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World Lit April 19, 2000 Andres Segovia Quick Biography Andres Segovia was born on February 21, 1893 in the Andalusian city of Linares, Spain. His father was a prosperous lawyer and hoped that one day that his son would join him in his work. Andres' father, trying to build a wide cultural background for his son, began to provide Andres with musical instruction at an early age. He thought him how to play the piano and the violin, but Andres did not seem to be too enthusiastic about either instrument. When he heard the guitar at one of his friend's home being played his interest in music it self had begun. Even though his parents disapproved of him playing the guitar, Andres still continued to play the instrument.
Andres applied his previous acquired musical knowledge to his study of the guitar. Because of this Andres developed his own technique, he had discovered quite early that certain piano exercises were beneficial in strengthening the fingers for the guitar. He believed that the guitars rightful place was in a concert stage, but at this time the guitar was considered unsuitable in place like a concert stage (Cumpiano, William). Andres Segovia's Impact on The Guitar Because of Andres Segovia, the history of the guitar changed forever. Andres Segovia's performances also helped make guitar makers like Manuel Ramirez, and Herman Hauser become famous themselves. His expertise also helped the Yamaha corporation, but his greatest impact was as a teacher.
To study with the great Segovia was considered one of the finest honors of a classical guitarist. Segovia felt that he was the person to bring the guitar to an unseen level of fame. He had an encounter with Jose del Hierro, who had heard him play at the shop of Manuel Ramirez and told Segovia to take up the violin instead, but Segovia told Del Hierro that it was too late for him to take up another instrument and that the guitar of tomorrow needed him. Segovia's first concert quality guitar was from the shop of Manuel Ramirez built by Santos Hernandez in 1912.
He got the guitar in preparation for his concert at the Ateneo, Andres needed a guitar that could be used in a concert. The guitar he had was made by a famous maker, but was only a student model which was made from cheap wood (Zondag, Curtis). He went to the store to look for something to play on a "rent to own" basis. At that time nobody would ask for a guitar to be rented, it was mostly pianos that were rented.
Segovia then tried out the guitar and Ramirez listened to Segovia. Ramirez was convinced that Segovia was a great musician and gave him the guitar for free. As time went on Segovia needed a new guitar. In one of Segovia's concerts, Segovia met Herman Hauser. Segovia discussed about what qualities he was looking for in a guitar. Twelve years later in 1937 Hauser presented the new guitar.
The guitar was known as "The Segovia model. " Today many makers have made their own versions of that guitar. Years later Segovia got involved with the Yamaha corporation. Yamaha talked to Segovia for the design of their highest grade guitar, it was called the GC 71. The guitar included a reduced angle between the head and neck, which would produce a mild tone a new branching pattern to increase bass response. The finest woods were also used for this guitar, Rumanian spruce for the top and Brazilian rosewood for the back and sides. Because of the detail and the endorsement of Segovia, the guitar is on the market for about $ 10, 000 in US funds.
Because of Segovia showcasing Ramirez, Hauser, and Yamaha guitars those brands have been ingrained in the history of the classical guitar (Zondag, Curtis). Segovia a Teacher Segovia spread his philosophies in teaching the guitar in many ways. He released many books of repertoire, which include some of his work and his arrangements of works that other have. One way that he thought was by television. He made teaching videos, and also made a thirteen episode series called "The Segovia Master Class. " His classes were held in Sienna, Italy, Santiago de Compostela, Spain, and Berkeley, California. Many of the students Segovia taught went on to become experts in the field.
One of the most successful is Christopher Parking. In Christopher's early teens he would practice the guitar for about an hour and a half before school. At the age of fifteen he was invited to attend a Master Class with Segovia. His private lessons were taught after Segovia had told Chris that he great potential for a career in classical guitar (Lorimer, Michael).
A regular class would begin with students arriving early an tuning their guitars, talking and exchanging music. Their would be two chairs one for the teacher, Segovia and the other for the student. When Segovia arrived, the students would rise in respect as he entered the room. He would then tell them to sit down an call each student up so they could perform.
The student would then play. Segovia might interrupt the student with comments such as, keep the tempo and don't pause at the end of each phrase, and be careful of your tone. Segovia would also lose his temper, especially when the students don't listen and when the students have chosen poor editions of music. Segovia didn't try to create musicians like him, but did try to bring out the students own individuality in music (Lorimer, Michael). Segovia's Fame At the age of fifteen, in 1909 Segovia made his first public debut in Granada. He then had later concerts in Madrid in 1912 here he played transcriptions for guitar by Francisco Tarrega and some songs by Johan Sebastian Bach which he had transcribed himself (Wikipedia).
After receiving recognition outside his own country by 1919 Segovia was ready for a full-fledged tour. In that year Segovia performed in South America. There he gained an enthusiastic reception. He did not go to Europe because of the shows he kept on giving but returned in 1923.
At this time some people considered him as a curiosity. His most into...
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