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Example research essay topic: Canada Michelangelo The Life Of Guido Nincheri - 1,441 words

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... uche's on his delicate work at a new project at Baie Comes Ste Emile Church, he was arrested by two R. C. M.

P. agents. Labeled as a fascist sympathizer, Guido was placed in a prisoner of war camp at Petawawa, outside of Pembroke. Later, after his imprisonment, three more RCMP agent showed up at his studio searching for any documents that might prove their theory of Guido being a fascist supporter. Giulia Guido's wife, was outraged at her husband's imprisonment and the accusations of the government. Giulia, an accomplished seamstress, who actively contributed to Guido's business by making the costumes for his models, set out to free her husband.

Giulia and Guido's assistant, Matthew Martirano, searched Guido's study for the original document for the controversial ceiling. After finding the original outline, for what Italians now call Mussolini's Church, which didn't include the sketch of Mussolini, she contacted a Montreal judge who enlisted the help of Ernst Lapointa, the former justice minister of Canada, . After three months in jail Guido was released, but placed on probation where he couldn't leave Montreal and had to report to the R. C. M. P.

every week. As the Second World War progressed and Mussolini became more inextricably linked with Hitler, the R. C. M.

P. walked into the church and hung a blank canvas over the portrait of the dictator. The sheet stayed there until the mid forties. After the war, although hurt by the accusations of being a fascist, Guido Nincheri still didn't abandon his Florentine style and continued to produce frescoes.

One of his most renowned monuments was the Saint-Leon De Westmount church. This church was named after Pope Leo First who ruled from 440 to 461 AD. These decades were in a period of social and political upheaval during the decline of the Roman Empire. One of the main figures of this fresco was Pope Leo, who was not only responsible for aiding the people of Rome to fight against Attila the Hun's armies, but also for reforming the Roman Catholic Church and establishing the dogma of Papel Infallibility.

The church's Florentine Architecture created a natural setting for Guido Nincheri's art since he had studied in Florence. In the main hall, the nave, Nincheri painted a series of frescoes depicting angels in heaven, heaven after the Apocalypse and the gates of heaven in the future where St Peter and St Leo await. At the very center of this fresco, Nincheri created a number of scenes from St John's book of Revolution. The Eternal Father is illustrated, with the Lamb of God, surrounded by a multitude of angles. Also included are the twenty-four elders and the horsemen of the Apocalypse representing victory, war, pestilence and death. Above the high Altar, the portrait of Pope St Leo dominates, surrounded by historical figures like Attila Hun and Valentine.

Overshadowing him is St Peter and Angles holding the key to heavens gate. Floating above them is a white dove a symbol of God's Spirit. The rich interior decorations, particularly the magnificent frescoes that line its vaults, and the stained-glass windows that illuminate the church, were all painted, etched and placed by Guido Nincheri's hands. The church's interior design, itself, took Guido 16 years to complete, starting in 1928 and finishing it in 1944. On Sept 26, 1999, on behalf of the Honourable Sheila Copps, Minister of Canadian Heritage, the Honourable Lucienne Robillard, President of the Treasury Board of Canada, recognized Guido for this work and awarded a plaque commemorating his work in the church and it's historical significance. "Here, at Saint-Leon, Guido Nincheri created a remarkable interior decorative programme consisting of architecture, frescoes, stain-glass windows and statues (wood, bronze and stone). The contribution of this architectural jewel to our religious heritage deserves to be recognized, " stated Minister Robillard.

The plaque was placed upon steel in front of the Church of Saint-Leon de Westmount, located at 4311 De Maisonneuve Boulevard, near Victoria Street, Montreal. He also created many other works in Ontario and the Maritimes, during the 1930 's and 1940 's and his reputation crossed the border into the United States. He decorated thirteen churches in Rhode Island and one in Massachusetts. He carried out the art work for Vancouver's Holy Rosary Cathedral. In Ontario, he worked on twenty-four churches including Eglise Saint-Michael in Toronto and churches in Hamilton, Windsor, Ottawa and St Peter's Cathedral, in London. He did five in New Brunswick, one in Nova Scotia and four in Prince Edward Island.

Along with Quebec's Saint-Leon De Westmount and Madame Della Digest churches, he produced interior designs for sixty-one other churches in Quebec. Included in these is the Amerindian mission church in Kanawake. Nincheri died in Providence, R. I. in 1973, a month before his 87 th birthday, He's buried in Notre Dames des Neiges Cemetery. In evaluating the contribution of Guido Nincheri's extensive amount of work to Canadian society, one has to, first of all, realize the high quality of craftsmanship in his work.

He has earned many distinctions. In 1933 Pope Pius appointed Nincheri knight-Commander of the Order of Saint-Sylvester, thereby affirming him as one of the great artists of the church. In 1972, he was named Knight of the Republic in Italy. Twenty years later, Nincheri was awarded the posthumous title of Builder of the City of Montreal.

Filpio Salvatore, a historian at Concordia University, states: " He brought with him, such a vast knowledge of the history of painting, such classic style and such a capacity to harmonize colours and volumes and images, that it is beyond the historical period in which he lived. He is a world class painter." Jean-Claude Mason, who sits on the committee of the Historic Sites and Monuments Board that decides what people, events or buildings are of national significance, when commenting on the placement of the plaque that commemorates the fresco walls, stain glass windows and bronze, wood and stone statues found in the Church of St Leon De Westmount stated that they were a true " masterpiece."This plaque is a way to honour and recognize the work of this outstanding and talented artist. " Guido's son, George, also gave a speech at the ceremony of the unveiling of the plaque at St Leon's "It is here in St-Leon's, " he said, "that my father was in a position to show, in a tangible way, his prolific talent in the field of religious art. Look around you and you will know the man- you will know the artist. " When thinking about what would cause a person to devote his entire life to produce such a vast amount of work, one has to go beyond the visible aspects of the art, to the inner involvement of the artist. Guido Nincheri was a humble man who was shy about signing his work, and only signed one in five frescoes and one in ten stain-glass windows. He felt that he didn't need recognition in newspaper articles because his churches were out there for everyone to see. He wanted his work to express a sense of community where all types of people were involved. "Many of the people in his paintings were parishioners and friends.

He'd take one look at you and the next thing you'd know there you would be painted in among the angels and the saints. " He wanted everyone to feel a sense of uplift ment whether religious or non-religious and to be a part of a greater thing. Not only by creating this link from people to people but also producing his work from province to province across Canada Guido Nincheri inspired Canadains from different cultures- not just French Canadians, but also English, American and Native Americans. An immigrant, who came to Canada with no family ties and no reputation, Guido Nincheri evolved from being simply a craftsman, to becoming a national figure who helped build a Canadian community. Bibliography Again Claude, "Nincheri, " Montreal Gazette, January 9 th 1994, sec C 1, C 4. Bien, Linda. "Frescoes of Saint Leon-de-Westmount, "n. d. < web (18 February 1999).

Darren Becker, "Heritage Canada honours church artist, " Montreal Gazette, 27 September 1999, sec A 5. Goodspeed, Rhona. "The Art of Guido Nincheri, " n. d. < web (8 June 1999). Gordon, Dick. " Montreal, Mussolini and a Man Named Guido, "n. d. < web > (17 January 2000). Fisher, Luke. "Joyous hymns of light and colour, " Mclean's, January 8 th 1996, 68 - 69.

The Dictionary of Art, 11 th ed. , s. v. "Fresco. " The National Cyclopedia of American Biography, 57 vol. , s. v. "Nincheri. "


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