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Example research essay topic: Edgar Allan Poe Master Of The Macabre - 1,759 words

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Edgar Allan Poe - Master of the Macabre Edgar Allan Poe is dead. He died in Baltimore the day before yesterday. This announcement will startle many, but few will be grieved by it. The poet was well known, personally or by reputation, in all this country; he had readers in England, and in several of the States of Continental Europe, but he had no friends... Ludwig Rufus Griswold, New York Tribune, October 9, 1849 A storytellers Tale On October 7, 1949, Edgar Allan Poe breathes his last. Yet, even in death, his name remains haunted.

He is haunted first, by his enemies, of which he has many, then by his contemporaries and hacks and other opportunists, and finally by his own convoluted reputation. Yet, even in death Poe's influence is alive, for he lives in the works of great authors that we came to know. More than anything, his works form solid bedrock in which modern literature is entrenched. The success of his works lie not in their sophistication and wit, for there are far more sophisticated and far more clever authors before him and after. Rather, the power of his work lies in the deepest nature of men, for his work strikes the universal psyche of human condition. Birth, fame, and death are integral part of human nature.

This is the measure of Poe's power. This is his lasting legacy. He is master of the macabre, even in his death. According to the Edgar Allan Poe Society (Poe), Edgar Allan Poe was born on January 19, 1809 to parents David Poe Jr. and Elizabeth Hopkins Poe, both itinerant actors.

Shortly after his birth, both his parents died his father probably in 1810 and his mother in 1811. Following this, he was adopted by a benefactor, a Richmond merchant named John Allan and her wife Frances. He was brought to England to study at Manor School in Stoke Newington. Upon his informal adoption, he took on the middle name Allan, as he was never legally recognized as adopted. Poe returned with Allan to the United States in 1820, and by 1826 he entered the University of Virginia.

Being one of the top students academically, he was, never thess, expelled a year later for not paying his gambling debts. This event led to the start of his estrangement from his adoptive father. He quit the clerical work he had and joined the US Army under the name Edgar Allan Perry, eventually gaining the rank of sergeant major two years after. This period also saw the publication of his works, though anonymously titled Tamerlane and Other Poems (1827).

His second volume of work, Al Aaraaf was published in 1829. Poe was able to secure an appointment with West Point (Quinn). Deeply unhappy in West Point, he deliberately neglected his duties, was court-martialed, and released from the academy in March 6, 1831. This proved to be the breaking point in his relationship with his adoptive father who disowned him, refusing even to answer letters from Poe addressed to him as Dear Pa. Moving to his aunt in Baltimore, he published his third collection Poems in 1831. The following year, his work Ms in a Bottle proved to be a success in a competition held by the Baltimore Saturday Visitor.

During this time, he found work as an editor to the Southern Literary Messenger (Poe). His frank critique and commentaries in the paper earned him both praise and scorn and built his reputation as an independent but difficult critic. Loneliness, abandonment, and trepidation characterized his works during this period. Augur of Death in Life of Poe Following a courtship, the 27 -year-old Poe married his 13 -year-old cousin Virginia in 1836 in Richmond. Arguably, the period from his marriage to his cousin saw his literary flowering, as this was a period both of turmoil and of talent for Poe. In 1838, The Narrative of Arthur Gordon Pym was published, following this; he helped write The Conchologist's First Book, earning him an allegation of plagiarism of the conchology textbook by Captain Thomas Brown, which was published in Glasgow in 1833.

In May 1839, Poe became an editor to William Evans Burton's two-year old Gentleman's Magazine, which later merged with Grahams Magazine. The following year, one of his major works, Tales of the Grotesque and Arabesque (1840) was published along with Journal of Julius Rodman (poe). Interestingly, the latter work was mistaken as a factual account of an expedition and was included in a report submitted to the US Senate. In 1841, his Murders in the Rue Morgue was published, auguring the genre of detective stories. By this time, the circulation of Grahams Magazine grew from 5, 000 to nearly 37, 000 subscribers. It became the most fashionable periodical of its day.

Leaving Grahams Magazine in 1842, he became started a long quarrel with Rufus Griswold who replaced Poe as an editor, auguring his period of financial decline. In 1843, his piece The Gold-Bug won the $ 100 prize from the Dollar Newspaper and Prose Romance was published. This year also saw him deliver lectures such as The Poets and Poetry of America, The Poetic Principle, and The Universe. The last of these formed his thesis for his 1848 book Eureka, an insightful piece that precedes Einsteins Theory of Relativity, by linking space and time into a continuum and observing that our measure of time is just the most stable measure for men in knowing dimensions. By 1845, his The Raven was published, sealing his modern reputation as a master of macabre and gothic literature, this period also the publication of his Philosophy of Composition, (1845) an admittedly fictional explanation of a poems creation (poe). In 1846, the first of Poe's The Literati of New York City: Some Honest Opinions at Random Respecting Their Authorial Merits, with Occasional Words of Personality ran exceptionally well in God's Lady's Book, creating demand for five installments.

By 1849, his seminal work Annabel Lee, a verse of lamentation on the death of a beautiful woman was said to be dedicated to his wife who died after a lingering illness of tuberculosis in 1847. His death in October 7, 1849 after one of his drunken stupor is still shrouded in mystery over the exact cause (Quinn, Arthur 1997). Various theories from rabies, to cooping, and brain hemorrhage was set forth but none came conclusive. His works through this period were characterized with a narrator as directly involved with the events, the augur of death upon the characters, the faint hint of decay and flayed flesh and spiritual epiphany. The accounts on the character of Poe by his detractors describe him as a drunken fool and a charlatan. As seen from hindsight, Poe is no angel but the infamy heaped upon him by Griswold and J.

E. Snodgrass was totally undeserved. Rouges Spirit Poe gained fame in his time alone, yet for all that his lasting legacy comes to fore in influencing authors after him. A fair analogy to Poe's lasting influence would be a drop in a pond that creates a ripple and reverberates through its entirety.

Among those influenced by him is HP Lovecraft, whom Stephen King, a master storyteller himself acknowledge, Lovecraft is the 20 th century's dark and baroque prince... Now that time has given us some perspective on his work, I think it is beyond doubt that HP Lovecraft has yet to be surpassed as the Twentieth Century's greatest practitioner of the classic horror tale. " Another master deeply in debt to him is Sir Arthur Conan Doyle whose character, Sherlock Holmes is modeled after Poe's During. Furthermore, as in the same vein as Poe, Doyle writes in a narrators perspective with a hero flawed and with keen hindsight to the nature and vagaries of men. Without doubt, modern writers like Jules Verne, author of the classic 1870 tale Vingt Mille Lines sous les mers (20, 000 Leagues under the Sea) is influenced by Poe's work in science fiction such as The Facts in the Case of M. Valdemar (1845) and The Conversation of Error and Champion (1839). Charles Baudelaire was another author deeply influenced by Poe.

As the author Amy Jo Roy quotes Baudelaire acknowledge that "Do you know why, with such infinite patience, I translated Poe? It was because he was like me! The first time I ever opened a book by him and discovered, with rapture and awe, not only subjects which I had dreamt, but whole phrases which I'd conceived, written by him twenty years before. " Indeed, Poe's work has a dreamlike quality to it. Claude Debussy, composed works based on Poe such as Fall of the House of Usher. Alfred Hitchcock, master of films suspense and director of the seminal film Psycho is indebted to him through his adaptation of Poe's technique in creating psychological terror inside the mind, where conflict and madness loom and instilling in the viewer a sense of bearing witness to a crime. Silverman argues that brooding on the forbidden name already echoes in Al Aaraaf, this is countered with a letter by Poe which states that he conceded his own sad part in earning John Allan's displeasure (Poe).

Truly, Poe is no monster; he is a complex man, fraught with difficulties in life. Poe's work evokes a sensation of immersion in a different world, where the reader bears witness to the narrators tale. It gently leads the reader into a sense of resonance to his work and dissonance to the outside world. This is done by introducing narrative devices that gently plod at first, and then as hints of decay and death continue to permeate the senses, the narrator thrusts the proverbial knife and proceeds with the denouement. As any good book, it leaves the reader a bit relieved at the end that the tale is done and a bit wiser. This is effective as it leaves a conflict resolved, but in some cases, terror still lingers.

Poe lies dead, yet even in death Poe lives through his works, for he lives in our consciousness. Works Cited The Biography of Edgar Allan Poe Edgar Allan Poe Society. 10 May 1999. Accessed 20 April 2006 at: < web > Silverman, Kenneth. Edgar A. Poe: Mournful and Never-Ending Remembrance. HarperCollins, 1991.

Poe, Edgar Allan. The Poetic Principle. Strain's Union Magazine, October 1850 Quinn, Arthur Hobson. Edgar Allan Poe: A Critical Biography. Appleton, 1941.

Reprint, Johns Hopkins University Press, 1997. Roy, Amy Jo. Poe and Baudelaire: A Vast Ocean Apart. Accessed 20 April 2006 at: < web >


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