop group to ever have their video played with the station. The song was only the first of a long string of hits for the group to feature hard rock beats, of course with pumped up bass and the prerequisite turntable scratch. Their success carried over to their remake of Aerosmith's classic Walk This Way, which too became an instant classic.

The record also marked the first direct collaboration between a rap group and a rock band. However while Run DMC was a hip-hop group with heavy rock influence, the Red Hot Chili Peppers are a perfect example of the exact opposite, a rock band with distinct hip-hop overtones. From as early back to the mid-eighties the Chili Peppers were trendsetters, they were regularly sharing headline in Los Angeles clubs with hip-hop acts, which one must remember was at a time when rap music was frowned upon by the rock community. Either way somewhere on their path they picked up on certain elements from hip-hop music and successfully incorporated them into their eclectic playing style. On recordings such as Good Time Boys from the bands critically acclaimed album Mothers Milk, it is not hard to see that he is indeed rapping to the beat as opposed to the usually singing which one would expect from an alternative band.

But the genius lies in the fact that the song retains its original qualities keeping it from becoming a wannabe rap song, yet at the very same time it pushed the creative envelope for music as a whole and also pushing the Chili Peppers onto new creative ground. It was easy see that Run DMC and the Red Hot Chili Peppers were bands who while firmly rooted in one genre of music heavily borrowed elements from another genre. However Rage Against the Machine was much different than either one of these bands, it was the true brainchild of both hip-hop and hard rock. It could be argued with that with the release of their first album in 1992, that they were the first rap / rock band to truly be split right down the middle. The band utilized definite hard rock beats that could in no way be confused with any sort of hip-hop beat, however their vocalist Zach De La Rocha could in no way be taken for anything other than a rapper.

It was a sharp contrast to the previous attempts to fuse the two styles of music together and the band did it beautifully. De La Rocha, whose previous experience as a rapper in various Los Angeles hip-hop groups, fit perfectly over the hard rock beats provided by his band mates. Fortunately the music scene was finally ready for their sound, which led to the group gaining critical acclaim and modest video play. Despite what the media is trying to sell the public, do not believe the hype. Hip-hop / rock hybrids are nothing new to the music scene, it is just the latest trend being used to sell magazines and fuel album sales. Which is not necessarily wrong, it is only sad that many artists and fans do not know the origin of the music they love.

Nevertheless some of these band are very talented and unfortunately some of them are not, but regardless of whether these bands are talented or not, bear in mind they did not create the artform. Let us hope however they choose to elevate the artform. Bibliography:


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